Hot on the heels of our win at the 2010 ATG Curtain Call Awards and the overwhelming success of A Midsummer Night's Dream, the University of Adelaide Theatre Guild is proud to present First Time Out 2010, Adumbrations. First Time Out is an experimental writing and theatre project designed to explore the infinite relationship between a piece of writing and its performance. It is a rare opportunity for student writers to write anything at all and have it interpreted and performed on stage.
Lysander loves Hermia. Hermia loves Lysander. Helena loves Demetrius. Demetrius used to love Helena... but now loves Hermia. So begins Shakespeare's classic comedy, A Midsummer Night's Dream.
Hot on the heels of our win at the 2010 ATG Curtain Call Awards and the overwhelming success of A Midsummer Night's Dream, the University of Adelaide Theatre Guild is proud to present First Time Out 2010, Adumbrations. First Time Out is an experimental writing and theatre project designed to explore the infinite relationship between a piece of writing and its performance. It is a rare opportunity for student writers to write anything at all and have it interpreted and performed on stage.
The Cleveland Play House and the Theatre Guild, Inc. present Ed Asner in a solo performance of FDR as part of Heritage Week at The Cleveland Play House.
Lysander loves Hermia. Hermia loves Lysander. Helena loves Demetrius. Demetrius used to love Helena... but now loves Hermia. So begins Shakespeare's classic comedy, A Midsummer Night's Dream.
Lysander loves Hermia. Hermia loves Lysander. Helena loves Demetrius. Demetrius used to love Helena... but now loves Hermia. So begins Shakespeare's classic comedy, A Midsummer Night's Dream.
Lysander loves Hermia. Hermia loves Lysander. Helena loves Demetrius. Demetrius used to love Helena... but now loves Hermia. So begins Shakespeare's classic comedy, A Midsummer Night's Dream.
Variety is reporting that Jack V. Booch, the former executive producer and director of the Theater Guild of NY, died February 11 in Portland of cancer. He was 73.
The moment Ronald Rand takes the stage as Harold Clurman in his solo performance, LET IT BE ART! Harold Clurman's Life of Passion, embodying Harold Clurman, through voice, gesture and size, we are immediately thrust into a world of boundless passion for the theatre, and taken on a inspiring journey that lingers within our consciousness for a very long time.
The University of Adelaide Theatre Guild presents David Williamson's INFLUENCE. The production is directed by Brant Eustice, and designed by Alia Guidace.
The moment Ronald Rand takes the stage as Harold Clurman in his solo performance, LET IT BE ART! Harold Clurman's Life of Passion, embodying Harold Clurman, through voice, gesture and size, we are immediately thrust into a world of boundless passion for the theatre, and taken on a inspiring journey that lingers within our consciousness for a very long time.
David Mamet's Oleanna continues its run at the University of Adelaide's Theatre Guild 27-31 October at 7.30pm in the Little Theatre. The show is directed by Ben McCann.
The University of Adelaide Theatre Guild is delighted to announce that renowned Adelaide actor and director Brant Eustice will be playing the role of ?John' in its forthcoming production of OLEANNA by David Mamet. He will be joined on stage by Rachael Grauwelman-Smith who takes on the role of student ?Carol'.
Shakespeare's Richard II is the first play in a series about the nature of kingship that includes Henry IV, (parts I & II) and Henry V. In the medieval understanding there is an intimate connection between Ruler and Realm.
The personal theatrical papers of Katharine Hepburn, which were acquired by The New York Public Library for the Performing Arts in 2007, will be on view for the first time in the new library exhibition, Katharine Hepburn: In Her Own Files, opening Wednesday, June 10. Her long and rich theater career is documented through typescripts (some, like the script for Coco, annotated in Hepburn?s hand), hundreds of photographs (publicity shots and formal portraits, as well as informal snapshots and rehearsal candids), scrapbooks, promotional ephemera, and sixty years of correspondence (fan mail, congratulatory notes, and general letters from such notable friends and admirers as Judy Garland, Richard Burton, John Ford, Vivien Leigh, Peter O?Toole, Cary Grant, Humphrey Bogart, and Jeremy Irons, among scores of others. She saved telegrams from her friends and from stage crews and even the cards that come with flower bouquets, including many signed ?Pot,? Hepburn?s pet name for long-time companion Spencer Tracy). The exhibition continues through Saturday, October 10, 2009 in the Vincent Astor Gallery of The New York Public Library for the Performing Arts Dorothy and Lewis B. Cullman Center, located on the Lincoln Center campus at 40 Lincoln Center Plaza. Admission is free. For exhibition information, call 212.870.1630 or visit the Library?s website at www.nypl.org/lpa. In conjunction with this exhibition, a series of Hepburn films based on stage plays will be screened on Saturday afternoons in July and August at the Library.
