The New York Idea Revival 1915 - Articles Page 3.4

Bookworks' April features include the likely combo of jazz and poetry; a cocktail hour with Amy Stewart, and famed memoirist Augusten Burroughs. Throughout April, Bookworks sponsors events for poetry lovers, gardeners, and for families, in the store and off-site.

Bookworks' April features include the likely combo of jazz and poetry; a cocktail hour with Amy Stewart, and famed memoirist Augusten Burroughs. Throughout April, Bookworks sponsors events for poetry lovers, gardeners, and for families, in the store and off-site.

Inventing Abstraction, 1910-1925, on view at MoMA from December 23, 2012, to April 15, 2013, explores the advent of abstraction as both a historical idea and an emergent artistic practice.

'Ninety-seven percent of the public believe what they're told, and what they're told is what the other chap's been told - and the fellow who told him read it somewhere,' announces marketing maven Ambrose Peale to would-be businessman Rodney Martin in 'It Pays to Advertise.' The Equity professional East Lynne Theater Company presents this screwball comedy from tonight, September 19 through October 13, with an 8:00 p.m. curtain. It is the usual Wednesday through Saturday schedule, except there is no show on Wednesday, October 3, and an added show on Sunday, October 7 at 7:30 p.m. On Wednesday, September 19 is an after-show opening night party at Aleathea's Restaurant at The Inn of Cape May, 7 Ocean Street, where patrons have the opportunity to mingle with actors and fellow theater lovers while indulging in complimentary hors d'oeuvres. There is an after-show Q&A with the cast and director on Friday, September 28, and on Friday, October 12, is an American Sign Language interpreted performance.

'Ninety-seven percent of the public believe what they're told, and what they're told is what the other chap's been told - and the fellow who told him read it somewhere,' announces marketing maven Ambrose Peale to would-be businessman Rodney Martin in 'It Pays to Advertise.' The Equity professional East Lynne Theater Company presents this screwball comedy from September 19 through October 13, with an 8:00 p.m. curtain. It is the usual Wednesday through Saturday schedule, except there is no show on Wednesday, October 3, and an added show on Sunday, October 7 at 7:30 p.m. On Wednesday, September 19 is an after-show opening night party at Aleathea's Restaurant at The Inn of Cape May, 7 Ocean Street, where patrons have the opportunity to mingle with actors and fellow theater lovers while indulging in complimentary hors d'oeuvres. There is an after-show Q&A with the cast and director on Friday, September 28, and on Friday, October 12, is an American Sign Language interpreted performance.

We caught up with the very, very busy Rob McClure, who has been seen waddling around New York City, baggy pants, cane-in-hand, twitchy mustache tickling and already capturing the crowd as the incomparable Charlie Chaplin.

Saldivar chatted with BWW about how he managed to make the quick changeover from performing in a classic piece of dramatic theater to the hilarious comedy of 'Peter and the Starcatcher.'

Cabaret chronicles author Jenna Esposito interviews rising star William Blake about his upcoming tribute to Etta James, his performance in the new Air Supply musical and more in a cabaret chronicles exclusive article!

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. Three shows make a PR appearance at Sidetrack, ATC plans a 'Hair' re-do, 'Camelot,' 'Floyd Collins,' three new mainstage musicals, a reading, a benefit and more!

Musical Chairs Chamber Ensemble, Inc. (MCCE) presents the third concert in its 2011-12 residency at The Staten Island Museum on Saturday, March 31, 2012 at 8pm. The evening features works by MCCE's 2011-12 composer-in-residence Andrew Rosciszewski, MCCE's Composer Search Finalist 2012 Elizabeth Nonemaker, Claude Debussy, Manuel De Falla, Alan Hovhaness, Henryk Gorecki and Francis Poulenc performed in a cabaret-style setting by MCCE members Tamara Keshecki (flute), Amanda Romano (harp), Elizabeth McCullough (soprano) and Wen-Yi Lo (piano). The performance will be livestreamed from www.mcensemble.org via Justin.TV and MCCE will field questions during via Twitter and Facebook.

