Dolly Parton's The Better Day Tour will hit the Van Wezel on Sunday, October 16 at 7 p.m. Tickets go on sale this Friday, July 15th at 10 a.m.
Judging by opening night at the Old Globe, San Diego, fan reaction to Richard O'Brien's The Rocky Horror Show is every bit as over-the-top silly as the attention paid to the 1975 cult film retitled The Rocky Horror Picture Show. Rocky Horror is a 1973(London)/74(LA)/75(Broadway) sendup of early sci fi, class B horror films and offers a curiously appealing view of some gay and wildly campy transgender lifestyles. Fans dress up as Rocky, Dr. Scott, Frank 'n' Furter and the Phantoms and scream obscenities and corny comments at the characters on stage. They also cover their heads with newspapers to avoid the rain, wave flashlights back and forth and move instep to 'The Time Warp' in the aisles. It was 1977 midnight showings of the film that started this audience participation trend, which shows no signs of stopping.
Dolly Parton's The Better Day Tour will hit the Van Wezel on Sunday, October 16 at 7 p.m. Tickets go on sale this Friday, July 15th at 10 a.m.
Triple Grammy Award winner Debby Boone will appear at the Welk Resort in Escondido from June 22 to 25. In 1977 she skyrocketed to fame with 'You Light Up My Life' and has never stopped recording since. In the 80s it was gospel and Broadway into the 90s and more recently Reflections of Rosemary, a CD that honors her late mother-in-law all time great singer Rosemary Clooney. Boone has had a varied career, running the gamut from country to Christian to pop - Broadway and standards - and will soon record a Big Band Swing album. In our chat, this talented gal talks about her music and her childrens' books, which she wrote with her husband illustrator, Gabriel Ferrer.
Last night GLEE took on the catalogue of Fleetwood Mac - namely, their 1977 Grammy-winning Album of the Year, RUMOURS - and proved that you can do justice to the originals - as inimitable as they may be - but still go your own way with them. And, have your own way. Also, Broadway baby Kristin Chenoweth made her long-awaited return as boozy April Rhodes just in time to duet with Matt Morrison on the Stevie Nicks-penned classic 'Dreams' and a few of the secondary leads - namely Santana, Artie and Quinn - got a chance to shine with these silvery takes on the solid gold classic rock tracks. While some of the tribute shows have been hit-or-miss in the past, Fleetwood Mac and the self-avowed queen gleek herself, Stevie Nicks - who was on set for Gwyneth Paltrow's taping of 'Landslide' earlier this year, cheering the cast on - surely won't be digging an early grave with her silver spoon after hearing and seeing these sensitive and respectful takes on her tunes - and Lindsey Buckingham‘s and Christine McVie‘s, as well. But, I guess if anyone in the group has an issue with any of these covers, they can always cast a spell using some white witches and black magic. Speaking of which - or witch - too bad they didn't do 'Gold Dust Woman' or 'Silver Springs'! And, no cover of 'The Chain'? But, I suppose they're saving them for 'Rumours: Part 2' or, perhaps, an all-Stevie Nicks episode - particularly if it happened to feature songs from her splendid new album, IN YOUR DREAMS, which is out this week (her first new album this decade). So, break out your feathers, rings, and shawls, we've got all the gypsy magic you can handle inside thanks to the ever-revolving door of the ever-evolving cast of GLEE paying due respect to the similarly designed/aligned folk/rock super-group of the 70s making their momentous musical marriage somehow oh-so-apropos to the times, no?
