Paul Kolnik News

Lincoln Center Theater (under the direction of Producing Artistic Director,  Andre Bishop) has extended the run of its critically acclaimed production of Rodgers and Hammerstein's THE KING AND I, directed by Bartlett Sher, indefinitely at the Vivian Beaumont Theater (150 West 65 Street).  In addition, the Ambassador Theatre Group and NETworks Presentations LLC will launch a national tour of the Lincoln Center Theater production, which was recently nominated for 9 Tony Awards including Best Revival of a Musical, in November 2016 in Providence, RI.   The National Tour will play multi-week and single week engagements throughout the 2016-17 touring season and beyond. Casting and additional engagements for the tour will be announced at a future date.

The spring 2015 season of the New York City Ballet at the David H. Koch Theater in Lincoln Center boasts not one but two programs featuring George Balanchine's minimalist masterpieces that are affectionately referred to as the "leotard ballets" by dancers and devotees alike. On the evening of May 1st, "Balanchine Black & White 1" proved once again that plotless ballets stripped of elaborate sets and costumes do indeed achieve Mr. B's goal of focusing on the movement and the music. What is so remarkable is that each of the three works on the bill, all of them with the dancers in practice clothes, is uniquely compelling. This feast of Mr. B's earliest neoclassical creations holds the audience in thrall from start to finish without ever becoming repetitious.

Kelli O'Hara stars in a Bartlett Sher Rodgers and Hammerstein revival that mimics his previous Rodgers and Hammerstein revival.

Lincoln Center Theater presents Rodgers & Hammerstein's The King and I, led by Kelli O'Hara (as Anna Leonowens) and Ken Watanabe (as the King of Siam), directed by Bartlett Sher. The production opens tonight, April 16, 2015 at the Vivian Beaumont Theater (150 West 65 Street). Let's see what the critics had to say...

Lincoln Center Theater presents Rodgers & Hammerstein's The King and I, led by Kelli O'Hara (as Anna Leonowens) and Ken Watanabe (as the King of Siam), directed by Bartlett Sher, and opening tonight, April 16, 2015 at the Vivian Beaumont Theater (150 West 65 Street).

Good morning, BroadwayWorld! Because we know all our readers eat, sleep and breathe Broadway, what could be better than waking up to it? This weekend's big news: WOLF HALL stars come to THEATER TALK, and FUN HOME opens on Broadway this Sunday!

Good morning, BroadwayWorld! Because we know all our readers eat, sleep and breathe Broadway, what could be better than waking up to it? Today's big news: THE KING AND I sweeps onto Broadway, A CHORUS LINE marks its 40th anniversary, AMERICAN BUFFALO starts in the West End and more!

Lincoln Center Theater's THE KING AND I, which features a cast led by Kelli O'Hara (as Anna Leonowens) and Ken Watanabe (as the King of Siam), is directed by Bartlett Sher, is currently in previews ahead of an official opening night on Thursday, April 16 at the Vivian Beaumont Theater (150 West 65 Street). Below, BroadwayWorld has an extensive and stunning first look at the cast onstage!

A look inside rehearsals for the dynamic new performance piece!

The Broadway League has awarded the coveted New York Education Grants to the Broadway productions of Constellations, The Curious Incident of the Dog in the Night-Time, and The King and I. Each production received a $5,000 grant towards its 2015 educational and engagement initiatives. The grants aid the growth and development of theatre education in the city in an effort to encourage Broadway productions to create more opportunities for young people.

Lincoln Center Theater's THE KING AND I, which features a cast led by Kelli O'Hara (as Anna Leonowens) and Ken Watanabe (as the King of Siam), is directed by Bartlett Sher, is currently in previews ahead of an official opening night on Thursday, April 16 at the Vivian Beaumont Theater (150 West 65 Street). Below, BroadwayWorld brings you a first look at the pair in costume!

Blue Man Group's unique brand of humor now comes with a millennial message

The former pop star and Broadway headliner brings her tribute to female singer-songwriters to 54 Below.

New York City Ballet's 'All Balanchine III, Hear the Dance: Italy' features a perfect pairing of pieces that brim with Balanchine's incomparable sense of showmanship. Ballet is an art form, but Mr. B knew that it can also serve as sheer entertainment without losing integrity. Beyond that, he was a master of making us 'see the music, hear the dance', as he put it. This double bill, with works set to scores by great Italian composers, does precisely that.

I've never been a fan of Peter Martins' choreography so I was surprised to find myself moved by the "balcony pas de deux" in Romeo + Juliet, his adaptation for the New York City Ballet of Shakespeare's tragic tale about star-crossed lovers. Sterling Hyltin as Juliet and Robert Fairchild as Romeo, returning to the roles they originated when the ballet had its premiere in 2007, used the beautiful but difficult intertwinings and lifts to convey their youthful passion in a way that was entirely believable to me.

In a word - an Ailey experience is nothing shy of transformational. If ever given the opportunity to take in an Alvin Ailey American Dance Theater performance, a few things are definitely bound to happen. You will be forever changed. Your views and ideologies will be questioned. Your biases and prejudices will be challenged and you will most definitely leave the theatre wanting to experience it again and again and again.

As a part of its Hear the Dance program for the Winter 2015 season, the New York City Ballet presented two pieces featuring compositions by Johann Sebastian Bach. They were choreographed by the Company's most renowned choreographers, George Balanchine and Jerome Robbins. With minimal set and costume designs, the evening allowed for music and dance to take flight, leaving the audience at the David H. Koch Theater at Lincoln Center in awe as they watched Bach's music come to life in a pure dance experience.

In the first week of New York City Ballet's return to the Koch Theater after Nutcracker season, I was excited to attend the January 21st performance featuring Russian composers.

The New York City Ballet presents a World Premiere by NYCB Soloist and Resident Choreographer Justin Peck, which will premiere as part of the Company's annual New Combinations Evening on Wednesday, February 4. Set to Aaron Copland's symphonic score, Four Dance Episodes from Rodeo, the work will feature costumes co-designed by Reid Bartelme, Harriet Jung, and Peck with lighting by Brandon Stirling Baker.

The windy city blew into the Kauffman Center for the Performing Arts with gale force on Tuesday night as the Theater League presented the opening of Chicago the Musical. Barry and Fran Weissler present the Tony Award winning musical with book by Fred Ebb and Bob Fosse, music by John Kander, and lyrics by Fred Ebb. David Bushman recreates the original choreography and David Hyslop recreates the original production direction of the musical originally choreographed and directed by Fosse.