Sheffield based theatre company Forced Entertainment are to become the first ever UK based recipients of one of theatre's most prestigious awards it was today announced. The International Ibsen Award, honouring extraordinary contribution to art and culture, is only given every two years by the Norwegian government on Henrik Ibsen's birthday. The prize is 2.5 million Norwegian Kroner, equivalent to around £200,000. The first ever group to win the prize, Forced Entertainment join a distinguished list of previous winners including Peter Handke, Heiner Goebbels, Jon Fosse, Ariane Mnouchkine and Peter Brook. The award ceremony will take place during the International Ibsen Festival at the National Theatre in Oslo in September where Forced Entertainment will showcase a selection of their groundbreaking work.
Sundance Institute today announced the eight new projects selected for its pilot Theatre Lab in the MENA region, held in Morocco, May 2016. The Lab is part of the Institute's international cultural exchange programs for independent artists, which include a new, multi-year commitment to support artists from the Middle East and North Africa (MENA), broadening the work of its East African Theatre Exchange over the past 15 years. For the Lab, the Institute will provide promising, fresh voices from the U.S. and MENA region with a rigorous artistic retreat and new opportunities for cross-cultural discovery, artistic reflection and creative experimentation.
Theatre Y presents "An Impressive Presentation of Lovely Evidences: Underneath the Lintel" by Glen Berger, at Links Hall, 3111 N Western Avenue, on Monday, March 14, 2016, at 7pm. "Lovely Evidences," directed by Melissa Lorraine with Assistant Direction from Jordan Matthew Walsh, and featuring Darren Hill, previewed on September 18, 2015, and has been running weekly with "flash mob" performances around the city of Chicago. For more information, visit Theatre-Y.com.
Theatre Y presents "An Impressive Presentation of Lovely Evidences: Underneath the Lintel" by Glen Berger, at various locations in Chicago, opening September 19, 2015. "Lovely Evidences," directed by Melissa Lorraine with Assistant Direction from Jordan Matthew Walsh, featuring Darren Hill, previews on September 18 at Theatre Y (entrance via side alley at 2649 N Francisco), press opening September 19 at Covenant Presbyterian Church (2012 W Dickens Ave); show runs every Monday, ongoing, with "flash mob" performances at locations to be announced weekly. For more information, visitTheatre-Y.com.
Theatre Y presents the US and English-language premiere of 'The Beautiful Days of Aranjuez' by Peter Handke, translated by Michael Roloff with Scott Abbott, at Theatre Y, 2649 N Francisco (entrance through side alley), tonight, June 13-July 19, 2015.
Theatre Y presents the US and English-language premiere "The Beautiful Days of Aranjuez" by Peter Handke, translated by Michael Roloff with Scott Abbott, at Theatre Y, 2649 N Francisco (entrance through side alley), June 13-July 19, 2015. "Aranjuez," -directed by Zeljko Djukic-begins previews June 9, press opening June 13; show runs through July 19. For more information, visit Theatre-Y.com.
Theatre Y presents the US and English-language premiere of "The Beautiful Days of Aranjuez" by Peter Handke, translated by Michael Roloff with Scott Abbott, at Theatre Y, 2649 N Francisco (entrance through side alley), June 13-July 19, 2015. "Aranjuez," -directed by Zeljko Djukic-begins previews June 9, press opening June 13; show runs through July 19. For more information, visit Theatre-Y.com.
T. Fellowship, in association with Columbia University School of the Arts, announces that applications for the third annual T. Fellowship will be accepted through May 15, 2015.
'Kafka's Quest, a.k.a. Kafka/Samsa' is a quasi-realistic play by the late playwright Lu Hauser that imagines the family life of Gregor Samsa, the tragic victim of Kafka's 'Metamorphosis,' and his friendship with an historic Yiddish Theater actor and actress in Prague, prior to the events of the famed novella. Set in Prague in 1912, it portrays Gregor Samsa (the name Kafka personified himself with in the book) as torn between his father, who wants to keep him on the straight and narrow with a full time job, and his friendship with artists of the Yiddish Theater, who want him to join and write for them. His father's bankruptcy forces Gregor to become the breadwinner of the family, which has been forced to take in two mysterious lodgers to make ends meet. The back and forth between the two poles of Gregor's life will culminate in 'The Metamorphosis.' Theater for the New City will present the play's world premiere February 26 to March 15, directed by Manfred Bormann.
