Bill Rauch To Leave OSF In 2019 To Lead NYC's Perelman Center
The Oregon Shakespeare Festival (OSF) announced today that Artistic Director Bill Rauch will leave OSF in August 2019 to assume artistic leadership of The Ronald O. Perelman Center for Performing Arts at the World Trade Center in New York City.
"What we have collectively accomplished in the past 12 years at OSF exceeds my wildest dreams of what was possible when I first started the job," Rauch said. "An ever-diversifying universe of actors, artisans, administrators, board members, audience members and so many more have led this Festival boldly forward to the forefront of the American theater."
"Leaving OSF and this amazing company has been one of the most difficult decisions of my life," Rauch continued. "The Festival and this wonderful town are where my husband and I have raised our two children together-it's truly our home in so many senses of the word. We have been deeply impacted and changed by our time here in Ashland."
According to the Perelman Center's website, "The Performing Arts Center at the World Trade Center (PAC) will be a global center for the creation and exchange of art, ideas, and culture. Featuring a cafe? and community spaces, the PAC will be a hub for the thriving downtown community." In its three flexible performance spaces, the PAC will produce and premiere works of theater, dance, music, musical theater, opera, and film, as well as productions that cross multiple disciplines.
"The opportunity to move to New York to lead the Perelman Center is tremendously exciting," Rauch said. "I'm honored to be able to create transformative art and cultivate a community gathering space at a site that has such powerful emotional resonance for our country and the world."
"Bill's time as OSF's artistic director has been and will continue to be extraordinary," said OSF Board President Peter H. Koehler, Jr. "Thanks to his talent, vision, passion and unflagging energy, OSF is now at the center of the national theater conversation. We've been honored with the Festival's first Tony Award for Best Play and first Pulitzer Prize, seen numerous world premieres go on to great success across the country, begun a decade-long journey through Shakespeare's entire canon, and become a leader in the field with our equity, diversity and inclusion efforts."
"I so look forward to the heights we will continue to scale in our next 18 months together," added Koehler. "And I know that our future after Bill will be just as exciting, thanks in part to his phenomenal contribution to OSF for 13 years as our artistic director."
OSF Executive Director Cynthia Rider praised Rauch for his achievements and is grateful to continue working together for 18 more months. "I'm so fortunate to have had the opportunity to partner with Bill these last five years," Rider said. "He is a truly remarkable artist, a passionate leader and one of the kindest people you will ever meet. His tireless work in producing a record number of plays written and directed by women and artists of color will be a huge part of his legacy. I'm so glad we have a year-and-a-half to keep this collaboration going."
Rauch became OSF's fifth artistic director in 2007, after five seasons at the Festival as a guest director. He has directed seven world premieres-Off the Rails, Roe, Fingersmith, The Great Society, All the Way, Equivocation and By the Waters of Babylon-and 17 other plays. In the 2018 season, he is directing Rodgers and Hammerstein's Oklahoma! and Shakespeare's Othello.
Among his initiatives at OSF, Rauch, along with longtime collaborator Alison Carey, committed to commissioning 37 new plays to dramatize moments of change in American history. American Revolutions: the U.S. History Cycle has premiered nine plays at OSF to date, many of which have moved on to other theaters across the country as well as Broadway, including a Tony-winning production of All the Way that was directed by Rauch. In 2015, the Play on! 36 Playwrights Translate Shakespeare commissioning program was created to engage some of the field's leading playwrights and dramaturgs in creating modern translations of Shakespeare's plays.
Rauch also initiated the BLACK SWAN Lab for New Work with then-Literary Director Lue Douthit, and helped to usher in an eclectic festival-based format for the Green Show that proved particularly popular with the Rogue Valley community. Classic musicals as well as important plays outside of the Western canon have become a more regular part of the OSF season playbill under his artistic leadership. He is an acknowledged leader in the American theater for his passionate dedication to diversifying the OSF company and audience, and the field in general.
During Rauch's time as artistic director, the Festival has seen significant improvements to its Ashland campus, including the 2016 opening of the Hay-Patton Rehearsal Center and last season's renovation of "the Bricks" courtyard and parts of the Angus Bowmer and Allen Elizabethan Theatres to provide greater accessibility to patrons. OSF also established a presence in nearby Talent with the 2014 opening of its 70,000-square-foot production facility.
In addition to his OSF accomplishments, Rauch co-founded Cornerstone Theater Company, where he directed more than 40 productions, most of them collaborations with diverse rural and urban communities across the United States, and served as its artistic director from 1986 to 2006. He has directed a number of world premieres, including Naomi Wallace's Night is a Room at New York's Signature Theatre; The Body of an American at Portland Center Stage (which, along with All the Way, was co-winner of the inaugural Edward M. Kennedy Prize for Drama Inspired by American History); The Clean House at Yale Repertory Theatre; and Living Out and For Here or To Go? at the Mark Taper Forum. He also directed the New York premiere of The Clean House at Lincoln Center Theater. Work elsewhere includes productions at South Coast Repertory, Guthrie Theater, Arena Stage, Long Wharf Theatre, Pasadena Playhouse, Great Lakes Theater and En Garde Arts.
Rauch will announce OSF's 2019 season in early spring of this year.
A search firm will be engaged in the coming weeks to assist in selecting potential candidates for Rauch's successor. "Due to this amazing and talented company, deeply engaged and engaging audience and reputation as both a home for Shakespeare and for new works of impact, we believe the most creative and visionary theater artists will be drawn to this unique opportunity. We are committed to substantial overlap between Bill and OSF's next artistic director to have the smoothest, most productive transition possible," Rider said.
The Oregon Shakespeare Festival's 2018 season runs from Feb. 16 through Oct. 28.
Founded by Angus Bowmer in 1935, the Oregon Shakespeare Festival (OSF) has grown from a three-day festival of two plays to a nationally renowned theatre arts organization that presents an eight-month season of up to 11 plays that include works by Shakespeare as well as a mix of classics, musicals, and world-premiere plays and musicals. OSF's play commissioning programs, which include American Revolutions: the United States History Cycle, have generated works that have been produced on Broadway, throughout the American regional theatre, and in high schools and community theatres across the country. The Festival draws attendance of more than 400,000 to approximately 800 performances every year and employs approximately 575 theatre professionals.
OSF invites and welcomes everyone, and believes the inclusion of diverse people, ideas, cultures and traditions enriches both our insights into the work we present on stage and our relationships with each other. OSF is committed to equity and diversity in all areas of our work and in our audiences.
OSF's mission statement: "Inspired by Shakespeare's work and the cultural richness of the United States, we reveal our collective humanity through illuminating interpretations of new and classic plays, deepened by the kaleidoscope of rotating repertory."