Before seeing the Met's new production of Johann Strauss Jr.'s DIE FLEDERMAUS, directed by Jeremy Sams, on Saturday night, I listened to the afternoon's live broadcast of Mozart's THE MAGIC FLUTE. Both were written in German and performed in English to make them more palatable to their target audiences (Broadway musical lovers and young opera-goers-in-training, respectively). But, while the Mozart had its guts cut away, to shave the running time to 90 minutes without an intermission, the FLEDERMAUS went on--and on and on--for four hours. Both had the same result--and it was not good.
A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, opened at the Met on December 31,starring Broadway performers, Danny Burstein and Betsy Wolfe as the drunken jailer, Frosch, and Adele's sister, Ida, respectively.
Andrew Lloyd Webber's new production of The Wizard of Oz makes its anticipated South Florida premiere at Broward Center for the Performing Arts from January 7 - 19, 2014. Tickets are now on sale at the Broward Center box office, on-line at www.browardcenter.org; by phone 954- 462-0222. Groups of 10+ are invited to call 954-626-7814 or 954-462-0222.
A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, will open at the Met on December 31. Jeremy Sams, writer and creator of the Met's Baroque pasticheThe Enchanted Island, makes his company debut as director with the new staging, which is set in Vienna at the turn of the 20thcentury. Sams also contributes new lyrics for Strauss's work, which will be performed entirely in English; Tony Award-nominated playwright Douglas Carter Beane makes his Met debut with new dialogue. Adam Fischer conducts a cast of rising opera stars and Broadway performers. The cast is led by Susanna Phillips and Christopher Maltman as the unhappily married Rosalinde and Eisenstein; Jane Archibald as Rosalinde's feisty maid, Adele; Anthony Roth Costanzo as Prince Orlofsky; Michael Fabiano as Rosalinde's former lover, Alfred; Paulo Szot as the bumbling Dr. Falke; and Patrick Carfizzi as the prison superintendent, Frank. Broadway stars Danny Burstein and Betsy Wolfe make Met debuts as the drunken jailer, Frosch, and Adele's sister, Ida. Robert Jones is set and costume designer for the production, with lighting design by Jennifer Schriever and choreography by Stephen Mear in their Met debuts.
A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, will open at the Met on December 31. Jeremy Sams, writer and creator of the Met's Baroque pastiche The Enchanted Island, makes his company debut as director with the new staging, which is set in Vienna at the turn of the 20th century. Sams also contributes new lyrics for Strauss's work, which will be performed entirely in English; Tony Award-nominated playwright Douglas Carter Beane makes his Met debut with new dialogue. Adam Fischer conducts a cast of rising opera stars and Broadway performers. The cast is led by Susanna Phillips and Christopher Maltman as the unhappily married Rosalinde and Eisenstein; Jane Archibald as Rosalinde's feisty maid, Adele; Anthony Roth Costanzo as Prince Orlofsky; Michael Fabiano as Rosalinde's former lover, Alfred; Paulo Szot as the bumbling Dr. Falke; and Patrick Carfizzi as the prison superintendent, Frank. Broadway stars Danny Burstein and Betsy Wolfe make Met debuts as the drunken jailer, Frosch, and Adele's sister, Ida. Robert Jones is set and costume designer for the production, with lighting design by Jennifer Schriever and choreography by Stephen Mear in their Met debuts.
Segerstrom Center for the Arts in Costa Mesa announces that the first North American tour of the new stage adaptation of THE WIZARD OF OZ will play February 11 - 23 in Segerstrom Hall.
As previously reported, Rosemarie DeWitt will take on the lead female role originally played by JoBeth Williams, who starred opposite Craig T. Nelson. Director Gil Kenan and crew are still on the hunt to cast the male lead.
Producers Bill Kenwright, The Really Useful Group, David Mirvish, Troika Entertainment, Warner Bros. & The Nederlander Organization have announced that the first North American tour of the new stage adaptation of THE WIZARD OF OZ will make its L.A. debut at the Hollywood Pantages Theatre for a limited 3 week engagement; September 17 - October 6, 2013. Full casting for the tour is now complete.
Producers Bill Kenwright, The Really Useful Group, David Mirvish, Troika Entertainment & Warner Bros. Theatre Ventures just announced that casting is complete for the first North American tour of the new stage adaptation of THE WIZARD OF OZ, which will commence on September 10, 2013 at The Smith Center in Las Vegas, NV.
SHN announced today that the first North American tour of Andrew Lloyd Webber's new stage adaptation of THE WIZARD OF OZ will play a special engagement at the SHN Orpheum Theatre for two weeks only, October 16 - 27, 2013. Tickets go on sale Friday July 12 at 10am.
Producers Bill Kenwright, The Really Useful Group, David Mirvish, Troika Entertainment & Warner Bros. Theatre Ventures have just announced that the first North American tour of Andrew Lloyd Webber's new stage adaptation of THE WIZARD OF OZ will commence on September 10, 2013 at The Smith Center in Las Vegas, NV.
The groans were audible--no, powerful--when the Metropolitan Opera's General Manager Peter Gelb stepped out in front of the curtain on the second night of the company's new David McVicar production of Handel's GIULIO CESARE. They grew louder as he announced that soprano Natalie Dessay was ill and would not be singing the pivotal role of Cleopatra. But I'd bet that these same operagoers were cheering along with the majority of the audience at the sensational portrayal of the replacement, soprano Danielle de Niese, whose brilliant coloratura took the runs, roulades and trills of this demanding score with ease.
David Daniels and Natalie Dessay will sing the leading roles of Julius Caesar and Cleopatra inDavid McVicar's production of Handel's Giulio Cesare, which premieres at the Met April 4. Baroque specialist Harry Bicket will lead ten performances of the popular staging, originally produced at the Glyndebourne Festival, which incorporates many innovative elements into the story of Caesar and Cleopatra's unlikely romance-including extensive choreography by Andrew George. The other principal stars of this production include Alice Coote in the trouser role of the Roman youth Sesto, Italian baritone Guido Loconsolo in his Met debut as the scheming Egyptian general Achilla, John Moore as the Roman general Curio, and three stars of McVicar's original Glyndebourne Festival production: Patricia Bardon as the Roman widow Cornelia, Sesto's stepmother; Christophe Dumaux as Tolomeo, Cleopatra's brother and co-ruler; and Moroccan countertenor Rachid Ben Abdeslam in his Met debut as the Egyptian servant Nireno. The production features set design by Robert Jones, costume design by Brigitte Reiffenstuel, and lighting design by Paule Constable. The Saturday, April 27 matinee performance of Giulio Cesare will be transmitted worldwide as part of the Met's Live in HD series, which is now seen in more than 1,900 movie theaters in 64 countries around the world.
With his production of The Full Monty on national tour, and The Daughter-in-Law opening earlier this week, Artistic Director Daniel Evans announces the new season for Sheffield Theatres.
The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.
The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.
The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.
