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BWW Reviews: New York City Ballet's Bournonville Divertissements and La Sylphide

BWW Reviews: New York City Ballet's Bournonville Divertissements and La Sylphide

by Barnett Serchuk — May 27, 2015

So how far does an afternoon of Bournonville go? I would love to say a long way, yet in the performance on Sunday, May 24 at the Koch Theater, the dancers of the New York City Ballet proved that, while soaring high octane is definitely in their blood, the softer sounds and characterizations of Bourn

BWW Reviews: The Gods Prevail in NYCB's Black and White Festival II

BWW Reviews: The Gods Prevail in NYCB's Black and White Festival II

by Melia Kraus-har — May 11, 2015

Hear the Dance:Russia, covered forty years of Balanchine accompanied by Stravinsky's music from his Apollo, created in 1928 for Diaghilev's Ballet Russes, to 1957's Agon, to two works from 1972, Duo Concertant and Symphony in Three Movements.

BWW Reviews: Youth America Grand Prix's Starry Night of a Gala

BWW Reviews: Youth America Grand Prix's Starry Night of a Gala

by Melia Kraus-har — April 22, 2015

In addition to being an incredible highlight of YAGP's work, what other night can one see the best of the best and the best to be on one stage? From quivering port de bras of an eager eleven year old to the stoic grace of Paloma Herrera, YAGP proudly endorsed its place in supporting generations of

YAGP to Host Annual Gala at Lincoln Center

YAGP to Host Annual Gala at Lincoln Center

by Tyler Peterson — March 23, 2015

World's largest dance network and international student ballet scholarship audition - YOUTH AMERICA GRAND PRIX – will present its signature “Stars of Today Meet the Stars of Tomorrow” annual Gala at the David H.

BWW Reviews: NYCB Dancers Prove Their Worth in ALL BACH

BWW Reviews: NYCB Dancers Prove Their Worth in ALL BACH

by Aaron Fallon — February 16, 2015

What determines an artistic institution's longevity? How does such an institution thrive after the social, political, and economic forces that engendered it have disappeared? Museums, orchestras, theater and dance companies face these questions as they struggle to succeed in the cultural Darwinism t


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