Will Sevier News

There comes a moment late in Act Two when Tevye, the beleaguered dairyman at the center of Fiddler on the Roof, remembers his daughters in childhood and laments the loss of his beloved "Chavaleh" to marriage to a gentile, which completely encapsulates the joy and the sadness that permeates this classic work of the musical theater. Derek Whittaker, playing the role of a lifetime as he leads the cast of Chaffin's Barn Dinner Theatre's new production of the Jerry Bock/Sheldon Harnick/Joseph Stein musical, is at his best in this scene, artfully blending his finely honed comic sensibilities with a genuine pathos that creates a heart-tugging moment that is genuinely effective.

Nine-time First Night Award-winner Martha Wilkinson directs Derek Whittaker, Debbie Kraski and a cast of Nashville's stage favorites in the Chaffin's Barn Dinner Theatre production of Fiddler on the Roof, opening tonight, May 31, and running through July 8 at the theater in West Nashville.

Nine-time First Night Award-winner Martha Wilkinson directs Derek Whittaker, Debbie Kraski and a cast of Nashville's stage favorites in the Chaffin's Barn Dinner Theatre production of Fiddler on the Roof, opening Thursday, May 31, and running through July 8 at the theater in West Nashville.

Directed by Nate Eppler, Here Lies Jeremy Troy stars Rebekah Durham, Andy Kanies, Jennifer Richmond, Will Sevier and Lane Wright. Eppler, in addition to acting and directing, is a playwright and teaching artist based in Nashville. His plays include Keeping Up With the Joneses, The Shorty Hawkins Play, Modern Love and Long Way Down. Eppler is the recipient of both the Tennessee Arts Commission Professional Development Support Grant and the Individual Artist Fellowship. He is playwright-in-residence for Tennessee Repertory Theatre.

Too Old For the Chorus (But Not Too Old To Be A Star), directed by a young whippersnapper named Martha Wilkinson (she's artistic director at Chaffin's Barn Dinner Theatre, which celebrates its 45th birthday this year, and she has a boatload of First Night Awards and enough glowing reviews to fill the fanny packs of every mall walker briskly making their way through Opry Mills) and featuring a top-notch cast of Nashville actors, is as gentle as the best stool softener and as kick-ass (when it needs to be) as a certain little blue pill favored by certain gentlemen in the age group (not me, but so I've been told).

Here's Bakari King singing 'Marvellaphony Organoni' from Punchinello...

Laura Matula sings 'Can You Unbreak a Heart' from Punchinello, music by Christopher Davis, lyrics by Frederick Richardson.

Theater audiences in Nashville will be treated to something new this weekend as the new musical Punchinello, based on the writings of Max Lucado, will be presented in a staged reading at Wallace Chapel at Christ Church Nashville this Friday and Saturday nights.

The Boiler Room Theatre's Youth Education Program, YEP!, will be performing CHARLOTTE'S WEB on Saturdays in March at 10:00am.

The Boiler Room Theatre's Youth Education Program, YEP!, will be performing CHARLOTTE'S WEB on Saturdays in March at 10:00am.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Beautifully conceived by an ambitious, driven director and artfully brought to life by a stellar cast of actors, Pacific Overtures-the musical by Stephen Sondheim and John Weidman-seems, at first, an unlikely choice for the sophomore season of Nashville's Blackbird Theater. Yet when you consider the company's prior offerings (which include Twilight of the Gods, an original play by Wes Driver and Greg Greene, the company's co-founders; Tom Stoppard's intellectually compelling Arcadia; and G.K. Chesterton's rarely produced Magic), it fits perfectly into the Blackbird canon. And, like those earlier productions, Pacific Overtures is another artistic triumph, the realization of a long-held dream by director Greene to bring his favorite work for musical theater to the stage.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

The Nashville Shakespeare Festival will present Julius Caesar, a complex political story with themes of corrupted power, betrayal and tragic consequences, at Belmont University's Troutt Theater Jan. 10-29, 2012.

With taut, focused direction by Beki Baker and what is arguably the finest cast of actors to be assembled on a Nashville stage in recent memory, Nashville Shakespeare Festival heats winter up to a fever pitch with its remarkable production of Julius Caesar, Shakespeare's timeless-and very timely-tragedy rife with unbridled ambition, conspiratorial plotting, revenge and deception.

Playwright Nate Eppler, Mas Nashville's FIVE, the Boiler Room Theatre, Lipscomb University's Hairspray, ACT 1's American Buffalo and the national touring company of Memphis, the Musical were the top winners at Sunday night's Midwinter's First Night at Nashville's Keeton Theatre, which also featured the presentation of the BroadwayWorld.com Nashville and Tennessee theatre awards.

After an intense internal auditing process, the results are in for the 2011 Nashville Awards! This year's awards broke traffic records and we couldn't be more excited to announce the 2011 BroadwayWorld Nashville Award winners!

It's almost over! There's just FIVE days of voting remaining for the 2011 Nashville Awards and here is the latest update! Have you voted yet, and helped to spread the word to support your favorites in the hopes that they will be the recipients of a 2011 BroadwayWorld Nashville Award? There is no time to waste, click on the voting link and make your opinion count! Below are the stats so far as of Monday December 26, 2011. Voting ends at midnight on 12/31 so time is running out.