Fiddler on the Roof- Ephrata Performing Arts Center's 2013 holiday production-is exotically set in a small Jewish village in Tsarist Russian in 1905, but the Tony Award-winning musical is beloved around the world for its universal appeal.
Fiddler on the Roof- Ephrata Performing Arts Center's 2013 holiday production-is exotically set in a small Jewish village in Tsarist Russian in 1905, but the Tony Award-winning musical is beloved around the world for its universal appeal.
Catastrophic's most ambitious season to date features more plays, more new plays, and more regional premieres of critically acclaimed plays by contemporary playwrights. The six-play season includes two world premieres by resident playwright Miki Johnson, the third installment of our highly popular series of avant-garde classics, Tamarie Cooper's 17th original musical, and Houston premieres by Lisa D'Amour and Will Eno.
Tamarie Cooper's OLD AS HELL is meh. NOT! In fact, this year's offering in the cherished tradition of Houston theatre's summer line-up sparkles with clever wit and ebullient hilarity. This may only be my second summer to see a Tamarie Cooper musical, but in so many ways I found this one better than last year's raucously irreverent DOOMSDAY REVUE. Maybe with one Tamarie Cooper show under my belt, I had a better idea of what to expect. Maybe like a good wine Tamarie Cooper is only getting better with age. Or maybe it's both. Regardless, I sincerely wish I had been there to see them all.
The Catastrophic Theatre's fifth anniversary season is also the twentieth anniversary of artistic director Jason Nodler and associate director Tamarie Cooper's first collaboration for the stage. And if that weren't cause enough for celebration already it is also Catastrophic's inaugural season in its new facility at 1119 E. Freeway.
For me, 2012 has been a fantastic year. In February, I found out I had won Broadway Across America - Houston's reviewing contest for the second half of their 2011-12 season. Having always wanted to be a theater reviewer, I was thrilled beyond imagination. Sitting in Sarofim Hall waiting for Carrie Fisher to take the stage in her one-woman show WISHFUL DRINKING, I knew I didn't want this journey to end. On May 16, 2012, I contacted BroadwayWorld, and they gave me the opportunity to cover the impressive and large Houston Theatre Scene. My tenure in Houston has not been terribly long, but as 2012 draws to a close, I wanted to take the opportunity to review some of my favorite experiences that writing for BroadwayWorld has afforded me.
Tamarie Cooper's magnificent production of her fifteenth annual original piece, DOOMSDAY REVUE (the greatest musical ever!), proves that Houston has a wealth of artistic talent. Moreover, The Catastrophic Theatre in coordination with Tamarie Cooper is stacked with innumerable bankrolls of local talent.
The Catastrophic Theatre presents Tamarie Cooper's DOOMSDAY REVUE (the greatest musical ever!), tonight, July 13 - August 25, 2012.
The Catastrophic Theatre presents Tamarie Cooper's DOOMSDAY REVUE (the greatest musical ever!), July 13 - August 25, 2012.
This year's Critics Circle Awards, sponsored by Actor's Equity Association, today announced is nominees for excellence in San Francisco Bay area theater. Berkeley Rep's production of American Idiot, which played in the fall of 2009, leads with 12 nominations and will open on Broadway this spring.
Roxanne Goodfellow, artistic and general manager of the recently re-opened Marines Memorial Theatre, today announced the start of 'New Works @ The Marines' - a series showcasing new and emerging works in theatre, music, dance, film and other media from artists in the San Francisco Bay Area and beyond.
Roxanne Goodfellow, artistic and general manager of the recently re-opened Marines Memorial Theatre, today announced the start of 'New Works @ The Marines' - a series showcasing new and emerging works in theatre, music, dance, film and other media from artists in the San Francisco Bay Area and beyond.
Roxanne Goodfellow, artistic director and general manager of the recently re-opened Marines Memorial Theatre, today announced the start of 'New Works @ The Marines' - a series showcasing new and emerging works in theatre, music, dance, film and other media from artists in the San Francisco Bay Area and beyond.
Rick Reynolds' one-man show, Love, God, Sex (and other stuff I don't have), played its final performance Tuesday, November 10, 2009 at San Francisco's Marines' Memorial Theatre. For questions regarding refunds, please call the Box Office at 415-771-6900.
Roxanne Goodfellow, artistic and general manager of the recently re-opened Marines Memorial Theatre, today announced the start of 'New Works @ The Marines' - a series showcasing new and emerging works in theatre, music, dance, film and other media from artists in the San Francisco Bay Area and beyond.
Roxanne Goodfellow, artistic and general manager of the recently re-opened Marines Memorial Theatre, today announced the start of 'New Works @ The Marines' - a series showcasing new and emerging works in theatre, music, dance, film and other media from artists in the San Francisco Bay Area and beyond.
Roxanne Goodfellow, artistic director and general manager of the recently re-opened Marines Memorial Theatre, today announced the start of 'New Works @ The Marines' - a series showcasing new and emerging works in theatre, music, dance, film and other media from artists in the San Francisco Bay Area and beyond.
Roxanne Goodfellow, artistic and general manager of the recently re-opened Marines Memorial Theatre, today announced the start of 'New Works @ The Marines' - a series showcasing new and emerging works in theatre, music, dance, film and other media from artists in the San Francisco Bay Area and beyond.
Roxanne Goodfellow, artistic director and general manager of the recently re-opened Marines Memorial Theatre, today announced the start of 'New Works @ The Marines' - a series showcasing new and emerging works in theatre, music, dance, film and other media from artists in the San Francisco Bay Area and beyond.
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