BWW Review: MILLION DOLLAR QUARTET Jams Out at the Benedum
Imagine a room filled with four of the greatest rising stars of the music industry today.
The latest reviews and critic recommendations from Pittsburgh.
Imagine a room filled with four of the greatest rising stars of the music industry today.
Classy, frothy, smooth and swingin', this Sinatra revue feels like a cruise ship nightclub show in the best possible way.
In a news story, the lede is the captivating opening paragraph, the exciting exposition that locks the reader's eyes to the text and incites them to continue on.
If you've ever wondered what a farce by Agatha Christie would be like, St.
Flags of the Dominican Republic, Puerto Rico, Cuba, and Mexico adorn the balconies and railings of the barrio in Lin-Manuel Miranda's 2008 musical In The Heights.
In lesser hands, this Off-Broadway two-hander would be nothing but a long comedy sketch.
Marcus Stevens finally finds a role he can truly sink his teeth into, in this fluffy but unexpectedly dark Biblical farce.
Hold your breath, because the Pittsburgh CLO is about to dive right into the water and take you under the sea! Disney's The Little Mermaid, based closely off the 1989 animated film, returned to the Benedum Center on Tuesday evening and continues with performances running through next week.
With the fighting over and the French Tricolour waving high, Paris finds itself beginning to stand straight again after a battering war.
When the tunes are this infectious and the cast this endearing, little things like plot and characterization are secondary concerns.
It's the classic story of Baby and her family vacation to Kellerman's resort.
Disney's jungle tuner is all about stunts and spectacle, and PMT's production delivers both, with some spectacular singing thrown in.
When you walk into the black box Carnegie Stage, the impressive and overpowering rear wall of text smacks you in the face.
As blasphemous as it sounds, Arthur Miller's classic American tragedy is almost as good as peak television.
Imagine growing up as a closeted lesbian with a closeted gay father.
A journey to the Far East reveals extravagant sets, ornate costumes, and symphonic melodies in The King and I's return to Pittsburgh.
Parsing the real from the unreal, and the cathartic from the callous, makes Melissa Hill Grande's production of the Greek tragedy a unique, almost interactive, viewing experience.
A fantastic directorial interpretation and a dazzling cast bring lightness and charm to a deeply unusual, almost unbalanced, romantic comedy.
The classic musical/cabaret hybrid takes audiences back to a different era in both music and comedy.
With shirts clean and pressed, and haircuts precise, the cast of The Book of Mormon tapped back into my heart as they did when the tour stopped in Pittsburgh four years ago.
Shakespeare's remix of his own work gets masterfully refitted as full-on farce in Ted Pappas's production.
THE ROYALE at City Theatre follows the story of Heavyweight Champion boxer Jay Johnson as he deals with racial inequity and impacting African-American culture with his success.
A little country twang and some sweet pies are all this short musical comedy needs to charm to a little ol' Pittsburgh crowd.
Kander and Ebb's legendary musical has never been more timely.
The Renaissance was an era of rebirth, new ideas, and particularly in Elizabethan England, grand works of literature.
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