Tracey Scott Wilson News

Playwright Tracey Scott Wilson rips through the pages of history in The Good Negro, a 'powerfully moving' (The New York Times) and 'thunderous new play' (Variety) about the drive for racial equality-and the clash between private ethics and public good. Goodman Resident Director Chuck Smith, who helmed Wilson's 2005 play The Story at the Goodman, directs this Chicago premiere, featuring a cast of Broadway stars and local favorites. A design team led by Tony Award-nominated Set Designer Riccardo Hernandez brings the production to life using inspiration from the iconic imagery of photojournalist Charles Moore. The Good Negro runs May 1 - June 6, 2010 in the Goodman's Albert Theatre. Tickets start at $25. In conjunction with this Chicago premiere, WBEZ's Richard Steele interviews Wilson and Smith for an Artists Talk discussion about The Good Negro on Wednesday, May 5, 6 - 7pm at Goodman Theatre. The Edith-Marie Appleton Foundation is the Major Production Sponsor for The Good Negro; Allstate Insurance Company is the Major Corporate Sponsor; and Bank of America and Katten Muchin Rosenman LLP are the Corporate Sponsor Partners. The Joyce Foundation provides principal support of Artistic Development and Diversity Initiatives. American Airlines is the Exclusive Airline of Goodman Theatre.

Casting is complete for Goodman Theatre's Chicago-premiere production of Tracey Scott Wilson's The Good Negro, directed by Resident Director Chuck Smith. Wilson and Smith have tapped nine actors to bring this historical drama to the Albert stage, including Karen Aldridge (Goodman's The Cook; Proof); Teagle F. Bougere (Broadway's A Raisin in the Sun; The Tempest); Tory O. Davis (Goodman's Magnolia); John Hoogenakker (Goodman's Rock 'n' Roll; Chicago Shakespeare's Othello); Billy Eugene Jones (Broadway's Passing Strange; Radio Golf); Nambi Kelley (Goodman's Crumbs from the Table of Joy; Victory Gardens' The Lost Boys of Sudan); Demetrios Troy (Northlight's Awake and Sing; Chicago Shakespeare's Richard III); Dan Waller (Goodman's Ghostwritten; Talking Pictures) and Mick Weber (Goodman's Rock 'n' Roll; Chicago Theatre's Shear Madness). The production will run from May 1 - June 6, 2010.

Playwright Tracey Scott Wilson rips through the pages of history in The Good Negro, a 'powerfully moving' (The New York Times) and 'thunderous new play' (Variety) about the drive for racial equality-and the clash between private ethics and public good. Goodman Resident Director Chuck Smith, who helmed Wilson's 2005 play The Story at the Goodman, directs this Chicago premiere, featuring a cast of Broadway stars and local favorites. A design team led by Tony Award-nominated Set Designer Riccardo Hernandez brings the production to life using inspiration from the iconic imagery of photojournalist Charles Moore. The Good Negro runs May 1 - June 6, 2010 in the Goodman's Albert Theatre. Tickets start at $25. In conjunction with this Chicago premiere, WBEZ's Richard Steele interviews Wilson and Smith for an Artists Talk discussion about The Good Negro on Wednesday, May 5, 6 - 7pm at Goodman Theatre. The Edith-Marie Appleton Foundation is the Major Production Sponsor for The Good Negro; Allstate Insurance Company is the Major Corporate Sponsor; and Bank of America and Katten Muchin Rosenman LLP are the Corporate Sponsor Partners. The Joyce Foundation provides principal support of Artistic Development and Diversity Initiatives. American Airlines is the Exclusive Airline of Goodman Theatre.

Casting is complete for Goodman Theatre's Chicago-premiere production of Tracey Scott Wilson's The Good Negro, directed by Resident Director Chuck Smith. Wilson and Smith have tapped nine actors to bring this historical drama to the Albert stage, including Karen Aldridge (Goodman's The Cook; Proof); Teagle F. Bougere (Broadway's A Raisin in the Sun; The Tempest); Tory O. Davis (Goodman's Magnolia); John Hoogenakker (Goodman's Rock 'n' Roll; Chicago Shakespeare's Othello); Billy Eugene Jones (Broadway's Passing Strange; Radio Golf); Nambi Kelley (Goodman's Crumbs from the Table of Joy; Victory Gardens' The Lost Boys of Sudan); Demetrios Troy (Northlight's Awake and Sing; Chicago Shakespeare's Richard III); Dan Waller (Goodman's Ghostwritten; Talking Pictures) and Mick Weber (Goodman's Rock 'n' Roll; Chicago Theatre's Shear Madness). The production will run from May 1 - June 6, 2010.

