The Library of Congress will host “StageStruck! VI: Women and the American Musical,” a free three-day conference May 14-16 featuring Jeanine Tesori, Shaina Taub, Helen Park, Julie Taymor, Camille A. Brown, and Marjuan Canady.
TFANA has extended the run of Alice Childress’s Wedding Band, directed by Awoye Timpo, to May 22. (The production, which began previews April 28—postponed from an original date of April 23 due to two COVID-19 cases—was formerly set to close May 15).
TFANA will present Alice Childress’s Wedding Band. Director Awoye Timpo’s new staging, running April 23–May 15, brings Childress’s masterpiece to New York audiences for the first time since 1972, when it made its New York premiere in a production directed by Childress and Joseph Papp.
Producers Brian Moreland, Ron Simons, Mike Jackson, John Legend and Eric Falkenstein announced today that tickets for Blue are officially on-sale. The beloved play by Charles Randolph-Wright with music by Nona Hendryx and lyrics by Charles Randolph-Wright, will play a 16-week engagement at New York's legendary Apollo Theater (253 West 125th Street), under the direction of Tony Award winner Phylicia Rashad who starred in both the play's 2000 world premiere at Arena Stage and 2001 New York premiere at Roundabout Theatre Company. Previews are set to begin on April 27th with opening night on May 10th. Blue will run through August 16th.
Producers Brian Moreland, Ron Simons, Mike Jackson, John Legend and Eric Falkenstein announced today that Blue, the play by Charles Randolph-Wright with music by Nona Hendryx and lyrics by Charles Randolph-Wright, will play a 16-week engagement at New York's Apollo Theater (253 West 125th Street), under the direction of Tony Award winner Phylicia Rashad who starred in both the play's 2000 world premiere at Arena Stage and 2001 New York premiere at Roundabout Theatre Company.
The National Theatre of the Deaf has launched their Fall Touring Season with a varied and comprehensive bill featuring: Two by Twain -Experience of the McWilliamses directed by Guest Artist Joey Caverly and Mrs. McWilliams and the Lightning directed by Guest Artist William C. Martin. These two comic gems are ushered onstage by a curtain warmer of American Poets all presented in the unique theatrical style created by NTD. The talented company is comprised of:
Bo Brumble and Teatro Paraguas present the Marvelous Maggie B in THOSE WERE THE DAYS, a medley of classic songs. The concert is set for January 26, 2014 at 2:00 pm at Teatro Paraguas Studio, 3205 Calle Marie, Santa Fe.
As one of the nation's leading theatre scenes, Houston has proved itself to be a respectable and important venue in growing a resume and providing refreshing and invigorating work for those involved with the theatre at a professional level. One of our own homegrown talents, Detria Ward, has been gaining a lot of attention recently. The Ensemble Theatre has given her multiple opportunities to share her craft with audiences, and recently she was awarded Best Actress by both The Ensemble Theatre and Houston Press' Houston Theatre Awards for her magnificent and critically lauded portrayal of Grace Dunbar in Pearl Cleage's THE NACIREMA SOCIETY. Recently, I got the opportunity to talk with Detria Ward about her career, her upcoming one-woman show, and her rising star.
South Bend Civic Theatre opens its 2012 season on a high note with the Midwest premiere of Blue, directed by special guest Ron OJ Parson, running January 20th - February 6th. Written by Charles Randolph-Wright with original music by Grammy winner Nona Hendryx, Blue tells the story of the well-to-do Clark family in all their dysfunctional glory. A clan whose success is built on a thriving funeral home business, the Clark family is a bundle of contradictions: diligent hard-working Samuel maintaining the family business; his mother Tillie, as downhome and brutally honest as they come; his sons, Sam and Reuben, trying to find their own way
out of the mess; and ruling the roost is his wife Peggy, whose aspirations for class and style push the family bonds to the breaking point. Her only refuge in the turmoil is the music of her idol Blue Williams, who haunts the play with his voice and presence, turning music into memory and who holds the key to the problems of the family.
South Bend Civic Theatre opens its 2012 season on a high note with the Midwest premiere of Blue, directed by special guest Ron OJ Parson, running January 20th - February 6th. Written by Charles Randolph-Wright with original music by Grammy winner Nona Hendryx, Blue tells the story of the well-to-do Clark family in all their dysfunctional glory. A clan whose success is built on a thriving funeral home business, the Clark family is a bundle of contradictions: diligent hard-working Samuel maintaining the family business; his mother Tillie, as downhome and brutally honest as they come; his sons, Sam and Reuben, trying to find their own way
out of the mess; and ruling the roost is his wife Peggy, whose aspirations for class and style push the family bonds to the breaking point. Her only refuge in the turmoil is the music of her idol Blue Williams, who haunts the play with his voice and presence, turning music into memory and who holds the key to the problems of the family.
South Bend Civic Theatre opens its 2012 season on a high note with the Midwest premiere of Blue, directed by special guest Ron OJ Parson, running January 20th - February 6th. Written by Charles Randolph-Wright with original music by Grammy winner Nona Hendryx, Blue tells the story of the well-to-do Clark family in all their dysfunctional glory. A clan whose success is built on a thriving funeral home business, the Clark family is a bundle of contradictions: diligent hard-working Samuel maintaining the family business; his mother Tillie, as downhome and brutally honest as they come; his sons, Sam and Reuben, trying to find their own way
out of the mess; and ruling the roost is his wife Peggy, whose aspirations for class and style push the family bonds to the breaking point. Her only refuge in the turmoil is the music of her idol Blue Williams, who haunts the play with his voice and presence, turning music into memory and who holds the key to the problems of the family.