The Reservoir Off-Broadway Reviews

Directed fluidly by Shelley Butler with a minimal design, the production relies on ensemble acting; both Heidi Armbruster and Matthew Saldívar portraying multiple characters (among others, she’s Josh’s mother and a rabbi; he’s Josh’s co-work...

Directed fluidly by Shelley Butler with a minimal design, the production relies on ensemble acting; both Heidi Armbruster and Matthew Saldívar portraying multiple characters (among others, she’s Josh’s mother and a rabbi; he’s Josh’s co-worker and a neurologist), and the four grandparents moonlight as the crowd in scenes of a support group and others. But “The Reservoir” is inescapably the Noah Galvin show, and he makes the most of it. Galvin (best-known for Dear Evan Hansen and the short-lived TV series “The Real McNeal”) has fine comic timing, charm, and physical grace. But he is most impressive for the moments that his face registers, briefly but persuasively, Josh’s pain and sorrow.

The Reservoir suffers from both its excessive jokiness and overfamiliarity, redeemed mainly by Shelley Butler’s clever staging and the performances of its ensemble. Galvin expertly handles both the comedic and tragic aspects of his character and Ar...

The Reservoir suffers from both its excessive jokiness and overfamiliarity, redeemed mainly by Shelley Butler’s clever staging and the performances of its ensemble. Galvin expertly handles both the comedic and tragic aspects of his character and Armbruster and Saldivar do fine work in numerous roles. But it’s the four old pros onstage who truly shine, with Aaron stealing the show as the sardonic Beverly who’s younger than her years. Unfortunately, those veteran performers are not playing characters so much as archetypes in a play that purports to deal with serious issues but never gets beneath the surface.

There’s a constant interplay between humor and hardship, and at times, the tonal shifts can feel jarring and unsettling, raising questions about whether its appropriate to laugh at the subject matter at hand. The play concludes with satisfying forw...

There’s a constant interplay between humor and hardship, and at times, the tonal shifts can feel jarring and unsettling, raising questions about whether its appropriate to laugh at the subject matter at hand. The play concludes with satisfying forward progress for Josh; the only trouble is that, at two-plus hours, his journey takes too long to get there.

It doesn’t happen often, but every once in a while a play is not so much a play as it is an audition for a Netflix or HBO series. The TV company could be NBC or CBS if not for the fact that “The Reservoir,” which opened Tuesday at the Atlantic ...

It doesn’t happen often, but every once in a while a play is not so much a play as it is an audition for a Netflix or HBO series. The TV company could be NBC or CBS if not for the fact that “The Reservoir,” which opened Tuesday at the Atlantic Theater Company, is about alcoholism and Alzheimer’s.