Oliver Halkowich News

From March 2-12, Houston Ballet presents Stanton Welch's staging of Cinderella, which was originally created for The Australian Ballet in 1997. A fresh new take on the familiar tale, Cinderella features lavish scenery and spectacular costumes by the late New Zealand designer, Kristian Fredrickson.

Musiqa is proud to announce its fifteenth-anniversary season, one which continues to explore new music and exciting partnerships with organizations in Houston's arts community. Musiqa will present top-quality chamber music at a variety of venues, as well as continue to foster young creative talent and present special programs for young audiences.

Since its debut in 1892, THE NUTCRACKER, based on E.T.A. Hoffman's 'The Nutcracker and the Mouse King,' has been a holiday staple, its music, by Romantic composer Peter Ilyich Tchaikovsky, ubiquitous. And, since 1987, Ben Stevenson's THE NUTCRACKER has been a Houston institution.

BWW Reviews: Houston Ballet Proves Excellence With MODERN MASTERS

Three years and millions of dollars in the making, Stanton Welch's take on ROMEO AND JULIET is magnificent. This is not empty praise for the Houston Ballet's artistic director. Plot complexities aside, ROMEO AND JULIET is a simple story: two teens are in love in a world where their love is impossible. And for all of the spectacle, Welch trusts this simple story.

Join Mercury for the world premiere of 'The Crimson Prince of Venice' at the Wortham Center, Cullen Theater, on Saturday, January 10, 8 PM. Artistic Director Antoine Plante takes up the role of Maestro in an exciting new staged work featuring costumed Mercury musicians and dancers from the Houston Ballet. 'The Crimson Prince of Venice' is a dazzling duel of musical virtuosity incorporating music by Antonio Vivaldi and Niccolo Paganini. Adapted by Denis Plante from a short story by Edgar Allen Poe and with choreography by Oliver Halkowich, this multi-faceted concert experience promises to deliver a dramatic punch. To purchase tickets or for more information visit www.mercuryhouston.org or call 713.533.0080. Photos and bios available upon request.

HOUSTON, TEXAS - From November 28 - December 28, 2014, Houston Ballet celebrates the holidays with Ben Stevenson's breathtaking production of The Nutcracker, seen by over 1,000,000 people since its premiere 27 years ago. The beloved ballet tells the story of a little girl named Clara who is given a magical nutcracker doll on Christmas Eve. She encounters the frightful King Rat before embarking on a wondrous journey through the Land of Snow and the Kingdom of Sweets. Young and old alike will experience the many special effects, including the Christmas tree which "grows" to 40 feet, 200 pounds of "snow" falling during the snow scene, and the firing of cannon onstage. Houston Ballet will give 35 performances of The Nutcracker, to a live orchestra, in the Brown Theater at Wortham Theater Center in downtown Houston. Tickets may be purchased by calling 713-227-2787 or logging on to www.houstonballet.org.

Houston Ballet is closing their 2013-2014 season with a gorgeous revival of Stanton Welch's SWAN LAKE. Settling in for the lengthy production, I could barely contain my excitement. Impressed as I was by the show, I discovered that Darren Aronosky's Black Swan left me with expectations for the ballet that were not delivered.

In celebration of Stanton Welch's tenth anniversary as Artistic Director at Houston Ballet, the company is presenting a mixed repertory program that showcases his work as a choreographer. Across the three acts, audiences are treated to stunningly beautiful stage pictures, fascinating movement, and breathtaking feats of agility and poise. With their THE YOUNG PERSON'S GUIDE TO THE ORCHESTRA program, Houston Ballet splendidly illustrates why Houston is truly to lucky to have Stanton Welch in our city.

Last night, Houston Ballet presented the American Premiere performance of David Bintley's spellbinding ALADDIN. The ballet, commissioned by National Ballet of Japan, had its World Premiere on November 15, 2008. For this opulent and mesmerizing theatrical treat, choreographer David Bintley pulls his inspiration from the original story; however, his ballet stills delivers everything fans of the 1992 Disney film expect from the story.

As a ballet, THE MERRY WIDOW is an adaptation of Franz Lehar's popular romantic operetta Die Lustige Witwe (The Merry Widow), which premiered in 1905. In the process of adapting the score for ballet, John Lanchbery and Alan Abott retained the style of Franz Lehar's orchestrations and included several of the well-known tunes from the operetta. Their score premiered in 1975 when The Australian Ballet, under the Musical Direction of John Lanchbery, produced the World Premiere production with choreography by Ronald Hynd and Scenario and Staging by Sir Robert Helpmann. This grandiose and radiant ballet of THE MERRY WIDOW had its Houston Ballet Premiere on September 17, 1995 in the Brown Theater. The Houston Ballet also performed it in 1999 and 2007. Now, in 2013, the lavish production is serving as Mireille Hassenboehler's gorgeous swan song and letter of admiration to the audiences of the Houston Ballet.

The Houston Ballet is notorious for providing audiences with top-notch productions and a supremely talented company. Launching into their 2013-2014 season, Houston Ballet opens with FOUR PREMIERES. Consisting of one American premiere and three world premieres, FOUR PREMIERES is a wonderful evening of dance, with works choreographed by Chrisopher Bruce, Melissa Hough, Garrett Smith, and James Kudelka.

The Houston Ballet organization is imbued with talent from top to bottom. Last year, they organized an event in which the dancers got to experiment and begin growing their own individual choreographic voices. Thursday, December 13, 2012 was their second event with this goal in mind. A small, invitation only audience was treated to an evening of fantastic talent on display in 14 world première ballets by names that are sure to leave a lasting impression on the world of dance.

The main purpose and goal of Houston Ballet's WOMEN@ART is to celebrate the ability of women to choreograph interesting, thought-provoking, and fully realized ballets. In 2004, Stanton Welch was met with fantastic success the first time he programmed three one-act ballets choreographed by women in his inaugural WOMEN@ART performance. The 2012 offering, complete with a World Premiere by Aszure Barton, will hopefully motivate and empower young girls and women interested in dance and choreography to follow their dreams while opening a dialogue about the value of female voices in the dance world.

The Houston Ballet is synonymous with fantastic and sumptuous performances. Each of their dancers, from Principals to Apprentices, is a supremely talented artist at the top of their class in professional skill. Currently, Houston Ballet is featuring their male dancers in CLEAR, which was created for American Ballet Theatre in New York City in 2001, and their ability to move audiences through gorgeous storytelling in MADAME BUTTERFLY, which has its world premiere on February 24, 1995 by The Australian Ballet and its Houston premiere on September 19, 2002. These pieces are distinctly different from each other; yet, Stanton Welch's choreography is sure to leave audiences breathless and spellbound in both productions.