One of the busiest leading men on Broadway since his two-year stint in the smash hit revival of Irving Berlin's ANNIE GET YOUR GUN co-starring Bernadette Peters (and, later, Susan Lucci and Reba McIntire), having appeared in Joe Mantello's highly-lauded revival of David Mamet's Pulitzer Prize-winning GLENGARRY GLEN ROSS and last season's Sondheim musical retrospective SONDHEIM ON SONDHEIM, the original star of DUKES OF HAZZARD himself, Tom Wopat, can currently be seen eight times a week in the jet-set new musical CATCH ME IF YOU CAN by Marc Shaiman and Scott Wittman. In this career-spanning retrospective interview, Wopat and I take a look at his TV work ranging from directing DUKES to co-starring on CYBILL and bring it all the way to today with TAKING CHANCE on HBO and last year's JONAH HEX feature film. We also have news on John Doyle's directorial debut MAIN ST. co-starring Orlando Bloom, Ellen Burstyn and many more, as well as a thorough discussion of his musical side: Sondheim, his recording career, upcoming albums, concerts and more - plus, a complete consideration of his newest Broadway venture CATCH ME IF YOU CAN in anticipation of the NY Pops tribute to Bob Hope that he is co-starring in alongside Kelli O'Hara, Aaron Lazar and many more this Monday, also featuring a special presentation by legendary theatre icon Angela Lansbury. More information - and tickets - are available here.
The John F. Kennedy Center for the Performing Arts presents C.I.C.T./Théâtre des Bouffes du Nord's production of Fragments running April 14 to 17 in the Kennedy Center Eisenhower Theater. Co-directed by Peter Brook and Marie Hélène Estienne, Fragments brings together four short plays by Samuel Beckett including Rough for Theatre I, Rockaby, Act Without Words II, Come and Go, as well as the poem, Neither. Press night will take place on Thursday, April 14 at 7:30 p.m.
The John F. Kennedy Center for the Performing Arts presents C.I.C.T./Théâtre des Bouffes du Nord's production of Fragments running April 14 to 17 in the Kennedy Center Eisenhower Theater. Co-directed by Peter Brook and Marie Hélène Estienne, Fragments brings together four short plays by Samuel Beckett including Rough for Theatre I, Rockaby, Act Without Words II, Come and Go, as well as the poem, Neither. Press night will take place on Thursday, April 14 at 7:30 p.m.
Theatergoers of a certain age will remember walking past The Little Theatre (now the Helen Hayes) when Albert Innaurato's comedy GEMINI was running and seeing Kenn Duncan's black and white photographs outside. The one that received the most attention was that of the bare-chested Reed Birney who was featured in that long-running comedy. Birney also received even more attention when the television ads for that production were aired. The TV commercials not only popularized a phrase that became a buzz word throughout the tri-state area: ‘Herschel, take human bites!'; but gave Birney a few seconds of air time that were unmistakable.
The John F. Kennedy Center for the Performing Arts presents C.I.C.T./Théâtre des Bouffes du Nord's production of Fragments running April 14 to 17 in the Kennedy Center Eisenhower Theater. Co-directed by Peter Brook and Marie Hélène Estienne, Fragments brings together four short plays by Samuel Beckett including Rough for Theatre I, Rockaby, Act Without Words II, Come and Go, as well as the poem, Neither. Press night will take place on Thursday, April 14 at 7:30 p.m.
Overbrook Entertainment partners James Lassiter, Ken Stovitz, Jada Pinkett Smith and Will Smith have formed a joint venture with Shawn 'JAY-Z' Carter to develop and produce major motion pictures. One of the projects being discussed is the re-imagination of the classic Broadway musical ANNIE as a vehicle for Willow Smith to star. The film will be developed with Sony Pictures Entertainment and produced by Overbrook Entertainment and Mr. Carter.
According to a report by Variety, Will Smith and Sony are looking into the possibility of creating a movie remake of ANNIE, starring none other than daughter Willow in the title role. 'Whip My Hair' collaborator Jay-Z is currently in talks to join the project. Additional details on the film have not yet been released.
The award-winning York Theatre Company's I Love My Wife (playing October 22-24, 2010), is the final show in its Fall 2010 Musicals in Mufti concert series.
The artists of New Line Theatre, 'The Bad Boy of Musical Theatre,' are very proud to announce the opening of the company's Twentieth Anniversary Season of provocative, adult, alternative musical theatre, with the hilarious Sexual Revolution jazz musical, I LOVE MY WIFE, running Sept. 30-October 23, 2010, at the Washington University South Campus Theatre (formerly CBC High School), 6501 Clayton Road, just east of Big Bend.
