Zac Thriffiley — Theater Critic

When adapting any literary work for the stage, the creative team must ask what their iteration can accomplish on the stage that could not be achieved on the page. In this regard, Spangler’s script and Giles Croft’s direction succeed on several counts. This dramatized version of KITE RUNNER gives audiences a much more concrete sense of Afghan culture and how it connects a community forced from their homeland. One of the second act’s more moving tableaus comes during a nikah, the Islamic marriage ceremony that unites Amir and his fellow refugee Soraya (excellently played with sweetness and strength by Awesta Zarif). In fact, one of the benefits of adapting this story for the stage is that it creates a greater sense of intimacy between the characters and the audience, bringing them into a time and place that risks feeling fantastical within the limits of the novel. Standout scenes include when Hassan lies to Baba about a stolen watch as a means of protecting Amir, and Amir’s hesitant courtship of Soraya.