The Illusion 1994 - Articles Page 2

Lincoln Center at Home presents San Francisco Ballet: Romeo and Juliet on May 11, 2020. As a part of this new initiative, viewers can watch archival Lincoln Center performances, available for free and on demand at LincolnCenter.org and on Lincoln Center's Facebook Page.

Lincoln Center at Home (#LincolnCenterAtHome) presents San Francisco Ballet: Romeo and Juliet on May 11, 2020. As a part of this new initiative, viewers can watch archival Lincoln Center performances, available for free and on demand at LincolnCenter.org and on Lincoln Center's Facebook Page.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

Inland Pacific Ballet returns this spring with its spectacular landmark production of The Little Mermaid, the classic tale for all ages about the young mermaid willing to give up her life in the sea for love. Inland Pacific Ballet's colorful and engaging production combines dance and imaginative puppetry to create a magical ocean world with a cast of delightful sea creatures, magnificent sets, and elaborate costumes. Aerial technology and creative lighting enhance the underwater illusion and bring The Little Mermaid to life in this enchanting undersea adventure. Four performances only at Lewis Family Playhouse in Rancho Cucamonga; Saturday, April 4 at 11:30 a.m. and 4:00 p.m.; and Sunday, April 5 at 11:30 a.m. and 4:00 p.m.

Winter in New York City is not known for being particularly steamy (though the unseasonably mild weather this year gives one reason to pause), but there is always Complexions Contemporary Ballet's season at the Joyce Theater to turn up the heat to a feverish, sweltering boiling point! For the 26th season, the company revived recent seminal works -- Bach 25 and Woke -- alongside favorites spanning from 1994 to a brand new solo in Essential Parts, which acted as a 'Greatest Hits' compilation for the ever-evolving, always revolutionary dance troupe. This year also marked the World Premiere of their latest exploration of the full canon of a particular musician's oeuvre -- Love Rocks featuring the music of the iconic Grammy-winning rockstar, Lenny Kravitz. For patrons unable to attend all programs, FOMO (fear of missing out) syndrome is understandable, but for those who are highly familiar with the group's work or only getting their first taste, Program C -- which featured the latter two mentioned -- was the most delectable sampling of Complexions offerings old and new. The fascinating thing about such juxtapositions is that, in seeing the latest creations from 2020 side-by-side with choreography premiered in the early 1990s, it is remarkable to note how the level of innovation, depth of emotion and current relevance remains the same. It's a reminder that timeliness and timelessness can coexist, given the right mediums and masters. The genius of legendary Co-Founders, Co-Artistic Directors Desmond Richard and Dwight Rhoden (also the Principal Choreographer) cannot be underestimated. Indeed, it has not. They have both achieved phenomenal success and longevity, been lauded as trailblazers and received numerous accolades from peers, critics and audiences alike since they burst on the dance scene. It's no wonder that they have utilized the music of David Bowie, Stevie Wonder, Kendrick Lamar and Lenny Kravitz to tell their stories through bodies in motion -- they are rockstars themselves!

Japanese American magician David Hirata has changed the name of his solo show at The Marsh Berkeley to A Box Without A Bottom - Soko-Nashi Bako. Despite having several conversations with family members, some of whom had lived through internment during WWII, as well as Japanese-American audience members at the show's initial run at the San Diego International Fringe Festival in 2018, Hirata's subsequent discussionswith the Japanese-American  community in the Bay Area led him to realize that the original title, The J*p Box, was unacceptable.

The a?oeFrom Memphis to Las Vegas a?" Elvis Presley Tributea?? show features the duo, James Marais and Monique Cassells. They pay tribute to all three decades of the a?oeKing of Rock 'n Rolla??, Elvis Presley's career, i.e. the 1950's, '60s and '70s. The show is a mini-theatrical experience, featuring the dynamic vocal and visual performances of James and Monique, alternating as a duo and individual performers, who also do multiple costume changes throughout.

Quentin Tarantino's Once Upon a Time... in Hollywood officially hit theaters on July 26, 2019.

TimeLine Theatre Company, acclaimed for presenting plays that explore today's social and political issues through the lens of the past, announces its 23rd season.

The Old Globe today announced the cast and creative team as comic playwright Ken Ludwig, who delighted Globe audiences with Robin Hood! and Baskerville, returns with a hilarious world premiere: Ken Ludwig's The Gods of Comedy, directed by Amanda Dehnert (West Side Story at Carnegie Hall, world premieres of Kate Hamill's Pride and Prejudice and Ludwig's Baskerville). Presented in association with McCarter Theatre Center, The Gods of Comedy will run May 11 - June 16, 2019 on the Donald and Darlene Shiley Stage, Old Globe Theatre, Conrad Prebys Theatre Center, opening on May 16. Single tickets start at $30.00 and are on sale now. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE, or by visiting the Box Office at 1362 Old Globe Way in Balboa Park. Performances at McCarter Theatre Center ran March 12 - 31, 2019.