The award-winning York Theatre Company (James Morgan, Producing Artistic Director) has announced complete casting for I Love My Wife (playing October 22-24, 2010), the final show in its Fall 2010 Musicals in Mufti concert series.
The award-winning York Theatre Company (James Morgan, Producing Artistic Director) has announced complete casting for I Love My Wife (playing October 22-24, 2010), the final show in its Fall 2010 Musicals in Mufti concert series.
The award-winning York Theatre Company (James Morgan, Producing Artistic Director) has announced complete casting for I Love My Wife (playing October 22-24, 2010), the final show in its Fall 2010 Musicals in Mufti concert series.
The award-winning York Theatre Company (James Morgan, Producing Artistic Director) has announced complete casting for I Love My Wife (playing October 22-24, 2010), the final show in its Fall 2010 Musicals in Mufti concert series.
The artists of New Line Theatre, 'The Bad Boy of Musical Theatre,' are very proud to announce the opening of the company's Twentieth Anniversary Season of provocative, adult, alternative musical theatre, with the hilarious Sexual Revolution jazz musical, I LOVE MY WIFE, running Sept. 30-October 23, 2010, at the Washington University South Campus Theatre (formerly CBC High School), 6501 Clayton Road, just east of Big Bend.
The artists of New Line Theatre, 'The Bad Boy of Musical Theatre,' are very proud to announce the opening of the company's Twentieth Anniversary Season of provocative, adult, alternative musical theatre, with the hilarious Sexual Revolution jazz musical, I LOVE MY WIFE, running Sept. 30-October 23, 2010, at the Washington University South Campus Theatre (formerly CBC High School), 6501 Clayton Road, just east of Big Bend.
The artists of New Line Theatre, 'The Bad Boy of Musical Theatre,' are very proud to announce the opening of the company's Twentieth Anniversary Season of provocative, adult, alternative musical theatre, with the hilarious Sexual Revolution jazz musical, I LOVE MY WIFE, running Sept. 30-October 23, 2010, at the Washington University South Campus Theatre (formerly CBC High School), 6501 Clayton Road, just east of Big Bend.
The artists of New Line Theatre, 'The Bad Boy of Musical Theatre,' are very proud to announce the opening of the company's Twentieth Anniversary Season of provocative, adult, alternative musical theatre, with the hilarious Sexual Revolution jazz musical, I LOVE MY WIFE, running Sept. 30-October 23, 2010, at the Washington University South Campus Theatre (formerly CBC High School), 6501 Clayton Road, just east of Big Bend.
The artists of New Line Theatre, 'The Bad Boy of Musical Theatre,' are very proud to announce the opening of the company's Twentieth Anniversary Season of provocative, adult, alternative musical theatre, with the hilarious Sexual Revolution jazz musical, I LOVE MY WIFE, running Sept. 30-October 23, 2010, at the Washington University South Campus Theatre (formerly CBC High School), 6501 Clayton Road, just east of Big Bend.
La Jolla Playhouse announces the cast of its world-premiere musical Limelight: The Story of Charlie Chaplin, music and lyrics by Christopher Curtis, book by Christopher Curtis and Thomas Meehan and directed by Michael Unger, running September 7 - October 17, 2010 (media night: Sunday, September 19 at 7:00 pm) in the Mandell Weiss Theatre.
On its tenth anniversary, the Philippine Opera Company ('La Boheme', 'Harana') brings back its critically acclaimed production of Terrence McNally's 1996 Tony award-winning play 'Master Class', starring Philippine cinema icon Ms. Gil in the role of the opera world's grand dame Maria Callas (1923-1977). Presented in a master class format, the straight play explores what could have transpired inside the opera's classroom with Callas at the Juilliard 1971-72, at the time when the dramatic soprano had already lost her voice.
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