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All new photos have been released from Asolo Repertory Theatre's Rolling World Premiere of Lady Disdain, written by Lauren Gunderson and directed by Sean Daniels. Performances will continue through June. Check out the photos here!

Comedian Paula Poundstone, known for NPR's 'Wait, Wait… Don't Tell Me' and her role in Pixar's 'Inside Out,' will perform for one night only at the Bram Goldsmith Theater in Beverly Hills.

Dane Laffrey took home a Tony Award for Best Scenic Design of a Musical for The Lost Boys. After leaving the stage at Radio City Music Hall, he checked in with BroadwayWorld's Richard Ridge to share his initial reaction!

Pacific Jazz Orchestra announced its 2026-27 season, 'Four & More,' featuring five programs with Sutton Foster, David Benoit, Kandace Springs, and others across six Southern California venues.

The Wallis Annenberg CEnter for the Performing Arts in Beverly Hills revealed its 2026-2027 season, opening in the Bram Goldsmith Theater in September with the Joshua Redman Quartet, plus more.

Penn Live Arts will present Toll the Bell, a vigil and citywide sound installation marking National Gun Violence Awareness Day, with bells ringing simultaneously at 50+ locations across Philadelphia and the surrounding region.

Booth’s deeply sympathetic rendering of a good man navigating a life of crises is 95 minutes of sublimity. And in the role of Kenneth, actor Petey McGee delivers a performance that is as throat lump-inducing as it is uplifting.

BODYTRAFFIC will mark the end of its 20-year run with final Los Angeles performances at the Wallis Annenberg CEnter for the Performing Arts, featuring works by Trey McIntyre, Cayetano Soto, and others as part of a national Tour of Thanks.

The Scott Dunn Orchestra returns to the Wallis Annenberg CEnter with FROM HELL TO HOLLYWOOD, exploring music by European émigré composers who fled the Nazis and shaped Hollywood's first golden age.

THE WAITING, a new musical exploring grief through folk melodies and poetry, will be staged at the Wallis Annenberg CEnter for the Performing Arts as part of the ASCAP Foundation Musical Theatre Workshop.

Asolo Repertory Theatre has revealed the cast and creative team for the rolling world premiere of Lady Disdain, a new romantic comedy by Lauren Gunderson, directed by Sean Daniels, running in Sarasota, FL.

Penn Live Arts will hold its third Toll the Bell event, using the transformative power of the arts to catalyze attention for National Gun Violence Awareness Day. Learn more here!

The Wallis Annenberg CEnter for the Performing Arts will present Bang on a Can All-Stars performing RYUICHI SAKAMOTO, 1996, a live tribute featuring new arrangements of the late composer's most celebrated works.

Penn Live Arts has announced its 2026–27 season, titled Belonging, featuring performances across dance, music, theatre, and family programming in Philadelphia. The season includes appearances by Tony-winners Audra McDonald and John Cameron Mitchell.

The Lee Strasberg Theatre & Film Institute's StrasbergWorks program will present DINNER PARTY, a student-written play by Reina Macias, making its New York premiere at the Marilyn Monroe Theatre, directed by Tyrel Jackson Williams.

The ASCAP Foundation announced its annual Musical Theatre Workshop at the Wallis Annenberg CEnter for the Performing Arts in Los Angeles, featuring live readings and feedback panels for three new musicals by emerging writers.

Penn Live Arts will close its America Unfinished season with the Martha Graham Dance Company and PHILADANCO! at the Annenberg CEnter, featuring the world premiere of in case of fire, speak, choreographed by Tommie-Waheed Evans.

Penn Live Arts has received a $1 million gift from Tricia and Jason Pantzer, marking one of the first leadership gifts to the organization's capital campaign.

Pacific Jazz Orchestra will present Miles & Trane at 100 at The Wallis in Beverly Hills. The concert will celebrate the centennial of Miles Davis and John Coltrane with newly arranged works. Guest artists will include Emmet Cohen, Sean Jones, and Jacob Scesney.

ENGLISH isn’t so much a play about the power of words as it is about the inextricable and very complicated bonds between language, culture and identity.