Sarah Douglas News

The Court Jesters will be working like the Dickens in A Christmas Carol - and so will some members of the audience.

Audiences are bound to be awestruck by The Court Theatre's summer musical, Legally Blonde the Musical. The award-winning Broadway sensation, based on the Amanda Brown novel and hit 2001 film of the same name, is a musical comedy that smashes stereotypes and absolutely explodes on stage.

The Court Theatre is mixing something old with something new in a fun reinterpretation of the classic children's fable THE LITTLE MERMAID, running 13-23 July 2016 as part of KidsFest 2016.

The Court Theatre is mixing something old with something new in a fun reinterpretation of the classic children's fable THE LITTLE MERMAID, running 13-23 July 2016 as part of KidsFest 2016.

The Forge at The Court is about to host "the scariest show it's ever seen" with the world premiere of The Dunstan Creek Seance, according to Associate Director of The Court Theatre, Dan Pengelly.

The world premiere of the comedy MATTHEW, MARK, LUKE AND JOANNE by award winning writer Carl Nixon opens at The Court Theatre on 9th April.

The Forge at The Court is about to host "the scariest show it's ever seen" with the world premiere of The Dunstan Creek Seance, according to Associate Director of The Court Theatre, Dan Pengelly.

The world premiere of the comedy MATTHEW, MARK, LUKE AND JOANNE by award winning writer Carl Nixon opens at The Court Theatre on 9th April.

The 25th annual Kleban Prize for the most promising musical theatre lyricist has been awarded to Sam Willmott and the 25th annual Kleban Prize for the most promising musical theatre librettist has been awarded to Sam Carner. The 2015 prizes were presented yesterday, June 22, 2015, in a private ceremony hosted by ASCAP and BMI at ASCAP. BroadwayWorld was there for the presentation and you can check out photos below!

You Can Always Hand Them Back by Roger Hall, New Zealand's most loved playwright returns to The Court Theatre this time with British musical heavyweight Peter Skellern ( You're a Lady , Love is the Sweetest Thing ) to take patrons on a light hearted journey through the joys and horrors of Grandparenthood, with all its painful pleasures.

You Can Always Hand Them Back by Roger Hall, New Zealand's most loved playwright returns to The Court Theatre this time with British musical heavyweight Peter Skellern ( You're a Lady , Love is the Sweetest Thing ) to take patrons on a light hearted journey through the joys and horrors of Grandparenthood, with all its painful pleasures.

Filthy traitor or silly duffer? This is the question at the centre of The Court Theatre's new production Plum, written by Roy Smiles. Plum brings to the stage the most critical time in the life of popular 20th century writer, humourist and lyricist PG Wodehouse - or Plum as he was known to his friends. "Wodehouse was then and remains one of the few authors who can make me laugh out loud," says playwright Roy Smiles. "Reading his books in a 1970s Britain scarred with National Front skinheads, strikes, race riots and IRA bombs it was deeply comforting escapism."

The Court Theatre presents a compelling and heart wrenching International Smash Hit Musical- Blood Brothers.

Under the taut and subtle direction of Shirley Serotsky and graced with a tremendously talented class, Theater J's The Hampton Years is nothing short of a triumph. Local playwright Jacqueline E. Lawton has given us a vital part of our history back-the humble but compelling beginnings of two towering figures in African-American art, John Biggers and Samella Lewis, who studied under Austrian refugee Viktor Lowenfeld at Virginia's Hampton Institute.

Monstrous worms unleashed from their ancient crypts and vicious witches declaring war on humanity wreak havoc during Syfy's May Saturday Original Movies.

New York's eternally boundary-pushing theater company Naked Angels (Geoffrey Nauffts, Artistic Director and Brittany O'Neill, Managing Director) has announced that it will present the Off Broadway premiere of The Talk, a new American play by Frank Pugliese, directed by Sheryl Kaller.