New Georges (Susan Bernfield, Artistic Director; Sarah Cameron Sunde, Associate Director), the OBIE Award-winning downtown theater company founded in 1992, and New Feet Productions will present the world premiere of Emily DeVoti's thought-provoking new play 'MILK,' directed by Jessica Bauman.

Artistic Director Robert Falls announced today the final production of Goodman Theatre's 2009/2010 season-The Good Negro, Tracey Scott Wilson's 'thunderous...stunning' (Variety) new play, comes to Chicago fresh from its off-Broadway run at The Public Theater. Resident Director Chuck Smith, who previously collaborated with Wilson on the Goodman's 2004/2005 Chicago-premiere production of The Story, will direct The Good Negro in the Albert Theatre in Spring 2010.

Playwright Tracey Scott Wilson rips through the pages of history in The Good Negro, a 'powerfully moving' (The New York Times) and 'thunderous new play' (Variety) about the drive for racial equality-and the clash between private ethics and public good. Goodman Resident Director Chuck Smith, who helmed Wilson's 2005 play The Story at the Goodman, directs this Chicago premiere, featuring a cast of Broadway stars and local favorites. A design team led by Tony Award-nominated Set Designer Riccardo Hernandez brings the production to life using inspiration from the iconic imagery of photojournalist Charles Moore. The Good Negro runs May 1 - June 6, 2010 in the Goodman's Albert Theatre. Tickets start at $25. In conjunction with this Chicago premiere, WBEZ's Richard Steele interviews Wilson and Smith for an Artists Talk discussion about The Good Negro on Wednesday, May 5, 6 - 7pm at Goodman Theatre. The Edith-Marie Appleton Foundation is the Major Production Sponsor for The Good Negro; Allstate Insurance Company is the Major Corporate Sponsor; and Bank of America and Katten Muchin Rosenman LLP are the Corporate Sponsor Partners. The Joyce Foundation provides principal support of Artistic Development and Diversity Initiatives. American Airlines is the Exclusive Airline of Goodman Theatre.

New Georges (Susan Bernfield, Artistic Director; Sarah Cameron Sunde, Associate Director), the OBIE Award-winning downtown theater company founded in 1992, and New Feet Productions will present the world premiere of Emily DeVoti's thought-provoking new play 'MILK,' directed by Jessica Bauman.

Casting is complete for Goodman Theatre's Chicago-premiere production of Tracey Scott Wilson's The Good Negro, directed by Resident Director Chuck Smith. Wilson and Smith have tapped nine actors to bring this historical drama to the Albert stage, including Karen Aldridge (Goodman's The Cook; Proof); Teagle F. Bougere (Broadway's A Raisin in the Sun; The Tempest); Tory O. Davis (Goodman's Magnolia); John Hoogenakker (Goodman's Rock 'n' Roll; Chicago Shakespeare's Othello); Billy Eugene Jones (Broadway's Passing Strange; Radio Golf); Nambi Kelley (Goodman's Crumbs from the Table of Joy; Victory Gardens' The Lost Boys of Sudan); Demetrios Troy (Northlight's Awake and Sing; Chicago Shakespeare's Richard III); Dan Waller (Goodman's Ghostwritten; Talking Pictures) and Mick Weber (Goodman's Rock 'n' Roll; Chicago Theatre's Shear Madness). The production will run from May 1 - June 6, 2010.

The Arena Stage American Voices New Play Institute (AVNPI) in partnership with Georgetown University's Theater and Performance Studies Program presents Black Voices: Stories We're Planning to Tell a public presentation followinga private, two-day convening of 30 of the nation's leading black playwrights and artisticleaders.

