American Conservatory Theater (A.C.T.) congratulates A.C.T. core acting company member René Augesen on her selection as a 2011 Lunt-Fontanne Fellow by the Ten Chimneys Foundation.
On December 6, 2010 (on what would have been Lynn Fontanne's 123rd birthday), Ten Chimneys Foundation announced that ten of the top stage actors in America have been selected as the 2011 Lunt-Fontanne Fellows. These ten distinguished actors (see list below) were nominated by the nation's premier regional theatres to participate in the Lunt-Fontanne Fellowship Program, a widely acclaimed national program to serve the future of American theatre. Next summer (July 24-31, 2011), the newly selected Lunt-Fontanne Fellows will join Academy Award-winning actress Olympia Dukakis for an intensive weeklong master class and immersion experience at Ten Chimneys, the National Historic Landmark estate of Broadway legends Alfred Lunt and Lynn Fontanne, in Genesee Depot, Wisconsin (just outside of Milwaukee).
Pittsburgh Irish & Classical Theatre honors one of the most important playwrights of the late 20th century with Hearing Noise in the Silence: A Celebration of the Life and Theatre of Harold Pinter.
Pittsburgh Irish & Classical Theatre honors one of the most important playwrights of the late 20th century with Hearing Noise in the Silence: A Celebration of the Life and Theatre of Harold Pinter.
A Noise Within (ANW) concludes its 2009-10 season with celebrated Irish playwright JOHN MILLINGTON SYNGE's THE PLAYBOY OF THE WESTERN WORLD directed by Co-Founder/Co-Artistic Director Geoff Elliott, which opens Saturday, April 17 and closes Saturday, May 22, 2010 (previews begin Saturday, April 10). The once controversial play - which sparked riots during and after its debut in Dublin in 1907, was booed in New York four years later, and resulted in the arrest of the Philadelphia cast on charges of staging an immoral performance - has since been recognized as a masterpiece.
Pittsburgh Irish & Classical Theatre has assembled a team of more than 100 world-class artists, including Canadian legends Richard McMillan, Michael Hanrahan, Simon Bradbury and Michael Ball, and Irish legend Alan Stanford. Top-notch local favorites gracing the PICT stage this season include Martin Giles, Larry John Meyers, Joel Ripka, David Whalen, Daina Michelle Griffith, and making his PICT debut, Daniel Krell.
L.A.'s Classical Theater Ensemble, The Antaeus Company, announces that their critically-acclaimed (LA TIMES Critics' Choice, BACKSTAGE Critic's Pick) smash-hit production of their World Premiere adaptation of the literary classic, COUSIN BETTE, adapted by Jeffrey Hatcher from the novel by Honore de Balzac and directed by Jeanie Hackett, will be EXTENDING through Sunday, March 28th at Antaeus' interim home, Deaf West Theatre, located at 5112 Lankershim Blvd. in North Hollywood.
L.A.'s Classical Theater Ensemble, The Antaeus Company, presents the World Premiere of an exciting new adaptation of a literary classic, COUSIN BETTE, written by Jeffrey Hatcher and directed by Jeanie Hackett.
L.A.'s Classical Theater Ensemble, The Antaeus Company, presents the World Premiere of an exciting new adaptation of a literary classic, COUSIN BETTE, written by Jeffrey Hatcher and directed by Jeanie Hackett. As the first production in Antaeus' first full season of plays, this world premiere begins previews January 23rd and opens on Saturday January 30th & Sunday January 31st and runs through March 21st at Antaeus' interim home, Deaf West Theatre, located at 5112 Lankershim Blvd. in North Hollywood.
As per notice from The Antaeus Company, due to circumstances beyond production's control, the opening nights for The Antaeus Company's world premiere adaptation of COUSIN BETTE have been pushed back a week. The new opening dates are: Saturday, February 6 at 7:30pm and Sunday, February 7 at 4pm.
