The Houston Symphony and Principal Cello Brinton Averil Smith will perform Mario Castelnuovo-Tedesco's Cello Concerto for the first time in more than 80 years at 8 p.m. April 13-15 at Jones Hall.
The Houston Symphony and Principal Cello Brinton Averil Smith will perform Mario Castelnuovo-Tedesco's Cello Concerto for the first time in more than 80 years at 8 p.m. April 13-15 at Jones Hall.
Saturday afternoon at the Dolby Theatre, the four CW Network Super Hero television programs were all celebrated at Paleyfest. On hand, were some executive producers and members of the casts of ARROW, THE FLASH, SUPER GIRL, and DC LEGENDS OF TOMORROW. Moderating the panel was comic book super fan, Kevin Smith.
In Episode 503 of Something New, award-winning songwriter Joel B. New sat down Sas Goldberg and Luke Smith, both currently making their Broadway debut in SIGNIFICANT OTHER. For the live song portion of the episode, Joel's friend Jason Pintar premiered 'Crazy Song,' featuring Mike Pettry on guitar. Music and lyrics by Joel B. New.
Soprano Amber Wagner, a 2010 George London Award Winner, and baritone Reginald Smith, Jr., who won his George London Award in 2015, make their New York recital debuts at the final program in the George London Foundation Recital Series, and the final event in the foundation's season, on Sunday, April 2, 2017, at 4:00 pm. Alan Darling is the recital's pianist; a reception with the artists follows the concert.
Six-time Tony Award-winning costume designer CATHERINE ZUBER and legendary scenic designer TONY STRAIGES are among the 2017 TDF/Irene Sharaff Awards recipients which were just announced by Theatre Development Fund (TDF), a not-for-profit service organization for the performing arts.
Tenor Paul Appleby, the 2011 George London Award winner who, it was recently announced, will be in the cast of the world premiere of John Adams's Girls of the Golden West with San Francisco Opera next season, teams up with mezzo-soprano and 2015 George London Award winner Sarah Mesko and pianist Ken Noda for the season's second event in the George London Foundation Recital Series at The Morgan Library & Museum on Sunday, March 5, 2017, at 4:00 pm.
The winners of the 46th annual George London Foundation Awards Competition for young American and Canadian opera singers were announced at the conclusion of the competition's final round this evening, which took place in a front of an audience at Gilder Lehrman Hall at The Morgan Library & Museum in New York City.
On Friday, February 17, 2017, 24 of the best young American and Canadian opera singers will perform with pianist Craig Rutenberg before a panel of judges and an enthusiastic audience at The Morgan Library & Museum, hoping to win a George London Award, an honor that has been conferred upon hundreds of the best young singers since 1971.
Ian Sullivan, Artistic Director of The Long Island Theatre Collective is very excited about their 2016-2017 season: "We are proud to present two world premier pieces from excellent young playwrights and a modern American classic written by one of our countries most prolific voices...they feature distinctly American voices and American stories and are incredibly relevant."
We are bringing the Silver Screen back to the PIX! Once a month, for only $5 a ticket, come see a movie in this historic building! All movies will begin at 6:30 pm. We have popcorn, cookies, pretzels, beef sticks, beer, wine, soda, water, and a variety of hot drinks at our concession stand!
Last April, the George London Foundation for Singers concluded the 20th year of its celebrated George London Foundation Recital Series with a gala featuring some of opera's most prominent American and Canadian stars. The foundation has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada since 1971, and the annual series presents pairs of outstanding opera singers, many of whom were winners of a George London Award, the prize of the foundation's annual vocal competition.
The subject of The 39 Steps isn't an innocent man being chased by spies across Scotland, and it isn't Alfred Hitchcock, although it serves as a fine pastiche of iconic Hitchcock moments. What seems to be on the mind of Patrick Barlow, adapting the 1938 movie more than John Buchan's classic novel, is theatre itself; the nonsensical artificiality that lies at the core of the theatrical experience. It invites us to not just recognize but embrace it in uproarious celebration.
Frank Capra's 1941 comedy-drama Meet John Doe is featured in the August lineup on Reel 13. In Meet John Doe, director Frank Capra makes powerful political statements that seem prescient today.
Such dramatic suspense as exists in Crash and Burn hangs on the question whether it is possible Financier Milty has outsmarted himself (perhaps out-stupided himself might be a better phrase) by retaining two such paragons of dimness, greed, and vanity as Lawyers Crash and Burn to represent him: Might they fail at failure?
Carnegie Hall today announced that Robert F. Smith has been elected as Chairman of Carnegie Hall's Board of Trustees. Mr. Smith-a trustee since 2013-succeeds Carnegie Hall's Acting Chairman Mercedes T. Bass. A longtime trustee, Mrs. Bass will continue to serve in a leadership role, resuming her position as a Vice Chair. Both Mr. Smith and Mrs. Bass will assume these posts effective immediately. Mr. Smith was elected today at a meeting of the Hall's trustees.
Upon the conclusion of the 20th year of its celebrated recital series, which was marked with a gala in April featuring some of opera's most prominent American and Canadian stars, the Foundation announces its 2016-17 season of events.
Theater Resources Unlimited (TRU) and The Playroom Theatre present Practical Playwriting: How to Write for Commercial Production, on Saturday, May 14, 2016 from 10:00am - 5:30pm at The Playroom Theater, 151 W. 46th Street, 8th floor, NYC 10036. The workshop is one of a series of TRU BEGINNINGS workshops, opportunities for early development of new work. For more details and to download an application, please visit http://truonline.org/events/practical-playwriting/
“A work of art is above all an adventure of the mind,” quotes Eugène Ionesco, the author of the Boulevard Theatre's charming and provocative production Bald Soprano.. Ionesco, considered one of the forerunners of absurd/surreal theater, wrote the one-act play (90 minutes, no intermission) at the beginning of his career in 1948. A time in his forties when he first began dabbling in the “anti-play,” an artistic comment on cultural and social conversation and mores, seen from his French perspective that had survived the devastation of Paris and other European countries, including the Nazi invasions and regime during World War II.