You start writing a play in your late 20s when you are a struggling New York playwright, working as the literary manager of the Ensemble Studio Theater (EST) . This is your family play, a dark comedy of love, hate, prejudice, and alcohol, but you are in way over your dramatic head - the play doesn't work, so you abandon it. Then you spend a couple of decades in the Hollywood wars, writing and rewriting screenplays (and being rewritten).
Long before New York had a fringe festival, New York had the Ensemble Studio Theatre's OCTOBERFEST, a marathon of new, developing plays crammed together on two floors of the theatre company's home at 549 West 52nd Street. The first OCTOBERFEST was in 1981.
Long before New York had a fringe festival, New York had the Ensemble Studio Theatre's OCTOBERFEST, a marathon of new, developing plays crammed together on two floors of the theatre company's home at 549 West 52nd Street. The first OCTOBERFEST was in 1981.
Long before New York had a fringe festival, New York had the Ensemble Studio Theatre's OCTOBERFEST, a marathon of new, developing plays crammed together on two floors of the theatre company's home at 549 West 52nd Street. The first OCTOBERFEST was in 1981.