Musical Chairs Chamber Ensemble, Inc. (MCCE) presents the third concert in its 2011-12 residency at The Staten Island Museum on Saturday, March 31, 2012 at 8pm. The evening features works by MCCE's 2011-12 composer-in-residence Andrew Rosciszewski, MCCE's Composer Search Finalist 2012 Elizabeth Nonemaker, Claude Debussy, Manuel De Falla, Alan Hovhaness, Henryk Gorecki and Francis Poulenc performed in a cabaret-style setting by MCCE members Tamara Keshecki (flute), Amanda Romano (harp), Elizabeth McCullough (soprano) and Wen-Yi Lo (piano). The performance will be livestreamed from www.mcensemble.org via Justin.TV and MCCE will field questions during via Twitter and Facebook.

The Power of Three: The Allen Theatre Project, a capital campaign undertaken in partnership between Cleveland State University (CSU), PlayhouseSquare and Cleveland Play House (CPH), is thrilled to announce the successful progress of its fundraising efforts with $27 million committed toward the $32 million goal.

Three giants of 20th-century American photography-Alfred Stieglitz, Edward Steichen, and Paul Strand-will be featured at The Metropolitan Museum of Art, New York, from November 10, 2010, through April 10, 2011, in the exhibition Stieglitz, Steichen, Strand. The diverse and groundbreaking work of these artists will be revealed through a presentation of 115 photographs, drawn entirely from the Museum's collection. On view will be many of the Metropolitan's greatest photographic treasures from the 1900s to 1920s, including Stieglitz's famous portraits of Georgia O'Keeffe, Steichen's large colored photographs of the Flatiron building, and Strand's pioneering abstractions. The exhibition is made possible in part by Joseph M. Cohen.

Three giants of 20th-century American photography-Alfred Stieglitz, Edward Steichen, and Paul Strand-will be featured at The Metropolitan Museum of Art, New York, from November 10, 2010, through April 10, 2011, in the exhibition Stieglitz, Steichen, Strand. The diverse and groundbreaking work of these artists will be revealed through a presentation of 115 photographs, drawn entirely from the Museum's collection. On view will be many of the Metropolitan's greatest photographic treasures from the 1900s to 1920s, including Stieglitz's famous portraits of Georgia O'Keeffe, Steichen's large colored photographs of the Flatiron building, and Strand's pioneering abstractions. The exhibition is made possible in part by Joseph M. Cohen.

Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.

Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.

Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.

The irresistible, finger-snappin' and toe-tappin' Tony® Award-winning musical revue, Ain't Misbehavin', a celebration of the music of Thomas "Fats" Waller, will end its run at the San Jose Repertory Theatre's stage April 18th.

he irresistible, finger-snappin' and toe-tappin' Tony® Award-winning musical revue, Ain't Misbehavin', a celebration of the music of Thomas "Fats" Waller, shimmies onto San Jose Repertory Theatre's stage March 13.

The 2010 Writers Guild Awards will be held on Saturday, February 20, 2010, simultaneously at the Hyatt Regency Century Plaza Hotel in Los Angeles and the Hudson Theatre at the Millennium Broadway Hotel in New York City.

he irresistible, finger-snappin' and toe-tappin' Tony® Award-winning musical revue, Ain't Misbehavin', a celebration of the music of Thomas "Fats" Waller, shimmies onto San Jose Repertory Theatre's stage March 13.

The Consortium of Theatre Programs at Brown University is proud to announce the first ever Writing is Live, a festival of new work featuring eight plays by writers in Brown's graduate programs.

The Writers Guild of America, West and the Writers Guild of America, East today announced nominations for outstanding achievement in television, radio, news, promotional writing, and graphic animation during the 2009 season to be honored at the upcoming 2010 Writers Guild Awards on February 20, 2010, in Los Angeles and New York.

The Writers Guild of America, West and the Writers Guild of America, East today announced nominations for outstanding achievement in television, radio, news, promotional writing, and graphic animation during the 2009 season to be honored at the upcoming 2010 Writers Guild Awards on February 20, 2010, in Los Angeles and New York.

One of the many delights of director Michael Blakemore's revival of Noel Coward's giddily funny 1941 froth, Blithe Spirit, is that this 2009 production looks like it could have been seen in the play's premiere year. No doubt contemporary Broadway theatre can provide more spectacular ways for an actress playing a ghost to enter a room than to just have her walk through the French windows. And certainly if an invisible spirit chooses to destroy her husband's drawing room, modern technology can whip up a few tricks more gasp-inducing than simply having a picture frame fall and a bookshelf topple over. But when you have one of the English language's great comedies played by a company that excels in the verbal dexterity of the playwright's wit, there's no need for such distractions.