Oregon Shakespeare Festival and Black Lives Black Words are partnering to produce Films for the People (previously titled Plays for the People), supported by the Black Seed Fund and co-presented with Stellar (Jim McCarthy, Co-Founder/CEO).
The hearing gathered artists and creative workers led by Carson Elrod, co-founder of Be An #ArtsHero/Arts Workers United, to testify on the devastating effects of the COVID-19 pandemic on their industry and ways that Congress can better support the creative economy moving forward.
Be An #ArtsHero / Arts Workers United is proud to announce its co-founder Carson Elrod will testify in a Congressional House Hearing before the Small Business Committee (SBC) chaired by Congresswoman Nydia M. Velázquez (NY-07) on the Arts and Culture Sector titled “The Power, Peril, and Promise of the Creative Economy.”
Portland Opera has been approved for a $30,000 Grants for Arts Projects award to support the company's upcoming production of The Central Park Five.
Oregon Shakespeare Festival, in partnership with Artizen and Museum of Other Realities, will present the first-ever Quills Fest, an annual two-day immersive digital festival at the intersection of live theatre and Extended Reality.
Oregon Shakespeare Festival today announced its 2022 Season, making a joyous return to repertory programming after two years of extreme uncertainty—and emerging with an ambitious vision of theatre as an accessible artform that can boldly meet our current moment.
On Wednesday, Sept. 22, 2021, CalArts Center for New Performance (CNP) kicks off Fall 2021 with a world premiere from Alpert Award-winning theater artist Daniel Alexander Jones. Produced by CNP, Jones' new work, ALTAR NO. 1 – ATEN, uses the solar system as both metaphor and method for an immersive journey through the celestial, within and without. The work is intended to, as Jones states, “remember us whole.”
Collaborating across the many facets of artist engagement, development, and producing, Scarlett Kim and Mei Ann Teo join Evren Odcikin on a three-person, non-hierarchical team of Associate Artistic Directors—respectively, of Innovation and Strategy, of New Work, and of Artistic Programming.
Theatre Communications Group has announced new trustees and an updated list of officers for its board of directors. Members of TCG’s board serve up to three two-year terms. Board officers serve terms of one-year, renewable, and concurrent with the fiscal year of July 1, 2021 to June 30, 2022.
Oregon Shakespeare Festival has announced the month-long, five-play O! Reading Series. For this new initiative, five directors who are part of OSF’s artistic staff have each chosen a play to be performed as a live digital staged reading by some of OSF’s favorite actors.
Yale Repertory Theatre will welcome audiences back to its theaters beginning in January 2022 for a season of three plays! The season will begin with a new production of Today is My Birthday, a critically-acclaimed comedy about loneliness in the age of connectivity, written by Susan Soon He Stanton and directed by Mina Morita.
Oregon Shakespeare Festival today announced that it will welcome back in-person audiences earlier than planned, on July 1, with Cheryl L. West’s Fannie: The Music and Life of Fannie Lou Hamer, staged in OSF’s outdoor Allen Elizabethan Theatre by director Henry Godinez and music director Felton Offard.
Classic Stage Company today announced the four female theater luminaries that comprise the summer lineup for its virtual Classic Conversations series: Pulitzer Prize finalist Anna Deavere Smith on June 3; Academy Award nominee Marsha Mason on July 1; Tony Award winner Chita Rivera on August 5; and Tony Award winner Donna McKechnie on September 2.
Shá Cage and Elizabeth Carter have been selected as the inaugural recipients of the Lloyd Richards New Futures Residencies, which pair mid-career BIPOC directors and choreographers pursuing institutional leadership with forward-thinking directors, it has been announced by Mark Brokaw, President of the Stage Directors and Choreographers Foundation (SDCF), which is funding the residencies and has overseen the search. In this inaugural year, the Residencies were reserved for Black artists.
In October 2020, Parent Artist Advocacy League (PAAL) and Blackboard Plays announced an open call for submissions to The Black Motherhood* and Parenting New Play Festival.
Oregon Shakespeare Festival today announced that Laura Burgos is the organization’s new Director of Marketing and Communications, effective immediately. Burgos’s new position is the latest chapter in a dynamic career spanning a diversity of performing arts disciplines, organizations, and roles.
The evening of entertainment included a welcome video from Tamara Tunie and Black Theatre United; a tribute featuring past Hermitage Greenfield Prize recipients, jurors, and partners; performances of Harris' work; and a stirring musical closing by Ann Morrison and Joseph Holt.
Theater and LGBTQ luminaries are featured in 92Y's upcoming virtual talks and classes in April and May. The programs will feature Alan Bergman, Ann Hampton Callaway, Alison Bechdel and many more!
The Oregon Shakespeare Festival announced today Anyania (Ahn-ya-nigh-ah) Muse will become its Director of Inclusion, Diversity, Equity, and Access (IDEA) on April 12, 2021. In this newly evolved role, Muse will join OSF's leadership team, providing vision and strategy for the integration of IDEA into all facets of OSF's operations. Muse will design, communicate, execute and monitor programs and initiatives that actively promote and foster a radically inclusive culture that is an anti-racist, anti-sexist, anti-homophobic, and anti-ableist at the company.
Golden Globe-winning actor, playwright, and activist Regina Taylor is partnering with Southern Methodist University’s Meadows School of the Arts, and is seeking collaborators to create a multifaceted, activist-driven initiative, the black album. mixtape.
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