Richard Wagner News

Joining the world-wide 500th anniversary commemorations of the creation in Venice of the world's first ghetto, Salon/Sanctuary Concerts' eighth season explores the musical worlds shaped by ancestors and descendents of exiles. From Esther to Shylock, from Troubadors to Dowland, we glimpse at fault lines of acceptance refracted through the prism of music.

For the first time ever, Chicago's iconic Music Box Theatre will host a classical live performance when Chicago Opera Theater (COT) debuts the Chicago premiere of Frank Martin's 1942 'The Love Potion' ('Le Vin Herbe') on September 30.

In partnership with the Metropolitan Opera and Gallery Met Shorts, Times Square Arts brings Elizabeth Peyton and Kristian Emdal's Tantris (Young Tristan) to Times Square's electronic billboards from 11:57 p.m. to midnight every night in September. This project is a part of Midnight Moment, a monthly presentation by The Times Square Advertising Coalition (TSAC) and Times Square Arts. 

The New York Philharmonic has announced the 2016-17 season's Insights at the Atrium series, free events exploring themes of the Philharmonic's concert season through multimedia lectures, conversations, and panel discussions. Expanding to eight events this season, Insights at the Atrium has gained in popularity since its inception in 2011, helping thousands of audience members delve more deeply into the music, musicians, and ideas featured in the Philharmonic's season through a dynamic and accessible forum. All events are held at the David Rubenstein Atrium at Lincoln Center and begin at 7:30 p.m.

The Chicago Philharmonic's 2016-17 season, Love, begins with a concert exploring "Legendary Lovers" as depicted in music.

For the first time ever, Chicago's iconic Music Box Theatre will host a classical live performance when Chicago Opera Theater (COT) debuts the Chicago premiere of Frank Martin's 1942'The Love Potion' ('Le Vin Herbe') on September 30. Martin's adaptation of the medieval legend of Tristan and Isolde chronicles the relationship of the two lovers who meet by deception, fall in love by magic and pursue their love in defiance of heavenly and earthly powers.

Lyric Opera of Chicago and The Second City have announced an all new collaboration with the fall premiere of Longer! Louder! Wagner!, an all new and hilarious comedy inspired by Ring composer Richard Wagner.

Writers Theatre, under leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, announces a second two-week extension of Death of a Streetcar Named Virginia Woolf: A Parody created by Tim Ryder and Tim Sniffen, written by Tim Sniffen and directed by Stuart Carden and Michael Halberstam. Due to demand, the production now runs through August 14, 2016, as the inaugural production of the Gillian Theatre at Writers Theatre's new theater center at 325 Tudor Court, Glencoe.

Director Marcus Kyd has assembled a solid roster of professional actors to give Michael Milligan's mythic drama, composed entirely in iambic pentameter, a grand staging.  On the Globe Theater's stage it was the actor's presence, the actor's gift of language that held the audience rapt with attention.  Kyd's cast understands this, and gives vivid life to every one of Milligan's lines. 

Director Francesca Zambello's Gotterdammerung is truly awesome-in both the original and contemporary senses of the word.  The conclusion of a four-part epic, this six-hour installment depicts the final struggle for ownership of a magical ring whose owner might rule the world-but which also holds a dire curse for all who come into contact with it. Through unforgettable projections, beautifully-executed music and stunning vocal performances, this is a once-in-a-lifetime artistic event. 

In the third installment of the Washington National Opera's mammoth staging of Richard Wagner's The Ring of the Nibelung at the Kennedy Center, a new Brunnhilde awakens, Fafner's dragon turns out to be more of a monster truck, and the titular star of the work, Siegfried, turns out to be much more of a jerk than you'd ever want him to be.

Before Captain Jack Sparrow of the Pirates of the Caribbean films sailed the seven seas, Wagner's operatic tale of a cursed pirate had been thrilling audiences for almost 200 years. Seattleites will soon get to experience this masterpiece for themselves in May 2016, as Seattle Opera presents The Flying Dutchman.

Ten years of planning and $10 million in production costs couldn't prevent the Washington National Opera from pleasing all the gods in its ambitious staging of all four operas in Richard Wagner's The Ring of the Nibelung.

In 2006, then Washington National Opera Artistic Director Placido Domingo announced that the Opera would take on their first complete cycle of Richard Wagner's Der Ring des Nibelungen (The Ring of the Nibelung). In the subsequent years, the opera produced the first three of the four-some, but not in quick succession. As the opera and the nation suffered an economic downturn, the complete cycle was never realized. Until now.

The second company completing their residency is Blessed Unrest, presenting the world premiere of Body: Anatomies of Being, conceived and directed by Jessica Burr, written by Matt Opatrny, created and choreographed by the Blessed Unrest ensemble, running now through May 21, 2016. Warning: Bodies will appear in their natural state. BroadwayWorld has a first look at the cast in action below!

The second company completing their residency is Blessed Unrest, presenting the world premiere of Body: Anatomies of Being, conceived and directed by Jessica Burr, written by Matt Opatrny, created and choreographed by the Blessed Unrest ensemble, running April 30 - May 21, 2016.

On Tuesday evening, April 12 North Carolina Opera revealed its upcoming new season at CAM Raleigh (Contemporary Art Museum). Over 300 fans and friends of the organization excitedly gathered for the unveiling of the new season's productions and casting as presented by NCO Artistic & Music Director Timothy Myers, along with live performances of excerpts from the operas.

The second company completing their residency is Blessed Unrest, presenting the world premiere of Body: Anatomies of Being, conceived and directed by Jessica Burr, written by Matt Opatrny, created and choreographed by the Blessed Unrest ensemble, running April 30 - May 21, 2016.

The Chicago Philharmonic announces its 2016-17 season: Love. Throughout five concerts, the season explores orchestral favorites and lesser known offerings representing varying expressions of love. Guest performers include conductor Gerhardt Zimmermann, Visceral Dance Chicago, and a range of renowned vocalists and instrumental soloists. Scott Speck leads the orchestra in his fourth season as artistic director.

Before Captain Jack Sparrow of the Pirates of the Caribbean films sailed the seven seas, Wagner's operatic tale of a cursed pirate had been thrilling audiences for almost 200 years. Seattleites will soon get to experience this masterpiece for themselves in May 2016, as Seattle Opera presents The Flying Dutchman.