Matt Windman — Theater Critic

For the most part, the play is an engaging piece of cultural dialogue. But by the same token, it is considerably undercooked. The characters are broadly sketched and undistinctive, rather like mouthpieces designed just to take opposing positions. Mamet ends the play abruptly by revealing that a confession has been made, putting a quick end to the ambiguity and argumentation upon which the play thrived. And besides some gratuitously graphic language, there's nothing shocking or even original about 'Race.'

But in spite of so much to admire visually, 'Fela!' has absolutely no storyline besides some vague biographical details and quickly turns into a repetitive bore.

Occasionally, 'Memphis' feels clichéd and reminiscent of storylines already seen in 'Hairspray,' 'Dreamgirls' and 'Jersey Boys.' But more often than not, its careful balance of pure fun and character drama proves to be irresistible.

4 out of 4 stars.

4 out of 4 stars.