And Be My Love - 1945 - Broadway Articles Page 14

It's shocking to me, fellow lads and lasses, that we've already reached Episode 8. Seems like only yesterday we were tumbling through the stones of Craigh na Dun like a wee little Sassenach. I approach this mid-season finale with mixed emotions. Of course I'm excited to see what happens next to the Highlands' newest 'it' couple, but with a recently announced air date of April 4, 2015, the midseason premiere just seems so far away. Too far away, I tell you! And I know tonight's episode will end with a cliffhanger, because showrunners just love messing with fans that way, don't they? They seem to get some sick joy out of it, and I both love and hate them for it. Such is the burden of the TV junkie.

The Postal Service is cooking up a feast of 20 million Limited Edition Celebrity Chefs Forever stamps today. The sugar-free, fat-free, zero-calorie stamps will be on the menu of the nation's Post Offices beginning today.

Adventure Theatre MTC commences its 2014-2015 63rd Season with Stuart Little, today, Sept. 19 - Oct. 26, 2014.

Celebrate the publication of Bernstein Meets Broadway: Collaborative Art in a Time of War (Oxford University Press) at Barnes and Noble, 86th Street & Lexington Avenue, New York City, on Monday, September 15, 2014 at 7PM.

Adventure Theatre MTC commences its 2014-2015 63rd Season with Stuart Little, Sept. 19 - Oct. 26, 2014. The play is based on the award-winning book by E.B. White, published in 1945. For more than a half-century, the shy and thoughtful mouse has been a beloved literary figure for generations of young readers.

Now anyone and everyone can join in the thrill of opening night at the opera! The Dallas Opera and the Sheila and Jody Grant Opera Discovery Program, with support from the AT&T Performing Arts Center, present an evening of FREE entertainment at Dallas's popular Klyde Warren Park, the second annual “Dallas Opera Opening Night Simulcast in the Park” featuring Mozart's class-conscious romantic comedy, The Marriage of Figaro.

New York Festival of Song announces 2014-15 season. Four Great Series Return Classic: NYFOS MAINSTAGE at Merkin Concert Hall (4 concerts) Future: NYFOS NEXT at Opera America's National Opera Center (3 concerts) Cabaret: NYFOS AFTER HOURS at Henry's Restaurant (3 concerts) Mentoring: NYFOS EMERGING ARTISTS at North Fork, Juilliard, Caramoor (3 concerts)

Individual tickets and subscriptions are now on sale for the 36th season of the Boston Philharmonic Orchestra and the third season of the Boston Philharmonic Youth Orchestra. The seven-concert series includes timeless masterpieces and extraordinary soloists led by Maestro Benjamin Zander.

Something very exciting is happening on today's small screens. The adult fantasy is becoming an actual thing-and a popular one at that. In a world where 'Game of Thrones' not only exists, but actually thrives on cable TV, Ronald D. Moore's 'Outlander' has all the potential to become another hit, and after the series premiere, I predict it probably will. Which isn't to say that that the new Starz series should be compared with the HBO smash. Both may have originally begun as sweeping epics stretching across thousands of pages of thick-spined behemoths before making it to the screen (the novel Outlander, by Diana Gabaldon, is the first of currently eight books upon which the new series is based), but the similarities end there. 'Game of Thrones' has the vast imaginary land of Westeros. Knights in shining armor. Oh yeah, and dragons. 'Outlander' has Inverness. Burly Scotsmen in tartan kilts. And no dragons. So I repeat, this is not 'Game of Thrones,' but, as it turns out, that's just fine. If the series premiere proved anything, it's that 'Outlander' doesn't need to compete with 'Game of Thrones.' It's more than capable of standing on its own two feet. Plus it has time travel. And time travel is pretty cool.

Multi Ethnic Theater, in association with Custom Made Theatre, presents August Wilson's Jitney, beginning today, August 7, and continues through August 31, at Gough Street Playhouse, 1620 Gough Street in San Francisco. Jitney is directed by Lewis Campbell, founder and artistic director of Multi Ethnic Theater. The play concerns a group of working class men who offer gypsy cab rides to and from African American communities where city cabs refuse to go.

The Old Globe today announced the full cast and creative team for the World Premiere of Bright Star, a new American musical featuring music by Edie Brickell and Steve Martin, lyrics by Brickell, and book by Martin, based on an original story by Martin and Brickell. Directed by Walter Bobbie, Bright Star will run September 13 - November 2, 2014 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center. Preview performances run September 13 - September 27. Opening night is Sunday, September 28 at 7:00 p.m. Single tickets go on sale on Friday, August 8 at noon.

Peace-loving ants flee for their lives from a plantation run by cruel cockroaches, only to discover their new society is eventually fraught with the same conflicts they previously faced, as well as others.

Multi Ethnic Theater, in association with Custom Made Theatre, will present August Wilson's Jitney, August 7-31, at Gough Street Playhouse, 1620 Gough Street in San Francisco. Jitney is directed by Lewis Campbell, founder and artistic director of Multi Ethnic Theater. The play concerns a group of working class men who offer gypsy cab rides to and from African American communities where city cabs refuse to go.

Tony Award winner Daryl Roth (Kinky Boots, The Normal Heart) and Karyl Lynn Burns (The Best is Yet to Come) present the New York premiere of Wiesenthal, the award-winning play written by and starring Tom Dugan and directed by Jenny Sullivan. Wiesenthal launches a limited 14-week engagement, from October 24 through February 1, at the Acorn Theatre at Theatre Row, (410 W. 42nd Street). Opening night is November 5.

The Midtown International Theater Festival has announced its 2014 lineup. Details below!

