New York Theatre Workshop (NYTW) Artistic Director James C. Nicola and Managing Director William Russo have announced that the New York premiere of An Iliad, by Denis O'Hare and Lisa Peterson, based on Homer's Iliad translated by Robert Fagles, directed by Ms. Peterson, will open this week at NYTW, 79 East 4 Street, between Bowery and Second Avenue. Denis O'Hare and Stephen Spinella alternate performances of the play. Mr. O'Hare opens Tuesday, March 6; Mr. Spinella Wednesday, March 7.
Peter Gill, returns to his native city with a portrait of provincial life in 1890s Russia. Based on Chekhov's short story, A Provincial Life follows one young man's struggle to exchange his privileged position for the life of a worker.
59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) welcomes Grove Theater Center (Los Angeles, CA) with the New York City premiere of ETERNAL EQUINOX, written by Joyce Hokin Sachs and directed by Kevin Cochran.
Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present Tony Kushner's Tony Award-winning Angels in America, Part One: Millennium Approaches and Part Two: Perestroika, directed by Artistic Director Charles Newell. Angels in America will run March 30 - June 3, 2012 at Court Theatre, 5535 S. Ellis Avenue. Press Opening is Saturday, April 14, 2012; Part One: Millennium Approaches at 3PM and Part Two: Perestroika at 8PM.
Two-time Golden Globe winner, Academy Award & Tony Award nominee Kathleen Turner will make her Fort Lauderdale stage debut in the National Tour of Matthew Lombardo's play HIGH, February 29-March 4, 2012 at The Parker Playhouse. Directed by Rob Ruggiero, HIGH also features Evan Jonigkeit as 'Cody Randall' and Timothy Altmeyer as 'Father Michael Delpapp'.
Last night before a crowd of 200 theatre makers and theatre lovers, theatreWashington announced the nominees for the 28th Helen Hayes Awards. The National Theatre's Helen Hayes Gallery set the scene for the announcement of nominees in 26 categories for artistic excellence and the announcement of the recipient of the 2012 John Aniello Award for Outstanding Emerging Theatre Company. The Helen Hayes Awards is one of the most prestigious honors for artists and theatre companies in Washington's vibrant theatre scene.
Arthur Miller's DEATH OF A SALESMAN broke the house record of the Barrymore Theatre (243 West 47th Street), grossing $692,192 over seven performances for the week ending February 26, 2012. The strictly limited engagement opens Thursday, March 15, 2012.
Arthur Miller's Tony Award and Pulitzer Prize-winning DEATH OF A SALESMAN, is directed by eight-time Tony Award® winner Mike Nichols and stars Academy Award® winner Philip Seymour Hoffman as Willy Loman, Obie Award winner Linda Emond as Linda Loman and Andrew Garfield (The Social Network, The Amazing Spider-Man), making his Broadway debut as Biff Loman. The strictly limited engagement opens Thursday, March 15, 2012. For tickets, visit Telecharge.com or call 212-239-6200.
The 39 Steps hits Arizona Theatre Company's stage at the Temple of Music and Art. Alfred Hitchcock's The 39 Steps plays from January 14 - February 4, 2012 and continues its run in Phoenix at the Herberger Theater Center through February 26, 2012.
Known for her many memorable roles on stages and screens large and small, many from the canon of William Shakespeare (OTHELLO, MACBETH) and Edward Albee (THE LADY FROM DUBUQUE, SEASCAPE, WHO'S AFRAID OF VIRGINIA WOOLF? & LISTENING), Maureen Anderman is making her grand return to the realm of Shakespeare onstage in New York with the new BAM production of RICHARD III directed by Sam Mendes, starring Kevin Spacey. In addition to illustrating many aspects of the rapturously received revival of the historical tragedy as she has traveled with it around the world, Anderman and I also discuss her affiliation with Shakespeare and what she derives from performing his greatest works, with RICHARD III being the central focus. Also, Anderman details her experiences working with Edward Albee on the original Broadway productions of THE LADY FROM DUBUQUE and SEASCAPE, as well as offering some candid observations on some of her favorite feature film and television appearances over the years - THE DAYS AND NIGHTS OF MOLLY DODD and LAW & ORDER included. As well as all of that, Anderman also shines a light on her recent standby duties for Vanessa Redgrave in THE YEAR OF MAGICAL THINKING and DRIVING MISS DAISY, as well as the forthcoming Westport Country Playhouse production of MAGICAL THINKING in which she will be starring later this year.
