Patrick Carfizzi News

Seven productions tempt opera-lovers in a bright summer season.

Seven productions tempt opera-lovers in a bright summer season.

Kristine Opolais will sing Mimi in today's matinee performance of Puccini's La Boheme, replacing Anita Hartig, who is ill.

I thought someone spiked the water cooler backstage at the Met during the first half of LA BOHEME on March 19. Tenor Vittorio Grigolo's Rodolfo jumped around in the opening scene like he had too much caffeine or needed medication for hyperactivity (think Ritalin). Charming, yes, boyish, definitely, but when he professed his love for Mimi after half an hour's acquaintance, one wondered whether he didn't need something to calm him down. And he wasn't alone.

Twenty-three singers, five apprentice coaches and one apprentice stage director, representing ten countries, will participate in the 57th season of the Merola Opera Program from June 2 to August 17. More than 900 artists vied for the 29 coveted spots in the 2014 summer program. Offered free of charge for all participants, the prestigious Merola Opera program is unique in the industry in many ways. Merola is the only young artist program to provide financial support to developing artists for five years following participation. In the past year alone, more than $150,000 was distributed to more than 100 artists supporting varied needs from coaching to language classes to audition travel. In addition, only Merola graduates are considered for participation in the San Francisco Opera's Adler Fellowship program. Selected through an extensive world-wide audition and application process, nearly one third of this season's artists come from countries outside the United States, including: Canada, China, Taiwan, Italy, South Korea, Russia, Iran, Poland and Israel. This year, the program will have three returning Merola artists, Casey Candebat (Merola 2012), Sahar Nouri and Rhys Lloyd Talbot (both Merola 2013).

Italian tenor Vittorio Grigolo, who has earned praise for his elegant and expressive vocalism in performances at the Met and other opera houses around the world, will perform a solo recital on the Met stage on Sunday, March 9 at 4 p.m. He will be joined by pianist Vincent Scalera for the recital, which will feature songs and arias by Bellini, Rossini, Donizetti, Verdi, Tosti, Leoncavallo, Gastaldon, De Curtis, and D'Annibale. A complete listing of the program appears below.

Nadler, a member of the Met's music staff, has conducted 49 performances with the company since his debut in 1989. Later this season, he will conduct the February 15 performance of Dvo?ák's Rusalka. He has led Met performances of Verdi's Rigoletto, Un Ballo in Maschera, Aida, Don Carlo, and La Traviata; Rossini's Il Barbiere di Siviglia; Wagner's Tannhäuser; Giordano's Andrea Chénier; Stravinsky's Le Sacre du Printemps, Le Rossignol, and Oedipus Rex; Bizet's Carmen; Beethoven's Fidelio; Tchaikovsky's Eugene Onegin; Gounod's Roméo et Juliette; and Mozart's Die Zauberflöte.

A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, will open at the Met tonight, December 31, with two Broadway stars appearing. Check out the excerpt from Act II of Johann Strauss's 'Die Fledermaus' with Jane Archibald (Adele), Anthony Roth Costanzo (Orlofsky), Christopher Maltman (Eisenstein).

A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, will open at the Met tonight, December 31, with two Broadway stars appearing. Check out the excerpt from the Act I trio of Johann Strauss's 'Die Fledermaus.'

A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, will open at the Met tonight, December 31, with two Broadway stars appearing. Check out a first look below!

A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, will open at the Met tonight, December 31, with two Broadway stars appearing.

A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, will open at the Met on December 31, with two Broadway stars appearing. Check out a preview video below!

A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, will open at the Met on December 31. Jeremy Sams, writer and creator of the Met's Baroque pasticheThe Enchanted Island, makes his company debut as director with the new staging, which is set in Vienna at the turn of the 20thcentury. Sams also contributes new lyrics for Strauss's work, which will be performed entirely in English; Tony Award-nominated playwright Douglas Carter Beane makes his Met debut with new dialogue. Adam Fischer conducts a cast of rising opera stars and Broadway performers. The cast is led by Susanna Phillips and Christopher Maltman as the unhappily married Rosalinde and Eisenstein; Jane Archibald as Rosalinde's feisty maid, Adele; Anthony Roth Costanzo as Prince Orlofsky; Michael Fabiano as Rosalinde's former lover, Alfred; Paulo Szot as the bumbling Dr. Falke; and Patrick Carfizzi as the prison superintendent, Frank. Broadway stars Danny Burstein and Betsy Wolfe make Met debuts as the drunken jailer, Frosch, and Adele's sister, Ida. Robert Jones is set and costume designer for the production, with lighting design by Jennifer Schriever and choreography by Stephen Mear in their Met debuts.