Shakespeare Theatre Company (STC) is delighted to announce its 2018-2019 ReDiscovery Reading Series will open on Monday, October 22 at the Lansburgh Theatre (450 7th Street NW) at 7:30 p.m. with Peerless, written by Jiehae Park.

Following the announcement of their Opening Night Film, Yen Tan's award-winning AIDS drama 1985, NewFest today announced the full lineup of their 30th annual celebration of the year's best LGBT films from around the world. The program of more than 140 narrative features, documentaries, episodic series and shorts runs from October 24-30 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City.

Zullo/RawMovement presents the Queerly Contemporary Festival today, June 9, 2018 at 7:30pm at City Center Studio 4, 130 West 56th Street, NYC. Doors open at 7pm for a gallery exhibit with works by Ricardo Francis. Tickets are $20 and can be purchased at https://www.zullorawmovement.com/.

Zullo/RawMovement presents the Queerly Contemporary Festival on Saturday, June 9, 2018 at 7:30pm at City Center Studio 4, 130 West 56th Street, NYC. Doors open at 7pm for a gallery exhibit with works by Ricardo Francis. Tickets are $20 and can be purchased at https://www.zullorawmovement.com/.

Zullo/RawMovement presents the Queerly Contemporary Festival on Saturday, June 9, 2018 at 7:30pm at City Center Studio 4, 130 West 56th Street, NYC. Doors open at 7pm for a gallery exhibit with works by Ricardo Francis.

Playing C, the youngest tall woman, was a once-in-a-lifetime opportunity she couldn't refuse, Pill explains.

Director Julie Taymor made the importance of having the animals, which play a big part in the story, represented through costumes, masks, and puppets when it was first being put to the stage in 1997. Taymor also devised a concept to theatrically represent the story and heart of show on stage with what she called the 'double event.' The double event is the representation of the animals through the costumes, puppets, and masks, but still having the human or the actor visible to the audience.

This spring, UW Drama students will take on Tony Kushner's seminal, era-defining play about AIDS and homosexuality in 1980s America, Angels in America-at least, they'll take on half of it.

In 1994, the Disney animated feature The Lion King made history as the highest grossing film of the year. Three years later on November 13, 1997, the awe-inspiring stage adaptation directed and costumed by Julie Taymor opened on Broadway. It received six Tony Awards, including Best Musical. With songs by Elton John and Tim Rice, the vibrant score is by Hans Zimmer, who recruited South African composer Lebo M. to create the textural Zulu influence. Twenty-five years later, its legacy continues to reverberate around the world. In a Japanese translation of this mega hit, Shiki Theater Haru in Minato remounted the first international production of The Lion King on December 20th, 1998. This year it celebrates its 20th anniversary in Japan at the Natsu Theater in Shinagawa.

'That old copper statue by the Courthouse downtown, honouring the dead Confederate soldier, ain't there no more…'

Court Theatre, under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director, announces the extension of All My Sons by Arthur Miller, directed by Charles Newell and featuring Kate Collins, John Judd and Timothy Edward Kane. All My Sons now runs through February 18, 2018 at Court Theatre, 5535 S. Ellis Ave. Tickets to extension performances of All My Sons go on sale Friday, February 2, 2018 and available by calling the box office at (773) 753-4472 orwww.CourtTheatre.org.

Andrew Hinderaker's stunning theatrical hybrid The Magic Play begins preview performances at The Armory on March 3, opens on March 9 and runs through April 1 on the U.S. Bank Main Stage. The Armory's production brings together the artistic team from the celebrated world premiere at Goodman Theatre/Olney Theatre Center, including director Halena Kays; magic creator/actor Brett Schneider; actor Sean Parris; master illusionist Jim Steinmeyer; scenic designer Lizzie Bracken, costume designer Alison Siple; aerial choreographer Sylvia Hernandez-DiStasi; and flying effects by ZFX, Inc. Portland Center State at The Armory's run of The Magic Play is a co-production with Actors Theatre of Louisville and Syracuse Stage.

Hampstead Theatre announces the first two productions for 2018.The UK premiere of Sarah Burgess' breathtakingly witty Dry Powder will be directed by Anna Ledwich and begins performances today.

Documenting the scandalous relationship between Peter Finch and Eletha Barrett in Hollywood, Cassie McFarlane's Mad As Hell will continue Jermyn Street Theatre's Spring Scandal Season. A battle between race and prejudice and the courage of love, Mad As Hell will reveal for the first time how the backdrop to Finch's iconic performance was as fiery as the role he played.

Platinum-recording jazz artist Najee, Queen of Comedy Sommore and celebrated local bands will bring their acclaimed performances to Access Showroom at Aliante Casino + Hotel + Spa this January.