SMASH stars Krysta Rodriguez and Andy Mientus will reunite in the 'Hocus Pocus Focused" Halloween Bash! The Sanderson Sisters are back from the dead, and NO ONE wants to miss their return!
New York City Opera's 75th-anniversary season opens October 22 at (le) Poisson Rouge with a new production of Astor Piazzolla's María de Buenos Aires. Directed by Tomer Zvulun, the production is based on an original concept created as part of The Atlanta Opera Discoveries Series and is presented in cooperation with the Atlanta Opera. Soprano Catalina Cuervo, the world's foremost interpreter of the title role, headlines the all-South American cast under the musical direction of conductor Jorge Parodi.
The world premiere of the video game opera PermaDeath, written by creator and librettist Cerise Jacobs and composed by Dan Visconti, the composer of Opera Philadelphia's recent Andy Warhol-themed ANDY: A Popera, takes place at Boston's Emerson Cutler Majestic Theater from September 27-29.
Walnut Street Theatre's 2018-19 Independence Studio on 3 season opens with a personal look into the Palestinian-Israeli identity with IN BETWEEN. Written and performed by Ibrahim Miari and directed by Elena Araoz, the production begins with previews on September 25th, opens September 27th and continues through October 28th.
Ensemble for the Romantic Century (Eve Wolf, Executive Artistic Director) is proud to announce the opening of Angelica Page in the title role BECAUSE I COULD NOT STOP: An Encounter with Emily Dickinson. Opening Night is this Thursday, September 27th.
La Traviata is one of the cornerstones of operatic repertory, filled with catchy arias and duets, many which are recognizable from popular culture. Pair this opera with The Martha Cardona Opera -whose mission is to bring this art form to those who have yet to experience a live operatic performance, as well as to bring up-and-coming stars of the opera world to those who already have a passion for opera - and you have a perfect fit!
Sacred Music in a Sacred Space begins its 2018-2019 Season by welcoming patrons into the intimate Wallace Hall at the Church of St. Ignatius Loyola (980 Park Avenue) for a Caritas Concert.
The Verdi Chorus 35th anniversary season culminates with its Fall 2018 concert Passione! Opera! for two performances only at the First United Methodist Church in Santa Monica on November 10 and 11 led by Founding Artistic Director Anne Marie Ketchum. As the only choral group in Southern California that focuses primarily on the dramatic and diverse music for opera chorus, this program, which marks the end of a landmark year for the company, will feature selections from three Verdi operas - Aida, Don Carlo, and the famed chorus 'Va, pensiero,' from Nabucco, as well as operatic sequences from Boito's Mefistofele, Saint-Saens' Samson and Delilah, Catalani's La Wally and Offenbach's The Tales of Hoffmann.
Copland House's 2018-19 mainstage season will offer celebrations aplenty! Ranging widely across more than a century of American music, the popular series is Copland House's 10th at Westchester County's majestic Merestead estate in Mount Kisco, NY. Hailed by The New York Times for "all the richness of its offerings, first-rate fare, and reputation for quality," the series has become a destination for an enthusiastic and growing audience of musical adventurers seeking discoveries of the new, old, and unexpected.
Dixon Place proudly presents the world premiere of YouthandDeath, the debut evening-long work by chrisbelldances (choreographer, Chris Bell,) a semi-autobiographical piece of dance-theater investigating themes of mortality and the cyclical nature of life. The piece will be presented at Dixon Place's main stage
Baruch Performing Arts Center is pleased to present the world premiere of Words on the Street, a hybrid music-theater event that wrestles with power, complacency, and excess. Originally written by Anna Rabinowitz as a series of poems, Words on the Street has been transformed into a unique production, collaboratively conceived and developed by Rabinowitz, director Kristin Marting, the late composer Matt Marks (1980-2018), and video designer Lianne Arnold. In response to the untimely death of Matt Marks, a community of composers, Lainie Fefferman, John Glover, Mary Kouyoumdjian, David T. Little, Kamala Sankaram, Caroline Shaw, and Randall Woolf have contributed additional compositions to create a highly original sonic world for the work. Music direction is by Mila Henry.
Your knees won't buckle when you enter Belk Theater to see LOVE NEVER DIES, Anthony Lloyd Webber's long-awaited sequel to The Phantom of the Opera. There's no gleaming chandelier looming ominously over ticketholders in the front rows, nor will you see any nooks or gargoyles spanning the stage proscenium. Until the curtain rose, about the only aspect of the new Lloyd Webber melodrama that reminded me of its predecessor on opening night was the size of the crowd who had come to see it. A near sellout - not too shabby for a musical that has never played on Broadway.
