The angst, anguish and amity of the American middle class are first coaxed - then shoved - into the light in this uproarious, hopeful, and heart-breaking play that takes place over the course of a family dinner on Thanksgiving. Breaking with tradition, Erik Blake (Birney) has brought his Pennsylvania family to celebrate and give thanks at his daughter's apartment in lower Manhattan. As darkness falls outside the ramshackle pre-war duplex, and eerie things start to go bump in the night, the Blake clan's deepest fears and greatest follies are laid bare. Our modern age of anxiety is keenly observed, with humor and compassion, in this new American classic.
Stephen Karam's family drama 'The Humans'...is unapologetically depressing and lacking in narrative. Its pretentious and generic title is also a turnoff. Nevertheless, it makes for a compelling and often terrifying character portrait...there isn't much to be thankful for this Thanksgiving, and none of the problems are resolved or ameliorated by the play's end...'The Humans' is not as appealing as Karam's terrific comedic dramas ('Speech & Debate,' 'Sons of the Prophet'), but Houdyshell's razor-sharp delivery of her character's witty responses earns laughs. Under the direction of Joe Mantello...the actors deliver vulnerable, truthful performances while also handling simultaneous action on the two-story set, overlapping dialogue and many silent pauses.
It could certainly be argued that this home is haunted, but not by the usual suspects that pop up in horror flicks and scary campfire tales. As the Blakes gather for Thanksgiving dinner, along with Brigid's boyfriend and housemate, they are set upon, slowly but steadily, by frustrated and forsaken dreams and failed expectations...Karam...isn't interested in a polemic. Humans rather considers the trials its highly imperfect subjects face in a highly imperfect world, and resolves, without ever approaching sentimentality, that love is nonetheless resilient.
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