This summer, it's 'almost like being in love!' Goodman Theatre produces the first large-scale, professional revival of Brigadoon -- Alan Jay Lerner and Frederick's Loewe's legendary musical of Broadway's Golden Age -- in more than three decades. Under director/choreographer Rachel Rockwell, a company of 28 actors, dancers and singers breathe new life into the enchanting tale of an 18th century Scottish village that appears every century for one day only -- and the complications that arise when it's discovered by two 20th century Americans. With adapter Brian Hill, Rockwell revisits the libretto for this production, while music director Roberta Duchak and an orchestra of 13 use new orchestrations to enhance Loewe's lilting score.

54 BELOW, Broadway's Supper Club, presents Whitney Bashor Live at 54 Below tonight, June 26, 2014. Bashor starred on Broadway this season as Marian/Chiara in The Bridges of Madison County, singing Jason Robert Brown's folk-inspired 'Another Life'. Bashor's solo concert debut will showcase wide-ranging vocals, as she explores influences of rock and roll, R&B, folk classics, country and contemporary Broadway standards.

Washington

54 BELOW, Broadway's Supper Club, presents Whitney Bashor Live at 54 Below on Thursday, June 26, 2014. Bashor starred on Broadway this season as Marian/Chiara in The Bridges of Madison County, singing Jason Robert Brown's folk-inspired "Another Life". Bashor's solo concert debut will showcase wide-ranging vocals, as she explores influences of rock and roll, R&B, folk classics, country and contemporary Broadway standards.

Year 2014 marks Year 15 for the MITF and John Chatterton is celebrating in a big way. Prolific producer John Chatterton has been a fixture of the Manhattan theatre scene for two decades. For much of that time, his brainchild, The Midtown International Theatre Festival, has been celebrating the diversity of theatre becoming a leader in presenting powerful works from around the world - and one of the best reasons to come to New York in the summer. The once bachelor MITF now has a full family of arts programs: The Short Play Lab, which will be part of this year's festivities; Cabaret MITF - featuring Broadway and cabaret performers - also be part of this summer's festivities; and the Commercial Division spotlighting works whose production values and subject matter are the stuff for Off- [and on] Broadway; and, of course, the founding Midtown International Theatre Festival. The Midwinter Madness Short Play Festival and the MITF Children's Theatre Festival shared in the fun earlier this year.

This summer, it's "almost like being in love!" Goodman Theatre produces the first large-scale, professional revival of Brigadoon -- Alan Jay Lerner and Frederick's Loewe's legendary musical of Broadway's Golden Age -- in more than three decades. Under director/choreographer Rachel Rockwell, a company of 28 actors, dancers and singers breathe new life into the enchanting tale of an 18th century Scottish village that appears every century for one day only -- and the complications that arise when it's discovered by two 20th century Americans. With adapter Brian Hill, Rockwell revisits the libretto for this production, while music director Roberta Duchak and an orchestra of 13 use new orchestrations to enhance Loewe's lilting score.

Melba Moore will play two shows at New York's Metropolitan Room on June 20, 2014, at 7pm & 9:30pm. Price $35.00 - $115.00.

Hilda Morales was born in N.Y. City, and grew up in Puerto Rico. Her early training was with Ana Garcia of the Ballet San Juan. At 14 years of age, Ms. Morales received a Ford Foundation Scholarship to study at George Balanchine's School of American Ballet. She danced as a principal dancer with the Pennsylvania Ballet, soloist with American Ballet Theatre, artist-in-residence with the Colorado Ballet and guest appearances with Les Grands Ballets Canadiens, Albuquerque Ballet and Jacksonville Ballet. During her dancing career, Ms. Morales performed in full-length classic ballets as well as works by George Balanchine, Jerome Robbins, Agnes de Mille, Antony Tudor, John Butler, Alvin Ailey, and Jose Limon. Ms. Morales was featured in the movie The Turning Point, in the role of Sandra, directed by Herbert Ross. She guest teaches and is on the faculty of the Central Pennsylvania summer programs, and joined The Hartt School faculty in 1998.

Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, tonight, May 8, 2014, at 7:30 p.m.; Friday, May 9 at 8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.

I was just a little more than a year into my new side career as a cabaret show reviewer when I first saw a Karen Oberlin show. It was Valentine's Day night 2012 and Oberlin—with guitarist Sean Harkness and guest violinist Aaron Weinstein—would be performing her romance-laced set, Stringing Along With Love, at the Metropolitan Room. At the time, all I knew about Oberlin was that she was considered among New York's best female cabaret singers, and I hadn't researched her performing history pre-show. About a third of the way into her set I leaned over to my wife (it was Valentine's Day after all) and whispered, “You know, she has a real Doris Day quality in her voice and in the way she delivers some lyrics.” This immediately ratcheted up my appreciation for Oberlin since there are four passions I inherited from my Dad—baseball, reading the morning papers, sports writing and Doris Day (well, also Sophia Loren, but that's for another column). Since Dad had grown up during the prime of the Big Band Era of the 1940s, I heard the sultry sounds of a young Doris Day singing songs like “Sentimental Journey” on the family stereo more than a few times. Once I saw Day's strikingly adorable blondness on a record cover and her rocking body in one of her films, I knew what Dad was talking about. As popular, famous, and near iconic as Doris Day became, in my book, as a singer and screen beauty she's always been vastly underrated. Little did I know that Karen Oberlin had been doing a Doris Day tribute show so since 2001 at places like Firebird, Iridium, and the late Danny's Skylight Room, and produced a CD, Secret Love: The Music of Doris Day, in 2002. Karen Oberlin had instantly become my secret love.