Peter Tedeschi News

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.

Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).

A Night in the Kremlin, a new historical, political, and musical satire, will get its world premiere in the 10th Annual Midtown International Theatre Festival, running July 13th to August 2nd at the June Havoc Theatre in the Abingdon Theatre Arts Complex. Internationally renowned director Cosmin Chivu (Lincoln Center Theatre Director's Lab) is serving as director for the production.

A Night in the Kremlin, a new historical, political, and musical satire, will get its world premiere in the 10th Annual Midtown International Theatre Festival, running July 13th to August 2nd at the June Havoc Theatre in the Abingdon Theatre Arts Complex. Internationally renowned director Cosmin Chivu (Lincoln Center Theatre Director's Lab) is serving as director for the production.

Medicine Show THEATRE ENSEMBLE, one of NYC's longest-running experimental theatres, is pleased to announce the World Premiere of 'DOUBLE FEATURE,' an evening of two cinematically-inspired short plays by John Gruen. The production plays from March 19th through April 19th with an opening set for Friday, March 27th. The production plays at Medicine Show THEATRE, 549 West 52nd St., 3rd Floor (between 10th and 11th Ave.). The performance schedule is Thursdays through Saturdays at 8:00 PM and Sundays at 4:00 PM. Tickets are $18 and are available from Smarttix at (212) 868-4444 or via the web at www.Smarttix.com.

MEDICINE SHOW THEATRE ENSEMBLE, one of NYC's longest-running experimental theatres, is pleased to announce the World Premiere of 'DOUBLE FEATURE,' an evening of two cinematically-inspired short plays by JOHN GRUEN. The production plays from March 19th through April 19th with an opening set for Friday, March 27th. The production plays at MEDICINE SHOW THEATRE, 549 West 52nd St., 3rd Floor (between 10th and 11th Ave.).

MEDICINE SHOW THEATRE ENSEMBLE, one of NYC's longest-running experimental theatres, is pleased to announce the World Premiere of 'DOUBLE FEATURE,' an evening of two cinematically-inspired short plays by JOHN GRUEN. The production plays from March 19th through April 19th with an opening set for Friday, March 27th. The production plays at MEDICINE SHOW THEATRE, 549 West 52nd St., 3rd Floor (between 10th and 11th Ave.).

Medicine Show Theatre Ensemble has announced its revival of 'MR. SHAKESPEARE & MR. PORTER,' the melding of the plays of WILLIAM SHAKESPEARE with the music and lyrics of COLE PORTER. The production features two different evenings of mini-musicals: Volume 1 ('Hamlet,' 'Macbeth' and 'A Midsummer Night's Dream') runs from November 13th through the 23rd; Volume 2 ('Measure for Measure,' 'Richard III' and 'A Midsummer Night's Dream') runs from December 4th-December 21st.

Medicine Show Theatre Ensemble has announced its revival of 'MR. SHAKESPEARE & MR. PORTER,' the melding of the plays of WILLIAM SHAKESPEARE with the music and lyrics of COLE PORTER. The production features two different evenings of mini-musicals: Volume 1 ('Hamlet,' 'Macbeth' and 'A Midsummer Night's Dream') runs from November 13th through the 23rd; Volume 2 ('Measure for Measure,' 'Richard III' and 'A Midsummer Night's Dream') runs from December 4th-December 21st.