The Museum of Modern Art celebrates filmmaker Wim Wenders (German, b. 1945) with a major career retrospective. This series is a cooperative venture with the Berlin International Film Festival-which dedicates its 2015 Homage to Wenders, presenting him with an Honorary Golden Bear award for lifetime achievement-and Deutsche Kinemathek - Museum fur Film und Fernsehen.
'Kafka's Quest, a.k.a. Kafka/Samsa' is a quasi-realistic play by the late playwright Lu Hauser that imagines the family life of Gregor Samsa, the tragic victim of Kafka's 'Metamorphosis,' and his friendship with an historic Yiddish Theater actor and actress in Prague, prior to the events of the famed novella. Set in Prague in 1912, it portrays Gregor Samsa (the name Kafka personified himself with in the book) as torn between his father, who wants to keep him on the straight and narrow with a full time job, and his friendship with artists of the Yiddish Theater, who want him to join and write for them. His father's bankruptcy forces Gregor to become the breadwinner of the family, which has been forced to take in two mysterious lodgers to make ends meet. The back and forth between the two poles of Gregor's life will culminate in 'The Metamorphosis.' Theater for the New City will present the play's world premiere February 26 to March 15, directed by Manfred Bormann.
TUTA Theatre Chicago opens its 14th season with The Anyway Cabaret (an animal cabaret), a world premiere with live music, written and composed by Associate Member Martin Marion.
TUTA Theatre Chicago opens its 14th season with The Anyway Cabaret (an animal cabaret), a world premiere with live music, written and composed by Associate Member Martin Marion.
L.A. Theatre Works celebrates its 40th anniversary in 2014-15 with a season of ten radio-theater productions, each recorded by a star-studded cast in front of a live audience for future radio broadcast, distribution on CD, digital download and online streaming. All performances take place at the 300-seat, acoustically vibrant James Bridges Theater located on the campus of UCLA in West Los Angeles. In addition, the company heads out on its 10th annual national tour.
The 17th Annual New York International Fringe Festival presents EN AVANT! AN EVENING WITH Tennessee Williams-an acclaimed new play about the creative forces and demons behind the genius of playwright Tennessee Williams, written and performed by William Shuman-with performances set for tonight, August 9 (9:30pm), August 16 (3pm), August 17 (9:45pm), August 20 (4:45pm), August 23 (7:15pm) and August 24 (2pm) at Clemente Soto Velez Cultural and Education Center's Kabayitos (107 Suffolk Street). Ruis Woertendyke directs.
The 17th Annual New York International Fringe Festival presents EN AVANT! AN EVENING WITH TENNESSEE WILLIAMS-an acclaimed new play about the creative forces and demons behind the genius of playwright Tennessee Williams, written and performed by William Shuman-with performances set for August 9 (9:30pm), August 16 (3pm), August 17 (9:45pm), August 20 (4:45pm), August 23 (7:15pm) and August 24 (2pm) at Clemente Soto Velez Cultural and Education Center's Kabayitos (107 Suffolk Street). Ruis Woertendyke directs.
Applications for the second annual T. Fellowship will be accepted from May 22, 2013 through August 1, 2013. Applications and instructions are available online at www.tfellowship.com.
The narrator of Prehistoric Times might easily be taken for an inhabitant of Beckett's world: a dreamer who in his savage and deductive folly tries to modify reality. The writing, with its burlesque variations, accelerations, and ruptures, takes us into a frightening and jubilant delirium, where the message is in the medium and digression gets straight to the point. In an entirely original voice, Eric Chevillard asks looming and luminous questions about who we are, the path we've been traveling, and where we might be going-or not.
