Breaking all box office records in its day, FIDDLER ON THE ROOF, currently in previews at the Broadway Theater and scheduled to open December 20th, has thrilled audiences on Broadway and around the world for more than half a century. Generations have embraced Tevye's story and such unforgettable songs as 'Tradition,' 'If I were a Rich Man,' and 'Sunrise, Sunset.' Now as this beloved musical returns to the New York stage, the Museum at Eldridge Street welcomes the show's legendary lyricist: Tony, Grammy, and Pulitzer Prize winner, Sheldon Harnick.
This year's New York City Center Encores! production of LADY, BE GOOD!, featuring Tommy Tune and more, is out in stores and online today, November 13, 2015. To order the CD, visit www.sh-k-boom.com/ladybegood.
This just in! BroadwayWorld.com has learned that the Academy Award, Golden Globe & BAFTA winning actor Forest Whitaker will make his highly anticipated Broadway debut in HUGHIE, by four- time Pulitzer Prize winner and Nobel Prize Laureate Eugene O'Neill. Directed by Tony and Olivier Award winner winner Michael Grandage, HUGHIE will play a strictly limited engagement in the spring of 2016 on Broadway at a Shubert Theatre to be announced.
The Shakespeare Theatre of New Jersey is thrilled to present a world premiere adaptation of Ferenc Molnar's The Guardsman - translated from the original Hungarian by Molnar's great grandson Gabor Lukin and adapted and directed by Artistic Director Bonnie J. Monte. Performances begin Wednesday, July 8th and continue through Sunday, July 26th at the F.M. Kirby Shakespeare Theatre, 36 Madison Avenue (at Lancaster Road) in Madison. Individual tickets and subscriptions can be purchased by calling the Box Office at 973-408-5600 or by visiting ShakespeareNJ.org.
The production has several aces up its sleeve, the first being John Logan's script. Logan-the scribe behind the plays Red and I'll Eat You Last, films Gladiator, The Aviator, Sweeney Todd, Hugo, and Skyfall, and the T.V. show Penny Dreadful-is easily one of the greatest contemporary writers in any medium. His gift for creating edge-of-your-seat pacing, engrossing and flawed characters, and witty dialogue shows through in Never the Sinner, Logan's 1985 work and first play.
HUNTINGTON BEACH, Calif., April 1, 2015 /PRNewswire-USNewswire/ Just in time for Easter, Attorney Timothy J. Ryan of Timothy J. Ryan & Associates (www.tjryanlaw.com) has released a new book: 'The Personal Injury Victims' Bible: Your Guide for Treatment, Evidence, and Negotiations', which comes with a stuffed Easter Bunny proclaiming that 'Jesus is the reason for the season'.
It's been almost ten years since the Wildcats first crowded the halls of East High School, singing of a new start, the status quo, and of course, the big game. The first of three HIGH SCHOOL MUSICAL movies debuted on January 20, 2006, quickly becoming the most successful Disney Channel Original Movie ever produced. Launching the careers of a then-unknown set of teenagers, lots has happened to the cast since the last film wrapped in 2008.
Much of the cast has continued in the musical tradition of the trilogy, taking on various roles in other musicals on stage and screen. Later this Spring, Vanessa Hudgens will become the second of the group to make her Broadway debut, as the title character in Gigi. In honor of her big debut, BroadwayWorld is recapping you on what's been up with the rest of the gang since Senior Year!
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Avenue Q, the award-winning musical by Sell A Door, one of Greenwich Theatre's most successful emerging companies, is returning to Greenwich Theatre as part of a vibrant spring season from Tuesday, May 12, to Sunday, May 24.
After a smash hit, critically acclaimed, award-winning Edinburgh Festival Fringe run, the musical Thrill Me: The Leopold & Loeb Story will tour the UK, opening with a two-week London season at Greenwich Theatre from Wednesday 8 - Saturday 18 April.
The Jewish Museum and the Film Society of Lincoln Center are presenting the 24th annual New York Jewish Film Festival at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center, January 14-29, 2015.
As the axis of this spinning vortex, Noel Coward's The Vortex, the talented Shannon Holt dominates as Florence.
While reviewing What Makes a Man (WMAM), now playing at the Berkley Street Theatre, it's tempting to comment on what's not there, what could and should be there, rather than what is there. What is on display is a marvelous musical stage portrait of Charles Aznavour, the world renowned French singer/songwriter, actor and political activist/diplomat. A man of the world, he is capable of singing in five languages. One of the last surviving 'showmen,' he still is capable of filling the world's most prestigious concert halls. For example, a year ago he performed for the first time in 25 years at London's Royal Albert Hall. Demand was so great, a second concert was booked there for this past June.
In this interview, Alley Theatre Artistic Director, Gregory Boyd and I discuss the deep roots and broad influence of DRACULA, the genius and uniqueness of Edward Gorey, and, just for kicks, what it's like to work with David Hyde Pierce.
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.
The New York Philharmonic and Alan Gilbert continue The Nielsen Project - the Philharmonic's acclaimed multi-season survey of the six symphonies and three concertos by Danish composer Carl Nielsen (1865-1931) - with performances of Nielsen's Maskarade Overture and Symphonies No. 5 and No. 6, Sinfonia semplice, as well as the second release of the Philharmonic's series of recordings of Nielsen's complete symphonies and concertos.
Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.
The Mint's latest production, The Fatal Weakness by George Kelly, recently extended performances through October 26th to accommodate audience demand even before tonght's opening, September 15th (7pm) at Mint's home (311 West 43rd Street, just west of 8th Avenue).
Mint Theater's newest production is The Fatal Weakness by George Kelly. Jesse Marchesedirects a cast that features Cliff Bemis, Cynthia Darlow, Kristin Griffith, Sean Patrick Hopkins, Patricia Kilgarriff, and Victoria Mack. The Fatal Weakness has scenic design Vicki R. Davis, costume design by Andrea Varga, lighting design by Christian DeAngelis, original music & sound design by Jane Shaw, and properties design by Joshua Yocom. Performances will continue through October 12th. Opening Night is set for Monday September 15th (7pm) at Mint's home (311 West 43rd Street, just west of 8th Avenue).
The OBIE Award-winning Theater:Village festival, which is presented by Axis Theatre, Cherry Lane Theatre, New Ohio Theatre, and Rattlestick Playwrights Theater, returns for its second year, today, September 4 - October 5.
The New York Philharmonic and Alan Gilbert continue The Nielsen Project - the Philharmonic's acclaimed multi-season survey of the six symphonies and three concertos by Danish composer Carl Nielsen (1865-1931) - with performances of Nielsen's Maskarade Overture and Symphonies No. 5 and No. 6, Sinfonia semplice, as well as the second release of the Philharmonic's series of recordings of Nielsen's complete symphonies and concertos.
Mint Theater's next production will be The Fatal Weakness by George Kelly. Jesse Marchese directs a cast that features Cliff Bemis, Cynthia Darlow, Kristin Griffith, Sean Patrick Hopkins, Patricia Kilgarriff, and Victoria Mack. The Fatal Weakness will have scenic design Vicki R. Davis, costume design by Andrea Varga, lighting design by Christian DeAngelis, original music & sound design by Jane Shaw, and properties design by Joshua Yocom. Performances will begin tonight, August 19th and continue through October 12th. Opening Night is set for Monday September 15th (7pm) at Mint's home (311 West 43rd Street, just west of 8th Avenue).
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