The New York Philharmonic and Alan Gilbert continue The Nielsen Project - the Philharmonic's acclaimed multi-season survey of the six symphonies and three concertos by Danish composer Carl Nielsen (1865-1931) - with performances of Nielsen's Maskarade Overture and Symphonies No. 5 and No. 6, Sinfonia semplice, as well as the second release of the Philharmonic's series of recordings of Nielsen's complete symphonies and concertos.
The Houston Chamber Choir opens its 19th season - "The Voices of Houston" - with choral works of the late Renaissance and early Baroque periods that were inspired by the allure and breathtaking architecture of San Marco. The preeminent Canadian sackbut and string ensemble ¡Sacabuche! joins the Houston Chamber Choir to kick off the season. Audiences will journey through glorious polychoral and antiphonal works of Andrea and Giovanni Gabrieli, Hans Leo Hassler, Heinrich Schu?tz, and others, presented at the acoustically superb Co-Cathedral of the Sacred Heart on September 16th.
Marin Alsop and the Baltimore Symphony Orchestra (BSO) present Rachmaninoff's Symphony No. 1 on Friday, September 26 at 8 p.m. and Sunday, September 28 at 3 p.m. at the Joseph Meyerhoff Symphony Hall, and Saturday, September 27 at 8 p.m. at The Music Center at Strathmore. The program also will feature the BSO premiere of Jennifer Higdon's blue cathedral, John Williams' heartbreaking Theme from Schindler's List and Korngold's lushly romantic Violin Concerto both performed by James Ehnes. Please see below for complete program details.
Marin Alsop and the Baltimore Symphony Orchestra (BSO) present Rachmaninoff's Symphony No. 1 on Friday, September 26 at 8 p.m. and Sunday, September 28 at 3 p.m. at the Joseph Meyerhoff Symphony Hall
We all have our favorites, but we also enjoy the excitement of something new. Well, in this case there is no need to choose. Both favorites and firsts will be found in this Special Bonus Concert as we sing well-loved works and the world premiere of a brilliant new work by McKnight award-winning composer Jocelyn Hagen that the Chamber Choir commissioned just for this occasion. Past commissions by David Ashley White, Christopher Theofanidis, and Dominick DiOrio add to the mix of this spectacular concert!
The Houston Chamber Choir presents three performances in and around the Houston area of Love Me Do! Love Songs of the '60s, - the 1860s & 1960s, that is! The Houston Chamber Choir's 18th season comes to a classic close with Brahms's popular Liebeslieder Waltzes and The Beatles's chart-toppers in brilliant settings by famed arranger Yumiko Matsuoka. Leonard Bernstein quipped, 'Three bars of 'A day in the life' still sustain me, rejuvenate me and inflame my senses and sensibilities.'
Robert Simpson, Artistic Director and Founder of the Houston Chamber Choir is pleased to announce the Chamber Choir's 19th season: The Voices of Houston. Each of this season's offerings highlights the Houston Chamber Choir's multi-talented musicians in a wide range of diverse choral repertoire. 'The Voices of Houston' is a season of thrilling firsts as the Houston Chamber Choir welcomes Grammy Award-winning conductor Paul Hillier to Houston for the first time, celebrates its inaugural performance with the Houston Ballet, and makes its Miller Outdoor Theatre debut.
We all have our favorites, but we also enjoy the excitement of something new. Well, in this case there is no need to choose. Both favorites and firsts will be found in this Special Bonus Concert as we sing well-loved works and the world premiere of a brilliant new work by McKnight award-winning composer Jocelyn Hagen that the Chamber Choir commissioned just for this occasion. Past commissions by David Ashley White, Christopher Theofanidis, and Dominick DiOrio add to the mix of this spectacular concert!
The Houston Chamber Choir presents three performances in and around the Houston area of Love Me Do! Love Songs of the '60s, - the 1860s & 1960s, that is! The Houston Chamber Choir's 18th season comes to a classic close with Brahms's popular Liebeslieder Waltzes and The Beatles's chart-toppers in brilliant settings by famed arranger Yumiko Matsuoka. Leonard Bernstein quipped, 'Three bars of 'A day in the life' still sustain me, rejuvenate me and inflame my senses and sensibilities.'