The UK's multiple award-winning Theatre Ad Infinitum expands its innovative and international theatre-making with the launch of Theatre Ad Infinitum Canada, the Canadian arm of this Lecoq-trained company known for its ambitious, highly acclaimed physical productions.
Ottawa Little Theatre presents SELF HELP, a comedy by Norm Foster, directed by Joan Sullivan Eady performing March 20 - April 7 (matinee April 1: 2pm) at 8pm.
The Chicago Theater Beat (formerly the Chicago Theater Blog) today announced the nominees for the 1st Annual Chicago Theater Critics' Beat Awards. The Beat Awards provide an opportunity for Chicago's critics to give recognition to outstanding achievements in Chicago's theatre community and the artists involved.
Kravis Center is Offering an Entertainment-Packed March with an Amazing Line-Up of Stars
+ Comedy with The Capitol Steps, Martin Short
& Seth's Big Fat 70's Show
+ Pop Stars Diana Krall, Johnny Mathis & Neil Sedaka
+ Jazz Greats Chris Botti & Wynton Marsalis
+Classical Headliners Itzhak Perlman, The Minnesota Orchestra, Richard Stoltzman, Ariel Quartet & Menahem Pressler
+ Solo Showstoppers Dudu Fisher & Debbie Reynolds
+ Musical Shows Come Fly Away, Taylor's Irish Cabaret & The Pink Floyd Experience
+ Family Fun with HOP & the New Shanghai Circus
Plus African-American Film Festival, Lunch & Learn about Elizabeth Taylor, The Joffrey Ballet, Peppino D'Agostino & The Kravis Center's 20th Anniversary Gala
Two-time Golden Globe winner, Academy Award & Tony Award nominee Kathleen Turner will make her Fort Lauderdale stage debut in the National Tour of Matthew Lombardo's play HIGH, February 29-March 4, 2012 at The Parker Playhouse. Directed by Rob Ruggiero, HIGH also features Evan Jonigkeit as 'Cody Randall' and Timothy Altmeyer as 'Father Michael Delpapp'.
National Jewish Theater, Producing Artistic Director Arnold Mittelman, will present a limited Off-Broadway run of The Soap Myth, by Jeff Cohen, from March 23 - April 22 at theBlack Box Theatre at the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street, between 6th Avenue and Broadway). Directed by Arnold Mittelman, this production will starGreg Mullavey (television's "Marty Hartman") and features Andi Potamkin, Donald Corren, and Dee Pelletier.
Joining Lindsay Duncan (Judith Bliss), Jeremy Northam (Richard Greatham), Kevin R McNally (David Bliss) and Olivia Colman (Myra Arundel) in Howard Davies' production of Noël Coward's Hay Fever are Sam Callis (Sandy Tyrell), Freddie Fox (Simon Bliss), Jenny Galloway (Clara), Amy Morgan (Jackie Coryton) and Phoebe Waller-Bridge (Sorel Bliss). Running at the Noël Coward Theatre from 10 February - 2 June 2012, Coward's sublime comedy of bad manners has designs by Bunny Christie, lighting by Mark Henderson and sound by Mike Walker. Hay Fever press preview performances are Thursday 23 February at 7pm, Friday 24 February at 7.30pm and Saturday 25 February at 2.30pm and 7.30pm, with reviews embargoed until Monday 27 February 2012. Hay Fever is produced in the West End by Richard Willis, Matthew Byam Shaw for Playful Productions and Sonia Friedman Productions.
After announcing this morning that he will return to the Royal Shakespeare Company this summer, Patrick Stewart has also announced that he will be returning to the Young Vic next year. He will appear as William Shakespeare in Edward Bond's 1973 play Bingo, a play he first appeared in back in April 2010 at Chichester Festival's Minerva theatre.
Needless to say, Joanna McClelland Glass' If We Are Women is a stodgy, heady piece of theatre in which very little if anything happens dramatically. It is the type of play that is better to read than watch. Every kind of woman is represented: the prairie woman, with little or no education, the intellectual and the wanna-be intellectual. There are three generations: two grandmothers, a divorced mother and her teenage daughter, all of whom, as different as they are, have in common a batch of insecurities... and they all want what is better for their lives and the lives of those they love. Now onstage at Group rep, Sherry Netherland has directed four actresses, all of whom give excellent performances, but, in spite of the fine work, something is missing.
