DALLAS, TX, NOVEMBER 23, 2015 – The Dallas Opera is proud to announce that the gift of Christmas will come early this year for opera lovers in New York City! The Texas opera company's world premiere production of Mark Adamo's Becoming Santa Claus will be simulcast—live—to 150 lucky mu
DALLAS, TX, NOVEMBER 23, 2015 – The Dallas Opera is proud to announce that the gift of Christmas will come early this year for opera lovers in New York City! The Texas opera company's world premiere production of Mark Adamo's Becoming Santa Claus will be simulcast—live—to 150 lucky mu
The Dallas Opera is delighted to present an original, musically compelling and visually stunning world premiere: Mark Adamo's BECOMING SANTA CLAUS, opening on Friday, December 4th at 7:30 p.
DALLAS, NOVEMBER 11, 2015 – The Dallas Opera is delighted to present an original, musically compelling and visually stunning world premiere: Mark Adamo's BECOMING SANTA CLAUS, opening on Friday, December 4that 7:30 p.
DALLAS, OCTOBER 16, 2015 – Expect edge-of-your-seat excitement and experience Grand Opera at its finest as The Dallas Opera presents Giacomo Puccini's immortal TOSCA, opening on Today, November 6, 2015 at 7:30 p.
Twelve days, seven operatic happenings, six venues across the city, three world premieres, and one superstar Festival Artist: set to launch in September 2017, O – Opera Philadelphia's new annual season-opening festival – represents a radical new way to experience opera.
DALLAS, OCTOBER 16, 2015 – Expect edge-of-your-seat excitement and experience Grand Opera at its finest as The Dallas Opera presents Giacomo Puccini's immortal TOSCA, opening on Friday, November 6, 2015 at 7:30 p.
The Met came late to the trio of Donizetti operas about British queens, when it finally mounted ANNA BOLENA mounted for Anna Netrebko in 2011.
Taylor Stayton will sing the role of Percy in this evening's performance of Donizetti's Anna Bolena, replacing Stephen Costello, who is ill.
This Saturday, September 26, American soprano Sondra Radvanovsky will begin her season-long quest to sing all three of the principal heroines in Donizetti's 'Tudor trilogy,' being presented in its entirety for the first time at the Met this season.
Canadian soprano Erin Wall, who in August was featured in the Tanglewood Music Center Orchestra's performance of Mahler's “Symphony of a Thousand” led by Andris Nelsons, and American baritone Steven LaBrie, a 2013 George London Encouragement Award winner who has sung Schubert's Die schöne Müll
The Capitol Center for the Arts is pleased to announce that it will present 11 productions in next season's Met: Live in HD series, beginning with Verdi's Il Trovatore on Saturday, October 3, at 12:55pm.
?The 2015-16 season marks two milestones for the George London Foundation for Singers, which has been honoring, supporting, and presenting the finest young opera singers in the U.
Jamie Barton will add a new role to her Met repertory this season when she sings Giovanna Seymour in Donizetti's Anna Bolena, replacing Elena Garana, who has withdrawn due to a death in her family.
The new opera season doesn't start till September at the earliest.
The Met was running on all cylinders for the last performance of the season, with Verdi's UN BALLO IN MASCHERA in an energized version of the production that premiered in 2012.
Met Music Director James Levine will lead a starry revival of Verdi's Un Ballo in Maschera, opening April 23 and continuing for four additional performances through May 9.
The Met's first new production in 45 years of the enduringly popular verismo double bill, Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci, will open April 14.
After a months-long series of competitions at the district, regional, and national levels, five young singers have been named the winners of the nation's most prestigious vocal competition, the Metropolitan Opera National Council Auditions.
The winners of the 44th annual George London Foundation Awards Competition for young American and Canadian opera singers were announced at the conclusion of the competition's final round this evening, which took place in a front of a capacity audience at Gilder Lehrman Hall at The Morgan Library & M
