Rob Roth News

American Repertory Theater (A.R.T.) and Harvard Art Museums have partnered in conjunction with the A.R.T.'s production of WARHOLCAPOTE to present a series of events highlighting the contemporary legacies of Andy Warhol and Truman Capote, including a unique encounter with Warhol screen-prints and a speaker series featuring journalists, multimedia artists, curators, and collectors.

WARHOLCAPOTE is currently playing in previews, opens September 24, and closes October 13, 2017 at American Repertory Theater. BroadwayWorld has a first look at Stephen Spinella (Andy Warhol) and Dan Butler (Truman Capote) in action below!

American Repertory Theater (A.R.T.) and Harvard Art Museums have partnered in conjunction with the A.R.T.'s production of WARHOLCAPOTE to present a series of events highlighting the contemporary legacies of Andy Warhol and Truman Capote, including a unique encounter with Warhol screen-prints and a speaker series featuring journalists, multimedia artists, curators, and collectors.

The American Repertory Theater (A.R.T.) announces that Dan Butler has joined the cast of adaptor Rob Roth's new play WARHOLCAPOTE in the role of Truman Capote. He will appear with Stephen Spinella (Tony Award winner for Angels in America) who portrays artist Andy Warhol.

HERE proudly announces its 2017-2018 producing season, marking the 25th Anniversary of this award-winning, boundary-stretching institution.  The 2017-2018 HERE lineup features three HERE Resident Artist world premieres; the world premiere of a HERE Artistic Director production by Kristin Marting; innovative works from the Dream Music Puppetry Program including a revival of Symphonie Fantastique by Basil Twist, internationally acclaimed artist and Artistic Director of HERE's Dream Music Puppetry Program; the sixth annual PROTOTYPE: Opera/Theatre/Now festival, and HERE's yearly CULTUREMART festival, where HERE serves up a first look at new work in process from artists in the HERE Artist Residency Program (HARP).  The multidisciplinary productions in HERE's milestone 2017-2018 season represent the culmination of commissions and developmental residencies of up to three years in the HERE Artist Residency Program (HARP) and/or the Dream Music Puppetry Program.  

The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Director Diane Quinn, will soon present Warhol Capote, adapted by Rob Roth and directed by Michael Mayer featuring Stephen Spinella as Warhol and Leslie Jordan as Capote. Performances begin on Saturday, September 9 and run through Friday, October 13 at the Loeb Drama Center, 64 Brattle St., Cambridge.

American Repertory Theater (A.R.T.) just announced its 2017/18 season, which draws inspiration from pop art to a landmark alt-rock album, from poetry to classic literature. Scroll down for details!

The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Director Diane Quinn, is pleased to present Warhol Capote, written by Rob Roth and directed by Michael Mayer.

On Monday, May 1, HERE honors award-winning director Anne Kauffman and President of the Scherman Foundation, Mike Pratt, at HERE's annual gala.  This year's gala, entitled MOXIE!, begins at 6:00pm with The Sassy Supper at City Winery (155 Varick Street) featuring VIP Cocktail Reception, silent auction, dinner and performances, and continues with the Guts & Glamour Party, beginning at 8:30pm at HERE (145 Sixth Avenue), with cocktails, delectables, silent auction, performances and dancing. 

Conceived in part as a response to the current climate, WE WANT IT DARKER is a dreamy portrait of the surreal. Through solo and collaborative work, with live music, theremin, glass walking, burlesque and aerial performances, we explore what is in the midst of the darkness. 

The OBIE-winning HERE presents CULTUREMART 2017, taking place tonight, March 15, through March 25.

The OBIE-winning HERE proudly presents CULTUREMART 2017, taking place March 15 - 25.  In this annual festival, CULTUREMART, process becomes the focus, offering a first look at live performance in various stages of development from the boundary-breaking artists in the HERE Artist Residency Program (HARP) as they journey to mainstage production.

House of Yes, Brooklyn's all gender inclusive nightlife and performance space celebrates the day of Saint Valentine in partnership with renowned New York artist and multi-platform artist and director Rob Roth for a sensual and romantic evening of decadent dining and surreal theatrics followed by a seductive dance party perfect for singles, couples, triads and more.

House of Yes, Brooklyn's all gender inclusive nightlife and performance space celebrates the day of Saint Valentine in partnership with renowned New York artist and multi-platform artist and director Rob Roth for a sensual and romantic evening of decadent dining and surreal theatrics followed by a seductive dance party perfect for singles, couples, triads and more.

Joe's Pub at The Public has announced its nightly lineup of performances from September 7 - 18, 2016. Scroll down, and visit www.joespub.com for a complete list of shows!

High Line visitors can roam the park after-hours in the first-ever 'Up Late' evening as dancers, musicians, and visual artists illuminate the park with participatory performances, installations, and light and sound surprises.

HERE has announced its 2016-2017 producing season, featuring three HERE Resident Artist world premieres, two international presentations from HERE's renowned Dream Music Puppetry Program, the fifth annual PROTOTYPE: Opera/Theatre/Now festival, and HERE's yearly CULTUREMART festival, where HERE serves up a first look at new work in process from artists in the HERE Artist Residency Program (HARP).

BEAUTY AND THE BEAST Enchants at the Orpheum Now Thru July 10!

High Line visitors can roam the park after-hours in the first-ever 'Up Late' evening as dancers, musicians, and visual artists illuminate the park with participatory performances, installations, and light and sound surprises.

The 1991 Disney film Beauty and the Beast is a spectacular work of animated musical storytelling. Belle, a type of feminist in a sense (at least within the context of Disney, especially when compared to Ariel, who taught millions of young girls just two years earlier that it is important to change who you are for a man), is an independent, intelligent, and beautiful young woman who reads and finds pleasure in the pursuit of knowledge. She has found her voice and she demands to be heard. So naturally, the whole town thinks she is crazy. A heroine of this caliber is a lot to live up to in any fairy tale and such a fanciful, witty and heartfelt presentation seems impossible to duplicate, but that's what I expect from a Broadway production. I expect seats that can cost a good $120 to rival the magic created by the brilliant animators working with Disney in the early part of that transitional decade. Unfortunately, the touring Broadway musical produced by NETworks Presentations does not live up to this expectation. In fact it falls quite short of perpetuating the wonder and depth established in the original film. I brought my twin 6-year-old daughters to the show and they loved it. Certainly it was quality enough to entertain a kindergartener, but is that really what Dallas should grow to accept as quality theatrical art. We have a booming and continuously growing art scene and so-called 'Broadway' productions such as this should not be tolerated in our community. Broadway is supposed to be a leader in the creation of quality art, not the preservation of an industry that overcharges audiences, underpays artists, undermines unions, and whose primary mission is not artistic success but financial success.