Chicago Opera Theater (COT) presents 'The Consul,' a Pulitzer Prize-winning opera by Gian Carlo Menotti. 'The Consul' is a modern opera whose subject matter has proven to have lasting relevance since its premiere in 1950.
Chicago Opera Theater (COT) presents The Consul, a Pulitzer Prize-winning opera by Gian Carlo Menotti. Hailed by the New York Times as an opera of eloquence, momentousness, and intensity of expression written from the heart, The Consul is a modern opera whose subject matter has proven to have lasting relevance since its premiere in 1950. This show features direction by former COT Artistic Director Andreas Mitisek, music direction by internationally renowned conductor Kristof van Grysperre, and stars legendary soprano Patricia Racette as Magda Sorel.
Chicago Opera Theater (COT) presents 'The Consul,' a Pulitzer Prize-winning opera by Gian Carlo Menotti. 'The Consul' is a modern opera whose subject matter has proven to have lasting relevance since its premiere in 1950.
On October 14, 20 and 22, Long Beach Opera (LBO) will present three performances of The Consul with music and libretto by Gian Carlo Menotti, and starring Patricia Racette, making her Long Beach Opera debut at the Centinela Valley Center for the Arts, Lawndale.
Next up at McCaw Hall is a piece that Seattle Opera General Director Aidan Lang calls the perfect first-time opera experience. Katya Kabanova, the story of a young woman longing to be free from an oppressive small town and her monstrous mother-in-law, is told through music that's as lush and gorgeous as it is highly emotional.
The inaugural Explorations series continues with Elvis Costello's The Juliet Letters, Jan. 28 and 29 at the Michael and Ginger Frost Production Arts Building at the Richard J. Stern Opera Center.Explorations features eclectic programs in intimate spaces, with programming that crosses musical borders and experiments with a wide range of lyrical expression.
Next up at McCaw Hall is a piece that Seattle Opera General Director Aidan Lang calls the perfect first-time opera experience. Katya Kabanova, the story of a young woman longing to be free from an oppressive small town and her monstrous mother-in-law, is told through music that's as lush and gorgeous as it is highly emotional.
The inaugural Explorations series continues with Elvis Costello's The Juliet Letters, Jan. 28 and 29 at the Michael and Ginger Frost Production Arts Building at the Richard J. Stern Opera Center.Explorations features eclectic programs in intimate spaces, with programming that crosses musical borders and experiments with a wide range of lyrical expression.
General Director and CEO Deborah Sandler today announced that two Lyric Opera of Kansas City Resident Artists have won international awards.
Hansel and Gretel struggle with the evil clown
On Tuesday evening, April 12 North Carolina Opera revealed its upcoming new season at CAM Raleigh (Contemporary Art Museum). Over 300 fans and friends of the organization excitedly gathered for the unveiling of the new season's productions and casting as presented by NCO Artistic & Music Director Timothy Myers, along with live performances of excerpts from the operas.
In celebration of Valentine's Day, on Sunday, February 14 Utah Opera will present Bon Appétit!, a charming, one-act opera composed by Lee Hoiby and inspired by American chef Julia Child at 6:30 pm at OP Rockwell on Main Street, Park City.
Thrilling theater and unforgettable music -- that's what audiences can expect from Seattle Opera's 2016/17 Season. The company today announced the operas next up at Marion Oliver McCaw Hall. They include: The Wicked Adventures of Count Ory, Hansel & Gretel, La traviata, Katya Kabanova and The Magic Flute.
Join Houston Grand Opera for an evening of celebration as it opens its 60th anniversary season with a dramatic production of Verdi's Otello followed by an evening of entertainment and fundraising at the Opening Night Dinner Celebration at the Wortham Theater Center. Otello is sung by an internationally acclaimed cast, led by Simon O'Neill, Ailyn Pérez, Marco Vratogna, Norman Reinhardt, Victoria Livengood, and Morris Robinson.
Join Houston Grand Opera for an evening of celebration as it opens its 60th anniversary season with a dramatic production of Verdi's Otello followed by an evening of entertainment and fundraising at the Opening Night Dinner Celebration at the Wortham Theater Center. Otello is sung by an internationally acclaimed cast, led by Simon O'Neill, Ailyn Pérez, Marco Vratogna, Norman Reinhardt, Victoria Livengood, and Morris Robinson.
Houston Grand Opera's 2014–15 season, the company's 60th anniversary season, includes the world premiere of A Christmas Carol by Iain Bell—the company's 55th new commission —from award-winning Dickens authority Simon Callow; the continuation of HGO's first Ring cycle, with the American premiere of La Fura dels Baus's groundbreaking take on Die Walküre; the American premieres of Sir Nicholas Hytner's The Magic Flute and Lee Blakeley's Sweeney Todd; a 60th Anniversary Gala Concert featuring mezzo-soprano (and HGO Studio alumna) Joyce DiDonato; and a host of career-shaping role debuts that speak to Patrick Summers's gift for casting. Together with the company's first presentation of John Cox'sOtello, and the returns of Göran Järvefelt's beloved Così fan tutte and Michael Grandage's hit staging of Madame Butterfly, these rich offerings serve once again to illustrate some of the ways that HGO—still the only opera company with two Grammys, two Emmys, and a Tony—epitomizes “one model of what a forward-looking opera company could be” (Greg Sandow, Arts Journal).
Houston Grand Opera capped a financially and artistically successful 2013–14 season by presenting Mieczyslaw Weinberg's The Passenger —the Polish-Jewish composer's long-suppressed Holocaust opera—to wide acclaim at New York's Park Avenue Armory as part of the Lincoln Center Festival, July 10–13. Earlier this year, HGO gave the American premiere of the work in Houston with the same cast. There was special praise for the production and performances, conducted by HGO Artistic and Music Director Patrick Summers. New York magazine described David Pountney's staging as “a multi-story set so vivid you can practically smell the machine oil and coal smoke,” while the Financial Times said: “The production, imported from Houston, is imposing in every way.” The New York Times called the cast “flawless,” adding: “The conductor, Patrick Summers, drew a surging, textured, richly detailed performance of this challenging score (lasting three hours) from the inspired musicians of the Houston Grand Opera.” WQXR's Operavore summed up the import of the performances: “The Passenger shows how a Holocaust opera can hold the stage while examining important, complex issues—and could certainly point the way for future composers to deal with such important but delicate subject matter.”
LA Opera will soon present the first full-scale production in this century of John Corigliano's grand opera buffa, one of the most acclaimed operas of our time. Extravagantly scaled, gloriously tuneful, supremely touching and yet uproariously entertaining, The Ghosts of Versailles turns history on its head as love attempts to alter the course of destiny. Running February 7- March 1, 2015, the production will feature direction by Tony winner Darko Tresnjak.
The Houston Grand Opera's brilliant production of Mieczyslaw Weinberg's THE PASSENGER, directed by David Pountney, was a stunning visitor to the Park Avenue Armory last week as a coproduction with the Lincoln Center Festival. It's not an easy experience, but well worth the effort.
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