ISLE of KLEZBOS, the swinging all-women's klezmer sextet, will celebrate their 20th Anniversary with a special concert Isle of Klezbos: Isle of Manhattan! at Joe's Pub on Thursday, October 25 at 7:00 PM featuring returning guest artist Natalia Zukerman. The band and spellbinding singer-songwriter - whose father, the classical violinist Pinchas Zukerman, is the son of a Polish-born klezmer player - first melded musical minds earlier this year, exploring poignant Yiddish roots and hidden gems from vintage soundtracks, personal histories, vivid resistance narratives, and soulful sounds of liberation. Spreading joy coast to coast this anniversary year, ISLE of KLEZBOS latest repertoire also features original klezmer bugalu (boogaloo), lesser-known bawdy traditionals, and luscious retakes on irresistible Eastern European swing and tango. Natalia brings vibrant stories and tunes from her powerful multi-media performance, "The Women Who Rode Away," including lush arrangements with backing Klezbos bandmates. The studio project is scheduled for release later this year. Tickets are available at JoesPub.com HERE.
"The mystery of love is greater than the mystery of death." So said Oscar Wilde's Salome, anticipating the theme running through all six of the works that make up The Atlanta Opera's 2018-19 season. The six are linked also by their novelty, for under the leadership of Carl W. Knobloch, Jr. General & Artistic Director Tomer Zvulun, Atlanta's new season consists entirely of stagings conceived over the past few years. Created in collaboration with leading opera companies from around the world, four are ambitious mainstage productions: the blockbuster musical West Side Story, 19th-century classics Eugene Onegin and La traviata, and the Southeast premiere of Dead Man Walking, a major 21st-century addition to the canon. Rounding out the season, Charlie Parker's Yardbird and Maria de Buenos Aires will be presented in the Discoveries series, which breaks down barriers between artists and their audience by providing authentic, intimate and immersive experiences in nontraditional spaces. The winner of a "Best of Atlanta" award from the Atlanta Journal-Constitution and an International Opera Award nomination, the series represents one of the many innovations behind the company's current wave of extraordinary creative and economic resurgence.
Baruch Performing Arts Center is pleased to present the world premiere of Words on the Street, a hybrid music-theater event that wrestles with power, complacency, and excess. Originally written by Anna Rabinowitz as a series of poems, Words on the Street has been transformed into a unique production, collaboratively conceived and developed by Rabinowitz, director Kristin Marting, the late composer Matt Marks (1980-2018), and video designer Lianne Arnold. In response to the untimely death of Matt Marks, a community of composers, Lainie Fefferman, John Glover, Mary Kouyoumdjian, David T. Little, Kamala Sankaram, Caroline Shaw, and Randall Woolf have contributed additional compositions to create a highly original sonic world for the work. Music direction is by Mila Henry.
Ted Sperling, Artistic Director of MasterVoices, announced details of the acclaimed ensemble's 77th season, celebrating the power of the human voice to unite, inspire and connect since 1941. The upcoming season will be framed by two major musical events, the New York premiere of a multi-media version of Handel's oratorioIsrael in Egypt performed at Carnegie Hall, and a new adaptation of the Kurt Weill-Ira Gershwin-Moss Hart avant-garde musical, Lady in the Dark, starring Victoria Clark at New York City Center. Lady in the Dark has not been seen in New York since it was presented at New York City Center in 1994 as part of the inaugural Encores! season.
The Sanderson Sisters are back from the dead, and NO ONE wants to miss their return! Jay Armstrong Johnson and Danny Marin are proud to present I Put A Spell On You: The Return of the Sanderson Sisters! Back after two years of SOLD OUT shows, Jay and his cast of kooky characters are celebrating Halloween Salem Style!
The San Francisco Conservatory of Music (SFCM) today announces the fourth biennial gathering of the Stephen and Cynthia Rubin Institute for Music Criticism, a groundbreaking initiative for educational and financial support that identifies and engages emerging young writers in the art of classical music criticism and creates a sustainable funding model for professional journalists at news organizations across the United States. Taking place October 25-29 at SFCM and surrounding Civic Center venues, the Rubin Institute will, for the first time in its history, include jazz in its lineup of world-class concerts. Award-winning author, critic, essayist, and producer Gary Giddins will join the cadre of industry-leading journalists as guest critic.
Encompass New Opera Theatre will present the world premiere of Anna Christie with music by Edward Thomas set to a libretto by Joseph Masteroff, beginning on Thursday, October 4, 2018 at 8pm, running through Sunday, October 21, 2018, at the Baruch Performing Arts Center (at 55 Lexington Avenue, entrance on 25th Street, between Lexington and Third Avenues).
New York City Opera, 'The People's Opera,' brings The Barber of Seville, Rossini's great comedic opera, to Bryant Park for the fourth and final performance from City Opera in Bryant Park. Don't miss this chance to hear Rossini's sparkling opera and the the hijinks of Figaro, opera's most famous barber.