L.A.'s Classical Theater Ensemble, The Antaeus Company, presents the World Premiere of an exciting new adaptation of a literary classic, COUSIN BETTE, written by Jeffrey Hatcher and directed by Jeanie Hackett. As the first production in Antaeus' first full season of plays, this world premiere begins previews January 23rd and opens on Saturday January 30th & Sunday January 31st and runs through March 21st at Antaeus' interim home, Deaf West Theatre, located at 5112 Lankershim Blvd. in North Hollywood.
L.A.'s Classical Theater Ensemble, The Antaeus Company, presents the World Premiere of an exciting new adaptation of a literary classic, COUSIN BETTE, written by Jeffrey Hatcher and directed by Jeanie Hackett. As the first production in Antaeus' first full season of plays, this world premiere begins previews January 23rd and opens on Saturday January 30th & Sunday January 31st and runs through March 21st at Antaeus' interim home, Deaf West Theatre, located at 5112 Lankershim Blvd. in North Hollywood.
L.A.'s Classical Theater Ensemble, The Antaeus Company, presents the World Premiere of an exciting new adaptation of a literary classic, COUSIN BETTE, written by Jeffrey Hatcher and directed by Jeanie Hackett. As the first production in Antaeus' first full season of plays, this world premiere begins previews January 23rd and opens on Saturday January 30th & Sunday January 31st and runs through March 21st at Antaeus' interim home, Deaf West Theatre, located at 5112 Lankershim Blvd. in North Hollywood.
Orange County, California, 1975. For Walter Wells, it's the happiest place on earth. He has a beautiful wife. Two great kids. A house with a pool. Contentment. Until fate strikes a devastating blow, leaving Walter with no reason to put the pieces of his life back together. He resists attempts to help, especially the unexpected - and unwanted - offer from a Vietnamese refugee named Bao Ngo, who bears his own sadness. Then, across a cultural divide, Walter and Bao find a game to share, a song, a meal and then a way back in this uplifting - and surprisingly funny - new play by a rising star in American theatre.
South Coast Repertory will present the world premiere of The Happy Ones, the story of an Orange County man who must rediscover his optimism in the wake of tragedy, on the Julianne Argyros Stage Sept. 27 - Oct. 18.
Orange County, California, 1975. For Walter Wells, it's the happiest place on earth. He has a beautiful wife. Two great kids. A house with a pool. Contentment. Until fate strikes a devastating blow, leaving Walter with no reason to put the pieces of his life back together. He resists attempts to help, especially the unexpected - and unwanted - offer from a Vietnamese refugee named Bao Ngo, who bears his own sadness. Then, across a cultural divide, Walter and Bao find a game to share, a song, a meal and then a way back in this uplifting - and surprisingly funny - new play by a rising star in American theatre.
Orange County, California, 1975. For Walter Wells, it's the happiest place on earth. He has a beautiful wife. Two great kids. A house with a pool. Contentment. Until fate strikes a devastating blow, leaving Walter with no reason to put the pieces of his life back together. He resists attempts to help, especially the unexpected - and unwanted - offer from a Vietnamese refugee named Bao Ngo, who bears his own sadness. Then, across a cultural divide, Walter and Bao find a game to share, a song, a meal and then a way back in this uplifting - and surprisingly funny - new play by a rising star in American theatre.
South Coast Repertory will present the world premiere of The Happy Ones, the story of an Orange County man who must rediscover his optimism in the wake of tragedy, on the Julianne Argyros Stage Sept. 27 - Oct. 18.
With the generous support of the The Noël Coward Foundation, Antaeus presents a weekend of events celebrating the master writer in all of his manifestations! Drawing on the title of an early Coward play, Antaeus' THE YOUNG IDEA PROJECT joyfully advances our mission of keeping great classics vibrantly alive for the next generation of artists and audiences.
In the suburbs of Washington, D.C., in the mid-1980s, 13-year-old Franklin Robertson is trying to survive. His parents don't understand him. His older brother torments him non-stop. He'd rather write stories than go on dates.