It's a rare occasion when a concerto--even one as brilliantly played as violinist Lisa Batiashvili's performance of Prokofiev's First--takes a back seat to the second half of the program. But the New York Philharmonic's concert performance of Luigi Dallapiccola's IL PRIGIONIERO, conducted authoritatively yet sensitively by Alan Gilbert, was such an event. By turns thrilling, soaring and sorrowful, the 50-minute opera, written in 1948, was as exciting a night at the opera as we had this season.
Italian modernist composer Luigi Dallapiccola's serialist opera Il Prigioniero, featuring bass- baritone Gerald Finley as The Prisoner and soprano Patricia Racette (in her Philharmonic debut) as The Mother, highlights the next installment of Gilbert's Playlist - four weeks of programs conducted by Alan Gilbert showcasing themes and ideas that have become a hallmark of the Music Director's tenure - tonight, June 6, 2013, at 7:30 p.m.; Saturday, June 8 at 8:00 p.m.; and Tuesday, June 11 at 7:30 p.m.
Italian modernist composer Luigi Dallapiccola's serialist opera Il Prigioniero, featuring bass- baritone Gerald Finley as The Prisoner and soprano Patricia Racette (in her Philharmonic debut) as The Mother, highlights the next installment of Gilbert's Playlist - four weeks of programs conducted by Alan Gilbert showcasing themes and ideas that have become a hallmark of the Music Director's tenure - Thursday, June 6, 2013, at 7:30 p.m.; Saturday, June 8 at 8:00 p.m.; and Tuesday, June 11 at 7:30 p.m.
The June broadcasts of The New York Philharmonic This Week - the weekly radio series of concerts and recordings by the New York Philharmonic, hosted by Alec Baldwin - begin with the final program from The Bach Variations: A Philharmonic Festival, with Andras Schiff in his Philharmonic conducting debut and performing as the piano soloist.
The third season of Lincoln Center's White Light Festival continues in November with "The Spirit of the Body," a work by dancer/choreographer Malavika Sarukkai showcasing her exquisite interpretations of South India's classical dance, Bharatanatyam. Accompanied by four musicians from Madras, India, the performances are presented in the intimate setting of the Baryshnikov Arts Center.
The third season of Lincoln Center's White Light Festival continues in November with "The Spirit of the Body," a work by dancer/choreographer Malavika Sarukkai showcasing her exquisite interpretations of South India's classical dance, Bharatanatyam. Accompanied by four musicians from Madras, India, the performances are presented in the intimate setting of the Baryshnikov Arts Center.
Opera in Cinema/Emerging Pictures presents THE TEATRO ALLA SCALA PRODUCTION OF PETER GRIMES, LIVE in HD, starring John Graham-Hall, Susan Gritton, Christopher Purves, and Felicity Palmer, today, May 24th, 2:00 p.m. at Big Cinemas Manhattan Theater, 239 East 59th Street. Running time is 175 minutes.
Leo Janacek's final opera, From the House of the Dead, has its Metropolitan Opera premiere on November 12 in a new production by celebrated director Patrice Chereau, making his U.S. opera debut.
The Metropolitan Opera has reason to celebrate; $2.5 million worth of tickets were sold on Sunday, the first day of sales, through its box office, telephone call center and Web site, up from $2 million on the first day of sales last year, according to the Associated press.
Eight new productions, four of which are company premieres, will highlight the Metropolitan Opera's 2009-10 season. General Manager Peter Gelb and Music Director James Levine jointly announced plans that include: the Met premieres of Rossini's Armida, Verdi's Attila, Jan?ček's From the House of the Dead, and Shostakovich's The Nose; new productions of Bizet's Carmen, Offenbach's Les Contes d'Hoffmann, Thomas's Hamlet, and Puccini's Tosca; and 18 revivals from the company's repertory. The season is the first to be entirely planned under Gelb's leadership, in collaboration with Levine (the past three seasons were planned before Gelb became General Manager in 2006-07 but included some productions, repertoire, and casting changes made by Gelb).
