Jim Findlay's VINE OF THE DEAD, a performance produced by Joel Bassin and Collapsable Giraffe, presented by The Invisible Dog Art Center, will play three performances only at The Invisible Dog, 51 Bergen St, Brooklyn, NY 11201, May 26 - 28, 2016 at 9 p.m.
This April, Dancehouse, Carriageworks and the Keir Foundation present the premieres of eight works by outstanding commissioned artists for the 2016 Keir Choreographic Award (KCA), Australia's first major choreographic award. Performing in two programs over five days (April 26-30) at Melbourne's Dancehouse, the eight choreographers compete for the prestigious award and a $30,000 first-place cash prize, with four finalists to be announced on the final evening.
Abrons Arts Center presents the New York City premieres of EMPATHY SCHOOL / LOVE STORY, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
Vine of the Dead explores the place and meaning of ritual in the 21st century by attempting to communicate across the divide between life and death. In a series of 11 rituals, the performance channels personal experiences of death and transcendence while exploring the spirituality of skepticism.
Miller Theatre at Columbia University School of the Arts will conclude its 2015-2016 Composer Portraits series with Michael Gordon featuring Yarn / Wire Jim Findlay, director and designer. All four performances slated for May 11-12, 2016 at Miller Theatre are sold out.
Abrons Arts Center presents the New York City premieres of EMPATHY SCHOOL / LOVE STORY, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
The 2016 Jacob's Pillow Dance Award, a prestigious honor that carries a $25,000 cash prize, will be presented to contemporary choreographer, dancer, and artistic director Camille A. Brown in acknowledgement of her vision and outstanding contributions to the dance field. Regularly garnering acclaim for her 'vividness and versatility' (Alastair Macaulay, The New York Times), Brown holds a New York Dance and Performance ('Bessie') Award, two Princess Grace Awards, a Doris Duke Performing Artist Award, and her work has toured nationally and internationally. The Jacob's Pillow Dance Award was established in 2007 and, in honor of its 10th anniversary, the Pillow has broadened the scope of this honor with a commitment to the artist's growth and future work. In addition to the unrestricted cash prize, this Award also includes a committed engagement for the 2017 Festival and a Creative Development Residency at Jacob's Pillow. Previous recipients of the Jacob's Pillow Dance Award include the legendary choreographer Merce Cunningham; MacArthur Fellows Michelle Dorrance and Kyle Abraham; and John Heginbotham of Dance Heginbotham, among others.
This April, Dancehouse, Carriageworks and the Keir Foundation present the premieres of eight works by outstanding commissioned artists for the 2016 Keir Choreographic Award (KCA), Australia's first major choreographic award. Performing in two programs over five days (April 26-30) at Melbourne's Dancehouse, the eight choreographers compete for the prestigious award and a $30,000 first-place cash prize, with four finalists to be announced on the final evening.
Today Lower Manhattan Cultural Council (LMCC) names Andrew D. Hamingson its next president, succeeding outgoing president Sam Miller. Hamingson will assume the presidency on February 1, consulting with Miller and LMCC's Board of Directors in the meantime to ensure a smooth and successful transition.
Daniel Fish, the innovative director of theater, opera, and film, collaborates with designer Jim Findlay to create WHO LEFT THIS FORK HERE, a new interdisciplinary work inspired by the psychological and emotional themes of aging and mortality in Anton Chekhov's The Three Sisters. WHO LEFT THIS FORK HERE is set for four performances only, tonight, December 9, through Saturday, December 12, at 7:30pm at Baryshnikov Arts Center (BAC)'s Howard Gilman Performance Space, 450 West 37th Street.
Daniel Fish, the innovative director of theater, opera, and film, collaborates with designer Jim Findlay to create WHO LEFT THIS FORK HERE, a new interdisciplinary work inspired by the psychological and emotional themes of aging and mortality in Anton Chekhov's The Three Sisters. WHO LEFT THIS FORK HERE is set for four performances only, Wednesday, December 9, through Saturday, December 12, at 7:30pm at Baryshnikov Arts Center (BAC)'s Howard Gilman Performance Space, 450 West 37th Street.
The Kitchen is pleased to present the New York Premiere of Scaffold Room in an expanded format created by choreographer, director and conceptual artist Ralph Lemon. This installation, performance and reading series of seminal, subversive texts refracts ideas and images of the female artist in American pop and contemporary art.
The Kitchen is pleased to present the New York Premiere of Scaffold Room in an expanded format created by choreographer, director and conceptual artist Ralph Lemon. This installation, performance and reading series of seminal, subversive texts refracts ideas and images of the female artist in American pop and contemporary art.
The Kitchen, founded in 1971, has continued to serve as an important catalyst for a broad community of groundbreaking artists working across disciplines. In today's landscape, where contemporary artists and arts institutions are collaborating in new ways, and generating new contexts for the continuing evolution of multi-disciplinary art, The Kitchen, as a nimble, smaller-scale organization, plays an especially vital role: it provides emerging and established artists a hot-house environment for the presentation and discussion of their work, supporting and seeking to foster a vibrant, living dialogue among artists from every field and area of culture.
Super-charged Strictly Seattle performances feature seven new works by some of Seattle's most celebrated choreographers: 2015 Guggenheim Fellow Zoe Scofield, Pat Graney, Kate Wallich, Anna Conner, Shannon Stewart, Kaitlin McCarthy and Bryon Carr, plus new shorts from KT Niehoff's Dance Film Track at Broadway Performance Hall this weekend, July 24 + 25.
New York Live Arts today announced the recipients of a number of new works residency programs for the 2015-16 season and beyond as part of its newly envisioned new work development program, reflecting a renewed, industry-leading commitment to the support of the creative process. The celebrated New York-based writer, performer and choreographer Okwui Okpokwasili will be the organization's third recipient of the Resident Commissioned Artist (RCA) award, the largest of its kind in the nation. Andrea Kleine, Sonya Tayeh, Adrienne Truscott, Preeti Vasudevan, Larissa Velez-Jackson and Gillian Walsh have been curated to develop new work to premiere in future seasons on the New York Live Arts stage through the Live Feed Program (formerly Studio Series).
The international Seattle Festival of Dance Improvisation (SFDI) is the leading convening of dance improvisers in the country, and a leading international festival.
Every summer, leading innovators in new dance and improvisation descend upon Seattle for the international Seattle Festival of Dance Improvisation (SFDI), now celebrating its 22nd year. In 2015, SFDI will be the world's first consciously climate-neutral dance festival.
Super-charged Strictly Seattle performances feature seven new works by some of Seattle's most celebrated choreographers: 2015 Guggenheim Fellow Zoe Scofield, Pat Graney, Kate Wallich, Anna Conner, Shannon Stewart, Kaitlin McCarthy and Bryon Carr, plus new shorts from KT Niehoff's Dance Film Track at Broadway Performance Hall July 24 + 25.
Last week the National YoungArts Foundation took over Manhattan offering approximately 120 aspiring artists (actors, dancers, designers, cinematagraphers, musicians, photographers, singers, visual artists and writers, all ages 15 - 18) the life changing opportunity to participate in more than 50 master classes, as well as studio visits, workshops and tours. Scroll down for photos from throughout the week!
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