First opening in 1947 at the Biltmore Theater, The Heiress has had a long and storied history on Broadway. After a successful first run, it was revived four times, most recently in 2012. In 1947, a successful film version starred Olivia de Havilland as the titular character. Ephrata Performing Arts Center will be bringing this emotional tale to the Sharadin Bigler Theatre from March 17 to March 26, 2016.
A new production of Alan Bennett's hit comedy will embark on a UK tour in February 2016. Following the success of The King's Speech, Chichester Festival Theatre and Birmingham Repertory Theatre collaborate once again on this award-winning comedy masterpiece, Single Spies.
The Finborough Theatre - under multi-award-winning Artistic Director Neil McPherson - celebrates its 35th year with a Winter Season of even more vibrant new plays and unique rediscoveries.
Today in 1946, Cyrano de Bergerac opened at the Alvin Theatre (now the Neil Simon Theatre), where it ran for 193 performances. Cyrano de Bergerac is a play written in 1897 by Edmond Rostand. Although there was a real Cyrano de Bergerac, the play bears a very scant resemblance to his life. The entire play is written in verse, in rhyming couplets of 12 syllables per line, very close to the Alexandrine format, but the verses sometimes lack a caesura. Notable English-speaking Cyranos include Ralph Richardson, DeVeren Bookwalter, Derek Jacobi, Richard Chamberlain, and Christopher Plummer, who played the part in Rostand's original play and won a Tony Award for the 1973 musical adaptation. Kevin Kline played the role in a Broadway production in 2007. The play is currently in previews at the American Airlines Theatre, starring Douglas Hodge in the title role.
Frank Corrado has sported just about every hat available in the theatre world
The new Broadway musical Doctor Zhivago, which opened at the Broadway Theatre on April 21st, 2015, recorded its cast album on Thursday, May 28th. Authors include composer Lucy Simon (The Secret Garden), lyricists Michael Korie (Grey Gardens) and Amy Powers (the two multi-platinum Sunset Boulevard hits) and book writer Michael Weller (screenwriter for Hair and Ragtime). Check out photos from the recording session below!
It was announced today that the new Broadway musical Doctor Zhivago, which opened at the Broadway Theatre on April 21st, 2015, will record its cast album on Thursday, May 28th
Robert Powell will take on the role of King Charles in the Almeida Theatre's Olivier Award-winning production of King Charles III, which will embark on a UK tour this autumn following sell-out runs at both the Almeida Theatre and in the West End.
Sharon Playhouse, under the leadership of Artistic Director John Simpkins and Managing Director Justin Ball, will present a developmental workshop of Ed Dixon's GEORGIE: The Life and Death of George Rose to kick off its 2015 Season from May 14-17 and May 28-31 in the Stage 2 at the Bok Gallery.
Sharon Playhouse, under the leadership of Artistic Director John Simpkins and Managing Director Justin Ball, will present a developmental workshop of Ed Dixon's Georgie: The Life and Death of George Rose to kick off its 2015 Season from this weekend, May 14-17, and May 28-31 in the Stage 2 at the Bok Gallery.
Sharon Playhouse, under the leadership of Artistic Director John Simpkins and Managing Director Justin Ball, will present a developmental workshop of Ed Dixon's Georgie: The Life and Death of George Rose to kick off its 2015 Season from May 14-17 and May 28-31 in the Stage 2 at the Bok Gallery.
Sharon Playhouse, under the leadership of Artistic Director John Simpkins and Managing Director Justin Ball, has announced initial casting and creative teams for its 2015 Season with the musicals My Fair Lady, Merrily We Roll Along, and Little Shop of Horrors on the Mainstage; Ed Dixon's new play Georgie: The Life and Death of George Rose and True Love on Stage 2 in the Bok Gallery. The Youth Theatre will present the Tony-winning Peter and the Starcatcher.
With over 100 U.S. cities and 30 international regions featured on our site, we have so many exciting theatre happenings around our Broadway World! Below, we've highlighted our top 10 stories from this week. Check out the roundup below!