Perhaps the greatest disservice ever done to English music was its dismissal by the modernist composer Elizabeth Lutyens as 'cowpat music'. That statement was a hangover of a common perception from the late nineteenth and early twentieth century that, despite the country's power and reputation, it wasn't actually very good at producing interesting music. But World War One marked the beginning of a new explosion of creative energy, one that saw exciting modern composers pour into England's concert halls, reaching across the sea to America, even to Hollywood. 'This England' from Leon Botstein and the American Symphony Orchestra brings this England to Carnegie Hall.
A concert by the ASO led by Leon Botstein that will debunk the myth that England's musical culture in the first part of the twentieth century was drab and unoriginal. World War One in fact marked the beginning of a new explosion of creative energy and this concert reveals it by highlighting works by some of the first modern British composers, including Arthur Bliss' suite from a film of H.G. Wells' apocalyptic predictions, Robert Simpson's volcanic eruption of a brass band, Frank Bridge's showpiece for piano and orchestra and a masterwork by William Walton, whose music came to embody the fortitude of the 20th century British character.
Perhaps the greatest disservice ever done to English music was its dismissal by the modernist composer Elizabeth Lutyens as "cowpat music". That statement was a hangover of a common perception from the late nineteenth and early twentieth century that, despite the country's power and reputation, it wasn't actually very good at producing interesting music. But World War One marked the beginning of a new explosion of creative energy, one that saw exciting modern composers pour into England's concert halls, reaching across the sea to America, even to Hollywood. "This England" from Leon Botstein and the American Symphony Orchestra brings this England to Carnegie Hall.
American Symphony Orchestra bring an English "creative explosion" (and a musical volcano) to Carnegie Hall. Leon Botstein leads "This England" - four works that helped to change the game for English music, and for the rest of us, on January 31 at 8pm.
The Houston Chamber Choir presents a second concert that has become a community tradition for the holidays -- Christmas at the Villa, featuring GRAMMY-nominated guitarist and lutenist Richard Savino, is set for today, December 14 and tomorrow, December 15 at 3:30 and 7:30 pm at the Chapel of the Villa de Matel (6510 Lawndale Ave.).
The Houston Chamber Choir presents two concerts that have become community traditions for the holidays; Messiah, featuring the River Oaks Chamber Orchestra, tonight, December 7, at 7:30 pm at The Church of St. John the Divine (2450 River Oaks Blvd.); and Christmas at the Villa, featuring GRAMMY -nominated guitarist and lutenist Richard Savino, Saturday, December 14 and Sunday, December 15 at 3:30 and 7:30 pm at the Chapel of the Villa de Matel (6510 Lawndale Ave.).
The Houston Chamber Choir presents two concerts that have become community traditions for the holidays; Messiah, featuring the River Oaks Chamber Orchestra, Saturday, December 7, at 7:30 pm at The Church of St. John the Divine (2450 River Oaks Blvd.); and Christmas at the Villa, featuring GRAMMY -nominated guitarist and lutenist Richard Savino, Saturday, December 14 and Sunday, December 15 at 3:30 and 7:30 pm at the Chapel of the Villa de Matel (6510 Lawndale Ave.).
AfroSolo has announced it will join others in paying tribute to the lives, spirit, accomplishments and contributions Black men make in our society. Whether in the arts, science, business, education, law, religion, politics, the arts, or any other mountain, Black men have been tried and tested, yet triumphantly kept their 'Eyes on the Prize.'
AfroSolo has announced it will join others in paying tribute to the lives, spirit, accomplishments and contributions Black men make in our society. Whether in the arts, science, business, education, law, religion, politics, the arts, or any other mountain, Black men have been tried and tested, yet triumphantly kept their 'Eyes on the Prize.'
The American Symphony Orchestra's upcoming season, full of discoveries and revolution begins with New York Avant-Garde on October 3, 2013. In partnership with the New-York Historical Society's new exhibition and catalog, the ASO recreates the fall-out in music of the famous New York Armory visual arts show of a century ago, in 1913.
Robert Simpson, Founder and Artistic Director of the Houston Chamber Choir announces the Choir's 18th season, Where Class Meets Cool. The 2013-2014 season includes masterpieces by Brahms, Handel, Palestrina, and Durufle, along with works by today's leading composers including a newly commissioned piece by Jocelyn Hagen, recent winner of the McKnight award.
