TACT/The Actors Company Theatre (Scott Alan Evans, Cynthia Harris and Simon Jones, Co-Artistic Directors), the critically-acclaimed company "dedicated to presenting neglected or rarely produced plays of literary merit," will conclude its 2009/10 season with The Cocktail Party, by T.
Annette Bening, who plays the famed feminist in playwright Joanna Murray-Smith's comedy The Female of the Species, will be sharing the Geffen Playhouse stage with a diverse group of acclaimed actors: David Arquette (Scream, Never Been Kissed), Tony Award nominee Mireille Enos (Big Love, Who's Afraid
Playwrights Horizons has announced complete casting for the World Premiere of CLYBOURNE PARK, a new play by Bruce Norris (The Pain and the Itch at Playwrights Horizons/PH 2006-2007 Season).
Two of the biggest names in Hollywood, Tom Hanks and Julia Roberts, are teaming up again for the upcoming film 'Larry Crowne.
Two-time Emmy Award-winning comedy writer Rachel Axler will make her off Broadway playwriting debut at the NEA-rejected Women's Project with Smudge, a dark comedy directed by Pam MacKinnon about the changing face of the American family and the limits of love and cheesecake.
West Coast Players will be holding auditions for Three Days of Rain, a drama by Richard Greenberg, on Monday, January 4th and Tuesday, January 5th at 7:00 PM at the West Coast Players Theatre in Clearwater.
The SF Playhouse (Bill English, Artistic Director; Susi Damilano, Producing Director) continue their 7th Season dedicated to 'The Power of Laughter' with the Bay Area Premiere of David Greenspan's She Stoops to Comedy.
Annette Bening, who plays the famed feminist in playwright Joanna Murray-Smith's comedy The Female of the Species, will be sharing the Geffen Playhouse stage with a diverse group of acclaimed actors: David Arquette (Scream, Never Been Kissed), Tony Award nominee Mireille Enos (Big Love, Who's Afraid
In the New Yorker online today, John Lahr weighs in on some of 2009's best plays and players, and makes his Tony prediction.
Playwrights Horizons has announced complete casting for the World Premiere of CLYBOURNE PARK, a new play by Bruce Norris (The Pain and the Itch at Playwrights Horizons/PH 2006-2007 Season).
Two-time Emmy Award-winning comedy writer Rachel Axler will make her off Broadway playwriting debut at the NEA-rejected Women's Project with Smudge, a dark comedy directed by Pam MacKinnon about the changing face of the American family and the limits of love and cheesecake.
The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D.
FEINSTEIN'S AT LOEWS REGENCY, the nightclub proclaimed 'Best of New York' by New York Magazine and 'an invaluable New York institution' by The New York Post, will conclude its star-studded Fall 2009 season with the first joint engagement of the club's founder MICHAEL FEINSTEIN and Emmy and Tony Awar
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) announces complete casting and the creative team for the world premiere of POP!, a new musical with book and lyrics by Maggie-Kate Coleman and music by Anna K.
The SF Playhouse (Bill English, Artistic Director; Susi Damilano, Producing Director) continue their 7th Season dedicated to 'The Power of Laughter' with the Bay Area Premiere of David Greenspan's She Stoops to Comedy.
Three generations divided by race, culture and time connect when a white Southern woman discovers old love letters leading her to an African American half-brother.
FEINSTEIN'S AT LOEWS REGENCY, the nightclub proclaimed 'Best of New York' by New York Magazine and 'an invaluable New York institution' by The New York Post, will conclude its star-studded Fall 2009 season with the first joint engagement of the club's founder MICHAEL FEINSTEIN and Emmy and Tony Awar
David Grindley directs Obi Abili, Anthony Head and Lesley Manville in John Guare's adrenalin-fuelled, Olivier award-winning play
Whether the title of Richard Greenberg's bitterly comic 1990 drama brings to mind a hotel package with all meals included or a corporate union-busting practice, it can be argued that both interpretations refer to methods of maximizing gain while minimizing responsibility.
In case this is your first time reading one of my reviews of a Broadway revival of a classic musical, allow me introduce you to my personal prejudice.
