Rubicon Theatre Company continues the 2009-2010 Season, 'Defying Expectations,' with DOUBT: A PARABLE by John Patrick Shanley.
The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.
Rubicon Theatre Company continues the 2009-2010 Season, 'Defying Expectations,' with DOUBT: A PARABLE by John Patrick Shanley.
The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.
The Frist Center for the Visual Arts has announced its upcoming events through April 30, 2010.
2009 provided me with the opportunity to review 126 of the more than 200 shows that were available in the St. Louis region, and it began in terrific fashion with New Line Theatre's NIGHT OF THE LIVING SHOW TUNES. This was a wonderful sampling of contemporary show tunes performed by a cast of talented locals, and featuring artistic director Scott Miller's fine accompaniment on piano. In the acoustically perfect confines of the Sheldon Concert Hall, these unique melodies made a glorious noise. And, as I continued on my quest to expose my young son to the world of musical theatre, I ended the year with the Imaginary Theatre Company's splendid presentation of BAH! HUMBUG!. I was lucky enough to catch quite a few gems in between, and I've decided to compile a list of the ten most intriguing and engaging productions I saw in 2009.
Irving Berlin's I Love A Piano, an enchanting new musical revue that spans over seven decades of American history, comes to Kanbar Hall at the Jewish Community Center of San Francisco (JCCSF) for two performances on November 20 and 21 at 8 pm.
Irving Berlin's I Love A Piano, an enchanting new musical revue that spans over seven decades of American history, comes to Kanbar Hall at the Jewish Community Center of San Francisco (JCCSF) for two performances on November 20 and 21 at 8 pm.
Academy and Tony Award-winning actor and photographer Joel Grey returns to television in a new episode of ABC's 'Grey's Anatomy.' Grey, whose recent TV credits include critically acclaimed appearances on 'Private Practice,' 'Brothers & Sisters' and 'House,' will guest star in the November 12, 2009 episode titled 'New History' as Izzie Steven's (Katherine Heigl) high school mentor suffering from dementia.
In case this is your first time reading one of my reviews of a Broadway revival of a classic musical, allow me introduce you to my personal prejudice. I completely abhor the now very common practice of revising the book and messing with the score of any musical theatre piece after the authors are deceased. If a composer, bookwriter or lyricist is around to approve of changes, that's swell, but all too often their estates will allow anything from the sparse, but significant, tweaks to South Pacific to the wholesale revisions of The Pajama Game and The Music Man. Even more deplorable is the practice of letting these changes go uncredited, as was done in the three examples just cited, giving audiences no clue that what they are watching is not wholly the musical the original authors wrote.
Perched above the stage in their private bleacher section, just beyond an outfield fence graffitied with the musical's title, conductor Rob Berman and his 25 piece Encores! Summer Stars orchestra might be mistaken for the conservatory cousins of Brooklyn's legendary Dodger Sym-Phony. But instead of serenading umpires from the Ebbet's Field grandstands with double forte arrangements of 'Three Blind Mice,' the musicians of director John Rando's cracker-jack production of Damn Yankees - a 1955 musical that opened in the early weeks of the baseball season that saw Brooklyn beat the Yankees for the borough's only World Series championship - treats 21st Century audiences to that thrilling sound of a Broadway Golden Age orchestra. The detailed movements and textures contained within Don Walker's orchestrations, whether giving comic accents to the pepper-upper 'Heart,' setting a satirical mood for the pseudo-vamp 'Whatever Lola Wants' or lifting a slow ballad like 'A Man Doesn't Know' with phrases that search the mind of the singing character, help bring majestic touches of artistry to this rousing vaudeville disguised as a book musical.
Due to popular demand, the following shows have added additional performances:
F#@KING UP EVERYTHING - Sat, Oct 17 at 11pm
SING, BUT DON'T TELL - Sun, Oct 18 at 3pm
Due to popular demand, the following shows have added additional performances:
F#@KING UP EVERYTHING - Sat, Oct 17 at 11pm
SING, BUT DON'T TELL - Sun, Oct 18 at 3pm
Irving Berlin's I Love A Piano, an enchanting new musical revue that spans over seven decades of American history, comes to Kanbar Hall at the Jewish Community Center of San Francisco (JCCSF) for two performances on November 20 and 21 at 8 pm.
Due to popular demand, the following shows have added additional performances this week: R.R.R.E.D: A Secret Musical - Thursday, Oct. 8 at 11pm Gay Bride of Frankenstein - Saturday, Oct. 10 at 11pm
Due to popular demand, the following shows have added additional performances:
F#@KING UP EVERYTHING - Sat, Oct 17 at 11pm
SING, BUT DON'T TELL - Sun, Oct 18 at 3pm
MEMPHIS has nabbed the Shubert Theater for its fall run.
Due to popular demand, the following shows have added additional performances:
Encore: Friday, October 2nd at 5pm
Fat Camp: Friday, October 2nd at 4pm
In the glory days of the movie musical, folks joked that MGM stood for 'Makes Great Musicals' and it boasted more stars than in the heavens.
The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.
The New York Musical Theatre Festival (NYMF) today announced the complete schedule for the 2009 Festival, which will begin September 28th and continue through October 18th. A full breakdown of this year's performances and venues follows.
Brooklyn Center for the Performing Arts at Brooklyn College opens its 2009-2010 Season on Sunday, September 13, 2009 at 3pm with Irving Berlin's I Love A Piano. This enchanting new musical revue spans over seven decades of American history as seen through the insightful and earnest eyes of Irving Berlin, a man whom Jerome Kern described by saying 'Irving Berlin has no place in American music...He IS American music!'
Paper Mill Playhouse (Mark S. Hoebee -Artistic Director, Mark W. Jones - Executive Director) is proud to announce that single tickets for all five mainstage productions go on-sale to the public on Monday, August 3rd for the 2009-2010 season.
Delicious re-creation of Tony Award-winning 1992 Broadway revival stars Richard Kind, Liz Larsen, Glory Crampton and Christian Hoff at the famed Maine summer playhouse
Paper Mill Playhouse (Mark S. Hoebee -Artistic Director, Mark W. Jones - Executive Director) is proud to announce that single tickets for all five mainstage productions go on-sale to the public on Monday, August 3rd for the 2009-2010 season.
1950 | Broadway |
Original Broadway Production Broadway |
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