InDepth InterView: Treat Williams Talks WHITE COLLAR, Broadway, Hollywood, Upcoming Projects & More
by Pat Cerasaro - Sep 11, 2012
Today we are talking to a terrifically talented stage and screen performer who has appeared in dozens of film, TV and stage projects over the course of his forty-year career, the thoughtful and charming Treat Williams. In this all-encompassing conversation, Williams and I discuss the many stages of his career thus far, from his early roots co-starring alongside the likes of John Travolta and Marilu Henner in GREASE and OVER HERE! on Broadway in the 1970s, to leading the film adaptation of Terrence McNally's THE RITZ to headlining Milos Foreman's stirring film version of HAIR to starring in handful of other iconic films from his heydey at the top of the Hollywood heap - Steven Spielberg's 1941, Sergio Leone's ONCE UPON A TIME IN AMERICA and Sidney Lumet's PRINCE OF THE CITY included - and even working with Woody Allen on the caustic HOLLYWOOD ENDING. In addition to sharing candid and observant behind-the-scenes stories from the sets of those landmark properties, Williams also reveals his role in the STAR WARS sequel THE EMPIRE STRIKES BACK and reflects on his brief time in London with Carrie Fisher, George Lucas and company. Plus, Williams shares his recollections of working with many of his most memorable theatrical collaborators, with some especially intriguing anecdotes surrounding his time spent playing Buddy in the 2001 Roundabout revival of Stephen Sondheim & James Goldman's FOLLIES - with some tales involving the man behind the musical, as well as the ghost of David Belasco - and his insights into his work with David Mamet on OLEANNA, BOBBY GOULD IN HELL, TEXAN and others. As if all of that were not enough - most pertinent of all - Williams gives us the 411 on his season-long arc on USA's hit nighttime drama WHITE COLLAR and imparts his enthusiasm for working with similarly multi-talented many-format star Matt Bomer and the rest of cast and crew while also revealing some details on where his dastardly character is headed in tonight's episode and all the way into 2013 when the show picks up after the hiatus coming up. Also, Williams sheds some light on his spate of upcoming projects. All of that and much, much more!
BWW Reviews: Fully Immersed with Co-Lab Kaka'ako, Part 2
by Gail Lloyd - Aug 29, 2012
I move ahead now to the final performance, the culmination of two weeks of heroic collaboration in the name of art. Having reviewed performances from the most mainstream to the most avant-garde,I am well aware of the broad spectrum of activity that can be called "performance art".
The process I observed of actors entering into relationship scenarios over and over again in the preceding weeks is imbued with the technique known as "The Method". Seeing the final performances this past weekend, it struck me that what I was witnessing was not so much players acting, but striving to achieve authentic relationships for the purpose
of giving life to the words of the script.
Atlanta Symphony Announces The Florence Kopleff Choral Administrator Chair
by Kelsey Denette - Jul 27, 2012
The Atlanta Symphony Orchestra has announced the creation of The Florence Kopleff Choral Administrator Chair in perpetuity as a tribute to American Contralto Florence Kopleff who died on July 24, 2012. The impact of Miss Kopleff - once called the "greatest living alto" by Time magazine - on American music and the Atlanta Symphony will be felt for generations to come. Jeffrey Baxter, current Choral Administrator for the Atlanta Symphony, longtime member of the ASO Chorus, and a friend of Miss Kopleff, will be the first holder of the chair.
Cherry Jones, Raúl Esparza and More Set for Sundance Institute 2012 Theatre Lab
by Kelsey Denette - Jul 9, 2012
Sundance Institute today announced the acting company and creative advisors for the eight projects being developed at its 2012 Theatre Lab, July 9-29 at the Sundance Resort. Under the supervision of Philip Himberg, Producing Artistic Director, and Associate Director Christopher Hibma, the Lab is the centerpiece of the Theatre Program's year-round work and is designed to support emerging and established artists and to create a place where their original work can be effectively mentored and challenged.
EAGLES Tribute Concert To Kick - Off Pacific Symphony’s Summer Festival 2012
by Laura Meltzer - Jun 15, 2012
A cherished Orange County tradition for the last 25 years, Pacific Symphony's Summer Festival 2012, presented by Hoag Hospital, begins with a July 4th extravaganza as the orchestra rocks out to the music of the highest-selling American band of the 1970s-the Eagles. Formed in Los Angeles in 1971, the Eagles defined the phrase "life in the fast lane" with country-flavored rock-and-roll that described the pursuit of the American dream. Achieving five No. 1 singles, six Grammys, five American Music Awards and six No. 1 albums, including the first to ever hit platinum (1 million sold), the Eagles have left a stream of mega hits and influence on American music. Taking place Wednesday, July 4, at 8 p.m. at the Verizon Wireless Amphitheater in Irvine, this holiday celebration stars the rock tribute band Windborne, performing Eagles' favorites such as "Take it Easy," "Desperado," "Witchy Woman," "Peaceful Easy Feeling" and "Hotel California."
BUTCH CASSIDY Among Films in HBO's 'Screen on the Green' Line-Up
by Caryn Robbins - Jun 14, 2012
HBO and Comcast are proud to announce the return of a favorite Washington summertime tradition, Screen on the Green. Marking its 14th year, the festival will kick-off July 16th with the 1969 classic 'BUTCH CASSIDY AND THE SUNDANCE KID.
NATIONAL PASTIME Begins Off-Broadway, 8/8
by Kelsey Denette - Jun 13, 2012
When the aspiring Broadway bound musical NATIONAL PASTIME opens at the Peter Jay Sharp Theater, it will have baseball memorabilia decorating the lobby.
A. D. Players Announces SHERLOCK HOLMES, FIRST CHURCH OF TEXACO & More for 2012-2013 Season
by James T Harding - May 30, 2012
A. D. Players has announced its 2012-2013 season, opening with the Houston professional premiere of Steven Dietz's award winning play, Sherlock Holmes: The Final Adventure, and followed by the Houston premiere of The First Church of Texaco by Andrew William Librizzi and the Southwest Premiere of Malcolm and Teresa by Cathal Gallagher. These productions are complemented by sequels to audience favorites, Sanders Family Christmas, written by Connie Ray and conceived by Alan Bailey with musical arrangements by John Foley and Gary Fagin, and Anne of Avonlea by Jeannette Carlisle.