Teatro Paraguas Presents The World Premiere Of ATACAMA
by A.A. Cristi
- Jun 30, 2018
Atacama, by Augusto Federico Amador, is a two-person play about a man and a woman who meet in the northern Chilean desert while searching for bone fragments of loved ones disappeared by the Pinochet regime, and find a deep and unsettling connection that shakes their souls.
Goodman Theatre's Playwrights Unit Presents Free Staged Readings
by A.A. Cristi
- Jun 25, 2018
Goodman Theatre announces a line-up of free staged readings written by members of its Playwrights Unit-a year-long residency for Chicago-based writers to develop their plays-in-progress with the Goodman's artistic team, in partnership with Chicago Dramatists. Members of the 2017/2018 Playwrights Unit include Sam Collier, Ricardo Gamboa, Isaac Gomez, Kristin Idaszak and Nigel O'Hearn. Free, one-time-only readings take place July 14-18 at Goodman Theatre (170 N. Dearborn); to make a reservation call 312.443.3800 or visit GoodmanTheatre.org/PlaywrightsUnit. Availability is extremely limited.
Goodman Theatre's Playwrights Unit Presents Free Staged Readings
by Julie Musbach
- Jun 25, 2018
Goodman Theatre announces a line-up of free staged readings written by members of its Playwrights Unit-a year-long residency for Chicago-based writers to develop their plays-in-progress with the Goodman's artistic team, in partnership with Chicago Dramatists.
Artistic Teams & Schedules Announced for 2018 Bay Area Playwrights Festival
by Julie Musbach
- Jun 11, 2018
Playwrights Foundation announces the plays and playwrights of the 2018 Bay Area Playwrights Festival (BAPF) running July 20-29, 2018 at Potrero Stage, 1895 18th St in San Francisco. The Artistic Teams for #BAPF2018 features Directors Erik Pearson, Christine Young, Margo Hall, Daniel Banks, Lauren English, and Ken Savage. Dramaturgs joining the teams include Alex Mallory, Maddie Gaw, Lisa Evans, Vidhu Singh, Roweena Mackay, and the Legendary Nakissa Etemad.
BWW Review: Strawberry Theatre Workshop's HOW I LEARNED TO DRIVE Surprises
by Jay Irwin
- Jun 8, 2018
One thing I've found with Paula Vogel's plays is that they never cease to surprise. You may think you know what you're in for but then she pulls back layer upon layer giving you so much more than you bargained for. This is certainly true with her Pulitzer Prize winning play "How I Learned to Drive", currently being offered from Strawberry Theatre Workshop at 12th Avenue Arts as you're given a truly horrifying subject and left unsure how to feel about those perpetrating it.
Round House Theatre Announces Casting For 2018-2019 Season
by Julie Musbach
- Jun 7, 2018
Round House Theatre announces casting for the five mainstage shows that will comprise its 41st season. "Our 2018-2019 Season launches our exciting Resident Artist program, and once again confirms our longstanding value to prioritize the use of local artists, with more than 90% of our artists hailing from the DC area," says Artistic Director Ryan Rilette. "We're thrilled to pair the best DC artists with some of the most exciting new plays and modern classics in American theatre. It's a season you won't want to miss."
WildClaw Theatre Co Announces Second Show of the Season SECOND SKIN
by Julie Musbach
- Jun 1, 2018
WildClaw Theatre Company, bringing the world of horror to the stage for 10 years in Chicago, proudly presents their second production of the 2018 season: SECOND SKIN by Kristin Idaszak and directed by Jess Hutchinson. Previews begin September 11th and the show opens September 14th at The Den Theatre, 1333 N. Milwaukee Ave.
GableStage and Palm Beach Dramaworks to Mount Separate Productions of INDECENT
by Julie Musbach
- May 30, 2018
GableStage Producing Artistic Director Joseph Adler and Palm Beach Dramaworks Producing Artistic Director William Hayes regret to report that due to circumstances beyond their control, their companies are no longer able to co-produce Paula Vogel's touching and powerful play, Indecent.
McCarter Theatre Center Announces Lineup For 17th Annual Artists' Retreat
by Julie Musbach
- May 29, 2018
McCarter is proud to welcome a group of esteemed and emerging playwrights and theater artists to Princeton for the Sallie B. Goodman Artists' Retreat. The annual Retreat in June is a centerpiece of McCarter's LAB, a platform and creative incubator devoted to ongoing theatrical development and artist cultivation. The 2018 Retreat will take place from June 6 - June 13.
THE BEAST IN THE JUNGLE Extends Through June 24
by Julie Musbach
- May 29, 2018
Vineyard Theatre announces the second extension of the world-premiere production of THE BEAST IN THE JUNGLE. This original dance play by legendary composer and four-time Tony Award winner John Kander, Tony-nominated playwright David Thompson, and five-time Tony Award-winning director and choreographer Susan Stroman will extend until through Sunday, June 24.
Arena Stage's THE ORIGINALIST Comes to 59E59 Theaters
by Julie Musbach
- May 29, 2018
59E59 Theaters (Val Day, Artistic Director; Brian Beirne, Managing Director) is thrilled to welcome the NYC premiere of THE ORIGINALIST written by John Strand and directed by Molly Smith. Produced by Middle Finger Production, LLC [Beth Newburger, Executive Producer] and Arena Stage and part of 59E59's Subscription Series, THE ORIGINALIST begins performances on Saturday, July 14 for a limited engagement through Sunday, August 19.
IN BRAUNAU to Receive World Premiere This July
by A.A. Cristi
- May 25, 2018
San Francisco Playhouse (Artistic Director Bill English; Producing Director Susi Damilano) announced casting for the second show of its 2017-18 Sandbox Series-the world premiere of In Braunau, written by Dipika Guha. Susannah Martin will direct.
FEMMEmphis to Present DESDEMONA, A PLAY ABOUT A HANDKERCHIEF
by Julie Musbach
- May 22, 2018
Director Aliza Moran calls Desdemona: A Play About a Handkerchief 'a fun, humorous, and poignant play. I fell in love with the play in college and am so excited to be able to direct it now. Paula Vogel takes three well-known female characters from Shakespeare's Othello (Desdemona, Emilia, and Bianca) and breaks their Shakespearean mold by adding depth to their wants, needs, desires, and relationships in this modern language retelling; each character desires to break free from their present circumstances and live lives of their own making.'
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