For musical theaters "A Chorus Line" is pretty much the holy grail of musicals. Most people love it and it has some of the most iconic and recognizable songs and characters out there. But few theaters are brave enough to tackle it especially smaller regional or community theaters, and with good reason. You basically need an entire stage of ethnically diverse triple threats (amazing dancers, singers and actors) to pull it off. And while I don't think I saw any true triple threats at SMT's current production, I did see a few two and a halfs and a bunch of twos.
In June of 2002 I had an experience that would alter my perception on how good musical theater could be. That was when I saw "Hairspray" for the first time. It was the pre-Broadway run at the 5th Avenue Theatre. I had heard a bit of "Welcome to the 60's" on the radio commercial and thought to myself, "This sounds pretty good." Little did I know what I was in for the night I saw it. Little did I know that I would be introduced to one of my favorite shows of all time and to a character that I would long to play for years to come.
Oh my holy hell! The rehearsals are keeping me hopping. Sorry for the lack of blog entries but I have been crazy busy trying to learn all those dances and songs. And I don't even have the lion's share. Our poor Tracy (Kate Moyer) only has three numbers she's not in!
In June of 2002 I had an experience that would alter my perception on how good musical theater could be. That was when I saw "Hairspray" for the first time. It was the pre-Broadway run at the 5th Avenue Theatre. I had heard a bit of "Welcome to the 60's" on the radio commercial and thought to myself, "This sounds pretty good." Little did I know what I was in for the night I saw it. Little did I know that I would be introduced to one of my favorite shows of all time and to a character that I would long to play for years to come.
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