Nothing seems to scare the valiant little troupe Threepenny Theatre Company. What has it got to lose? So what if the budget allows for no more than a perfunctory set? So what if its selection of classics (i.e., MACBETH) hardly has the appeal of a crowd-pleasing musical? Relying on a commitment to quality of writing and performance, it has pulled off a real coup: A stunning production of Eugene O'Neill's warhorse of a classic, the autobiographical LONG DAY'S JOURNEY INTO NIGHT, produced posthumously and, in 1962, given classic cinema status by Director Sidney Lumet and brilliant performers Ralph Richardson, Katharine Hepburn, Dean Stockwell, and Jason Robards, Jr. (to whom O'Neill was as essential as Tennessee Williams was to Elizabeth Taylor). This particular warhorse, however, is of the Trojan variety, and Director Matt Crewse has tamed the beast with the aid of four performances that are nothing short of brilliant.
Sharon Playhouse, under the leadership of Artistic Director John Simpkins and Managing Director Justin Ball, announces the 2015 summer season of musicals and plays My Fair Lady, Merrily We Roll Along, Little Shop of Horrors, Georgie: The Life and Death of George Rose, Peter and the Starcatcher, and the new musical, True Love.
Sharon Playhouse, under the leadership of Artistic Director John Simpkins and Managing Director Justin Ball, will present a developmental workshop of Ed Dixon's Georgie: The Life and Death of George Rose to kick off its 2015 Season from May 14-17 and May 28-31 in the Stage 2 at the Bok Gallery. John Simpkins directs.
As my hand was turning to mincemeat while writing personal notes in Christmas card after Christmas card, I persevered, knowing that at the end of my travails there would be a reward: A much anticipated performance of Theatre Memphis' annual 'gift' to Memphis, Charles Dickens' venerable A CHRISTMAS CAROL. I must admit: I have not attended every performance of that classic since its inception. I have, however, infrequently stopped to hang my wreath at its door; and I've seen some fine 'Ebeneezers' over the years (I recall a former teaching colleague, Tom Ford, offering a tight, clipped interpretation and, of course, one of the best and most frequent of the actors donning those tattered gloves, Memphis acting favorite Barry Fuller). As I wrote card after card, I began to think about all the other interpretations of A CHRISTMAS CAROL that I have encountered through the years - Seymour Hicks; Reginald Owen (in the role MGM intended for an ailing Lionel Barrymore, who had become famous for his radio performance and who would have, no doubt, been superior; a not-all-that-bad consolation prize was his equally tight-fisted 'Mr. Potter' in Frank Capra's IT'S A WONDERFUL LIFE); Orson Welles (in a Mercury Theatre radio performance); Sir Ralph Richardson (a beautiful audio recording); Alastair Sim (in the early 1950's British film and offering my favorite interpretation of the role; Danny Peary, in his fascinating ALTERNATE OSCARS, selects him as Best Actor for that performance); and, certainly, George C. Scott, in what was considered to be the version to end all versions. (And does anyone recall Jim Backus' 'Mr. Magoo' in a delightful animated musical television special back in the 1960's?)
THE HEIRESS, Ruth and Augustus Goetz's 1947 adaptation of Henry James' WASHINGTON SQUARE and currently occupying the Lohrey Stage at Theatre Memphis, has had a long and steady run on stages throughout the world - and why not? Tightly corseted, polite to a fault, and observing proprieties, this intelligently written script captures the essence of the James source material without the convoluted, complex sentences that, alas, repel many readers. As tautly drawn as the material on one of the samplers for which its heroine is noted, when one of the characters punctuates the prevailing politeness with a barbed or telling line of dialogue, it's as if a sharp and jagged blade suddenly ripped through the fabric of the needlework itself. All this play needs for a successful run is a handsome set, period costumes - and four or five gifted players.
The Stratford Festival was saddened to learn of the passing on Wednesday, October 22, of Bernard Hopkins, whose theatre career spanned half a century, including 24 seasons as a beloved member of the Festival company.
Today in 1946, Cyrano de Bergerac opened at the Alvin Theatre (now the Neil Simon Theatre), where it ran for 193 performances. Cyrano de Bergerac is a play written in 1897 by Edmond Rostand. Although there was a real Cyrano de Bergerac, the play bears a very scant resemblance to his life. The entire play is written in verse, in rhyming couplets of 12 syllables per line, very close to the Alexandrine format, but the verses sometimes lack a caesura. Notable English-speaking Cyranos include Ralph Richardson, DeVeren Bookwalter, Derek Jacobi, Richard Chamberlain, and Christopher Plummer, who played the part in Rostand's original play and won a Tony Award for the 1973 musical adaptation. Kevin Kline played the role in a Broadway production in 2007. The play is currently in previews at the American Airlines Theatre, starring Douglas Hodge in the title role.
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