Puccini's La Bohème, the most-performed opera in Met history, will return to the repertory this season with 14 performances featuring a number of popular Met artists and rising stars in the leading roles. The opera opens January 14 with Joseph Calleja as Rodolfo, Maija Kovalevska as Mimì, Alexey Markov as Marcello, and Irina Lungu in her company role debut as Musetta. On March 19, Vittorio Grigolo returns to the role of his Met debut as Rodolfo, leading a cast that also includes Massimo Cavalletti in his first Met performances of Marcello and two debuting sopranos: Romanian Anita Hartig as Mimì and American Jennifer Rowley as Musetta. Susanna Phillips will reprise her Musetta on April 2 and 5, and Barbara Frittoli will sing Mimì on April 10, 14, and 18. Joshua Hopkins and Patrick Carfizzi share the role of Schaunard this season; Christian Van Horn, Nicolas Testé, and Oren Gradus sing Colline; and Donald Maxwell and Philip Cokorinos sing Benoit and Alcindoro. Stefano Ranzani will conduct all of this season's performances of La Bohème, which will be seen in Franco Zeffirelli's popular 1981 production. The April 5 matinee, starring Grigolo, Hartig, Phillips, Cavalletti, Carfizzi, Gradus, and Maxwell, will be transmitted live as part of the Met's Live in HD series, which now reaches more than 2,000 theaters in 64 countries around the world.

A new production of Johann Strauss Jr.'s New Year's Eve classic, the comedic operetta Die Fledermaus, will open at the Met on December 31. Jeremy Sams, writer and creator of the Met's Baroque pastiche The Enchanted Island, makes his company debut as director with the new staging, which is set in Vienna at the turn of the 20th century. Sams also contributes new lyrics for Strauss's work, which will be performed entirely in English; Tony Award-nominated playwright Douglas Carter Beane makes his Met debut with new dialogue. Adam Fischer conducts a cast of rising opera stars and Broadway performers. The cast is led by Susanna Phillips and Christopher Maltman as the unhappily married Rosalinde and Eisenstein; Jane Archibald as Rosalinde's feisty maid, Adele; Anthony Roth Costanzo as Prince Orlofsky; Michael Fabiano as Rosalinde's former lover, Alfred; Paulo Szot as the bumbling Dr. Falke; and Patrick Carfizzi as the prison superintendent, Frank. Broadway stars Danny Burstein and Betsy Wolfe make Met debuts as the drunken jailer, Frosch, and Adele's sister, Ida. Robert Jones is set and costume designer for the production, with lighting design by Jennifer Schriever and choreography by Stephen Mear in their Met debuts.

Jane Archibald will sing the role of Adele in all 14 performances of the new production of Johann Strauss's Die Fledermaus at the Met this season. Christine Schäfer, originally scheduled to sing the first six performances of the opera, is ill and unable to travel to the Met for rehearsals. Archibald was originally scheduled to sing the final eight performances of the run.

The St. Louis Symphony will mark the centennial of Benjamin Britten's birth with two concert performances of the composer's haunting opera Peter Grimes: first at Powell Hall tonight, November 16, then at Carnegie Hall on November 22, the date of the late composer's 100th birthday.

Throughout its 2013-2014 season, Carnegie Hall pays tribute to composer Benjamin Britten (1913-1976) in celebration of the 100th anniversary of his birth.

The Met: Live in HD, the Metropolitan Opera's award-winning series of live transmissions to movie theaters, will feature 10 productions in the 2013-14 season, offering a significant portion of the Met season to opera lovers around the world.

The St. Louis Symphony will mark the centennial of Benjamin Britten's birth with two concert performances of the composer's haunting opera Peter Grimes: first at Powell Hall on November 16, then at Carnegie Hall on November 22, the date of the late composer's 100th birthday.