Goodman Theatre's program dedicated to shaping theater critics of the future, the 'Cindy Bandle Young Critics' (CBYC) program, named for the Goodman's longtime press director, returns for its third year, engaging 29 11th graders from high schools in Chicago and neighboring Algonquin, Evanston, Hinsdale, Homer Glen, Itasca, Lake Bluff, Northbrook, Oak Lawn, Spring Grove, Westchester and Zion.

Animal Crackers runs through October 25, 2009 in the Goodman's Albert Theatre. Tickets are currently available by season subscription - www.ExploreTheGoodman.org or call 312.443.3800. Individual tickets ($25 - $83) are on sale now.

Animal Crackers runs through October 25, 2009 in the Goodman's Albert Theatre. Tickets are currently available by season subscription - www.ExploreTheGoodman.org or call 312.443.3800. Individual tickets ($25 - $83) are on sale now.

In conjunction with its current production of August Wilson's Joe Tuner's Come And Gone, directed by Bartlett Sher at the Belasco Theatre, Lincoln Center Theater will host a free symposium titled 'August Wilson's Century: From the World of Joe Turner to the Age of Obama' at 7:30pm at the Vivian Beaumont Theater (150 West 65 Street). The discussion will feature New York Times op-ed columnist Bob Herbert, the award winning author John Edgar Wideman and the critically acclaimed playwright Tracey Scott Wilson and will be moderated by noted African-American scholar Prof. Henry Louis Gates, Jr.

Due to strong demand, The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced today that it would extend Tracey Scott Wilson?s THE GOOD NEGRO an additional two weeks through Sunday, April 19. THE GOOD NEGRO begins previews on Tuesday, March 3 and will now run through Sunday, April 19 with an official press opening on Monday, March 16. Directed by Liesl Tommy and in association with Dallas Theater Center, THE GOOD NEGRO is the first new play to transfer from the Public LAB initiative to a full main stage production at The Public.

In conjunction with its current production of August Wilson's Joe Tuner's Come And Gone, directed by Bartlett Sher at the Belasco Theatre, Lincoln Center Theater will host a free symposium titled 'August Wilson's Century: From the World of Joe Turner to the Age of Obama' at 7:30pm at the Vivian Beaumont Theater (150 West 65 Street).

The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced that Dr. Henry Louis Gates, Jr. will host a post-show discussion immediately following the Saturday, April 11 2 p.m. matinee of THE GOOD NEGRO by Tracey Scott Wilson. Directed by Liesl Tommy and presented in association with Dallas Theater Center, THE GOOD NEGRO opened to critical acclaim last month and will continue its extended run through Sunday, April 19.

Artistic Director Robert Falls announced today the final production of Goodman Theatre's 2009/2010 season-The Good Negro, Tracey Scott Wilson's 'thunderous...stunning' (Variety) new play, comes to Chicago fresh from its off-Broadway run at The Public Theater. Resident Director Chuck Smith, who previously collaborated with Wilson on the Goodman's 2004/2005 Chicago-premiere production of The Story, will direct The Good Negro in the Albert Theatre in Spring 2010.

New Georges (Susan Bernfield, Artistic Director; Sarah Cameron Sunde, Associate Director), the OBIE Award-winning downtown theater company founded in 1992, and Hip-Hop Theater Festival will present the premiere of OBIE Winning Actress/Pulitzer-nominated playwright Eisa Davis' 'ANGELA'S MIXTAPE,' directed by Liesl Tommy. Ms. Davis who was recently seen on Broadway in last season's award-winning musical Passing Strange will portray herself and Linda Powell, last seen on Broadway in the Tony-nominated revival On Golden Pond, will portray her aunt, professor and activist Angela Davis. 'ANGELA'S MIXTAPE' will be performed at the Ohio Theatre, 66 Wooster Street (between Spring and Broome Streets). Previews begin Monday, April 6, and the official Opening Night will be Thursday, April 9 at 7:00 p.m. Performances will run through May 2.

Nominations in 14 categories and 2 special awards are nnounced by the Off-Broadway League for the Lucille Lortel Awards recognizing Outstanding Achievement Off-Broadway. This year's ceremony will benefit The Actors Fund.