In Time to Come - 1941 - Broadway Articles Page 20

BroadwayWorld brings you the Best of Albuquerque during the year 2012. Check out the Top Stories from each month during in the year 2012. We look forward to another exciting year of theatre in 2013!

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced today that the cast of the acclaimed epic musical GIANT will enter the recording studio in January to create an original cast album, which will be released by Ghostlight Records in spring 2013. GIANT officially opened at The Public on November 15 and features a book by Sybille Pearson, music and lyrics by Michael John LaChiusa, and direction by Michael Greif. The show will end its limited run at The Public Theater at Astor Place on Sunday, December 16 following a final two-week extension.

Inventing Abstraction, 1910-1925, on view at MoMA from December 23, 2012, to April 15, 2013, explores the advent of abstraction as both a historical idea and an emergent artistic practice.

For the holiday season, A.D. Players is presenting SANDERS FAMILY CHRISTMAS. The family friendly holiday musical is part of the SMOKE ON THE MOUNTAIN series, and was written by Connie Ray, Conceived by Alan Bailey, and has musical arrangements done by John Foley and Gary Fagin.

Warner Bros. Records has announced that it has signed vocalist and award-winning actress Emmy Rossum to its roster. The New York City native will release her first album for the label, a collection of covers of classic songs that span the '20s to the '60s entitled Sentimental Journey, on January 29th, 2013.

Warner Bros. Records is pleased to announce that it has signed vocalist and award-winning actress Emmy Rossum to its roster. The New York City native will release her first album for the label, a collection of covers of classic songs that span the '20s to the '60s entitled SENTIMENTAL JOURNEY, on January 29th, 2013.

Yesterday's MEET THE PRESS WITH DAVID GREGORY featured interviews with Senate Armed Services Committee chairman Sen. Carl Levin (D-MI), House Homeland Security Committee chairman Rep. Peter King (R-NY), Rep. Gregory Meeks (D-NY), and Honeywell CEO David Cote; and a roundtable conversation with MSNBC's Rev. Al Sharpton, National Republican Senatorial Committee vice chair Carly Fiorina, New York Times columnist David Brooks, documentary filmmaker and historian Ken Burns, and NBC News chief foreign affairs correspondent Andrea Mitchell.

Director Jim Johnson, Linde Stern, and Jeannie Saulnier bring the Brewster sisters and their deadly drinks to riotous life at Susquehanna Stage Co.

'Our Class' is certainly a difficult piece of theatre, but those who take the time to see this epic narrative will likely appreciate not only the artistic merits, but also the lessons that can still be learned from the story.

Today we are talking to a terrifically talented stage and screen performer who has appeared in dozens of film, TV and stage projects over the course of his forty-year career, the thoughtful and charming Treat Williams. In this all-encompassing conversation, Williams and I discuss the many stages of his career thus far, from his early roots co-starring alongside the likes of John Travolta and Marilu Henner in GREASE and OVER HERE! on Broadway in the 1970s, to leading the film adaptation of Terrence McNally's THE RITZ to headlining Milos Foreman's stirring film version of HAIR to starring in handful of other iconic films from his heydey at the top of the Hollywood heap - Steven Spielberg's 1941, Sergio Leone's ONCE UPON A TIME IN AMERICA and Sidney Lumet's PRINCE OF THE CITY included - and even working with Woody Allen on the caustic HOLLYWOOD ENDING. In addition to sharing candid and observant behind-the-scenes stories from the sets of those landmark properties, Williams also reveals his role in the STAR WARS sequel THE EMPIRE STRIKES BACK and reflects on his brief time in London with Carrie Fisher, George Lucas and company. Plus, Williams shares his recollections of working with many of his most memorable theatrical collaborators, with some especially intriguing anecdotes surrounding his time spent playing Buddy in the 2001 Roundabout revival of Stephen Sondheim & James Goldman's FOLLIES - with some tales involving the man behind the musical, as well as the ghost of David Belasco - and his insights into his work with David Mamet on OLEANNA, BOBBY GOULD IN HELL, TEXAN and others. As if all of that were not enough - most pertinent of all - Williams gives us the 411 on his season-long arc on USA's hit nighttime drama WHITE COLLAR and imparts his enthusiasm for working with similarly multi-talented many-format star Matt Bomer and the rest of cast and crew while also revealing some details on where his dastardly character is headed in tonight's episode and all the way into 2013 when the show picks up after the hiatus coming up. Also, Williams sheds some light on his spate of upcoming projects. All of that and much, much more!