William Bendix News

The Morris Museum will launch its new Inside Cinema Film Series on Wednesday, September 5, 2018 at 10:00AM in the Bickford Theatre. During this season, this film series will focus on film Noir, and will be hosted monthly by David Landau, a professor of film at Fairleigh Dickinson University.  For each screening there will be a discussion with David before the film to provide further insights.

Bring home the newest wave of classics from Twentieth Century Fox Home Entertainment's Cinema Archives vault, available for purchase on DVD now!

David Mirvish celebrates 50 years of his family producing and presenting theatre by announcing a busy new season of shows for 2013-14. In total, Mirvish Productions will present 18 shows and employ over 500 artists on its four stages in Toronto - the Royal Alexandra, Princess of Wales, Ed Mirvish and Panasonic theatres. This is the largest season Mirvish has ever presented.

Beowulf Alley Theatre's Old Time Radio Theatre Company announces their November stories to be presented at the theatre, 11 South 6th Avenue (Downtown between Broadway and Congress) on November 2 and 16, 2010. Performances are at 7:00 p.m. Admission is $8 for ages 13 to adult and $5 for the first two children ages 6-12, cash at the door, first come-first serve seating. The box office phone number is (520) 882-0555.

Beowulf Alley Theatre's Old Time Radio Theatre Company announces their November stories to be presented at the theatre, 11 South 6th Avenue (Downtown between Broadway and Congress) on November 2 and 16, 2010. Performances are at 7:00 p.m.

Beowulf Alley Theatre's Old Time Radio Theatre Company announces their November stories to be presented at the theatre, 11 South 6th Avenue (Downtown between Broadway and Congress) on November 2 and 16, 2010. Performances are at 7:00 p.m.

Beowulf Alley Theatre's Old Time Radio Theatre presents an exciting series of live presentations of old radio shows from the golden age at the theatre, 11 South 6th Avenue (Downtown between Broadway and Congress) in the first and third week of each month. Performances are at 7 p.m. (this is a change from the originally announced 6:30 p.m. performance time).

1959 was a heck of a good year for Broadway overtures.  The majestic trumpet fanfare and lowdown bump and grind of Gypsy's is generally regarded as the best in musical theatre, but there was also the rousingly rhythmic curtain-raiser to Fiorello! and, my personal favorite, Philip J. Lang's beautiful interpretation of Bob Merrill's music for Take Me Along, which touches on so many moods of the show while continually building the toe-tapping climax of The catchy title tune.

The Hairy Ape follows the saga of Yank, a maritime laborer who questions his place in society when branded as 'a filthy beast' by the rich daughter of a steel industrialist. In a series of eight scenes, O'Neill chronicles Yank's struggle with 'the human condition,' caught somewhere between his own primitive nature and the more intellectually based-and emotionally vacant-upper classes. Rejected by the bourgeois of Fifth Avenue as well as his fellow workers, Yank finally seeks solace from the only creature with whom he finds kinship: an ape in the Central Park Zoo. The Provincetown Players premiered The Hairy Ape, O'Neill's sixth play, in March 1922 under the direction of frequent O'Neill collaborator Robert Edmond Jones. That production, featuring Louis Wolheim's powerful performance as Yank, moved that April to Broadway's Plymouth Theatre. In 1944, a film version of the play featured William Bendix and in the ensuing decades the play has received dozens of notable revivals around the country; perhaps the most celebrated of these was The Wooster Group's 1996 production, featuring Willem Dafoe as Yank.

Two of Chicago's acclaimed off-Loop theater troupes join Goodman Theatre's 21st century exploration of Eugene O'Neill in February and March. The Hypocrites perform The Hairy Ape February 7-21, directed by Artistic Director and Founder Sean Graney, 'one of the most insightful directors now at work in Chicago' (Chicago Sun-Times), who transforms Goodman's three-tiered Owen Bruner Theatre into the various strata of an ocean liner. The Neo-Futurists, 'one of the most imaginative experimental theater ensembles in the country' (The Economist), perform Strange Interlude March 6-8, directed by Founder Greg Allen, in a production which unites audience and actors on the stage.

Two of Chicago's acclaimed off-Loop theater troupes join Goodman Theatre's 21st century exploration of Eugene O'Neill in February and March. The Hypocrites perform The Hairy Ape February 7-21, directed by Artistic Director and Founder Sean Graney, 'one of the most insightful directors now at work in Chicago' (Chicago Sun-Times), who transforms Goodman's three-tiered Owen Bruner Theatre into the various strata of an ocean liner. The Neo-Futurists, 'one of the most imaginative experimental theater ensembles in the country' (The Economist), perform Strange Interlude March 6-8, directed by Founder Greg Allen, in a production which unites audience and actors on the stage.

The Playwrights Theater, sponsored by Beinecke Rare Book and Manuscript Library's O'Neill at Yale project, will present The O'Neill Festival at 10, ten days of free readings, screenings and discussions as well as a musical revue to celebrate the 10th Anniversary of the O'Neill. From January 4 - 13 this O'Neill celebration will take place at New York University's Provincetown Playhouse