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Cutting Ball Theater Presents THE ANTIQUARIAN’S FAMILY, 6/20

by BWW News Desk — June 20, 2010

CUTTING BALL THEATER HIDDEN CLASSICS READING SERIES presents 'STORM ' June 13, 2010 San Francisco's cutting-edge Cutting Ball Theater presents the fifth installation in this season's Hidden Classics Reading Series, August Strindberg's STORM, in a new translation by Paul Walsh.

Cutting Ball Theater Presents THE STORM & THE ANTIQUARIAN’S FAMILY & STORM

by BWW News Desk — June 13, 2010

CUTTING BALL THEATER HIDDEN CLASSICS READING SERIES presents 'STORM ' June 13, 2010 San Francisco's cutting-edge Cutting Ball Theater presents the fifth installation in this season's Hidden Classics Reading Series, August Strindberg's STORM, in a new translation by Paul Walsh.

Cutting Ball Changes Schedules for BONE TO PICK and DIADEM, Now 6/4-7/3

by BWW News Desk — June 4, 2010

Due to illness, the previously announced performance dates for Cutting Ball Theater's productions of Eugenie Chan's BONE TO PICK and DIADEM will be pushed forward two weeks to allow actress Paige Rogers, who is featured in the one-woman plays, adequate time to get well.

Cutting Ball Changes Schedules for BONE TO PICK and DIADEM, Now 6/4-7/3

Cutting Ball Changes Schedules for BONE TO PICK and DIADEM, Now 6/4-7/3

by Jeff Dennhardt — April 24, 2010

Due to illness, the previously announced performance dates for Cutting Ball Theater's productions of Eugenie Chan's BONE TO PICK and DIADEM will be pushed forward two weeks to allow actress Paige Rogers, who is featured in the one-woman plays, adequate time to get well.

Cutting Ball Theater Presents THE STORM & THE ANTIQUARIAN’S FAMILY & STORM

Cutting Ball Theater Presents THE STORM & THE ANTIQUARIAN’S FAMILY & STORM

by Gabrielle Sierra — March 12, 2010

CUTTING BALL THEATER HIDDEN CLASSICS READING SERIES presents 'STORM ' June 13, 2010 San Francisco's cutting-edge Cutting Ball Theater presents the fifth installation in this season's Hidden Classics Reading Series, August Strindberg's STORM, in a new translation by Paul Walsh.


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