Morris Panych News

Closing the Center Theatre Group/Mark Taper Forum 2011 season will be the wickedly funny 'Vigil,' a dark comedy written and directed by Morris Panych and featuring Marco Barricelli and Academy Award-winner Olympia Dukakis, November 2 through December 18. The opening is set for November 6.

With the title Vigil what should one expect? And its graphic with Olympia Dukakis framed by the parameters of a coffin? Death, most assuredly. But will it be funny? Vigil... Waiting For Godot comes to mind. Well, if it weren't for its two actors cavorting and acting silly, that play's tediousness might turn its audience to stone. As it turns out, Vigil's first act goes on and on as well... with Grace (Olympia Dukakis) saying nothing and Kemp (Marco Barricelli) waiting super impatiently for her to die. He's her nephew and hasn't seen her for thirty years. He's come back to care for her unwillingly at her request, and he's left his job with no money and is very unhappy. Once he starts talking about himself, we learn that he has always been unhappy... since childhood. He considers life stupid and pointless. What doesn't appear negative to him? As he looks from Grace's loft apartment window, he sees a crippled man with a wooden leg and makes fun of his zest for living, as he hops along. Sad fellow, this Kemp. As in most black comedies, there's a normal situation which somehow turns abnormal and very, very sour. If it's already sour, than more so. Events, usually queer, occur, as if out of the blue, that provoke tremendous over-the-top laughs. Being a black comedy, Vigil is no exception. It's dark humor is infectious, but as playwright Panych questions how long Kemp will last, he puts his audience at the mercy of this whole scenario as well, and that does create some painstaking anxiety. Will she die? Or more agonizingly when will she say something? Vigil is not an easy pill to digest.

Closing the Center Theatre Group/Mark Taper Forum 2011 season is the wickedly funny 'Vigil,' a dark comedy written and directed by Morris Panych and featuring Marco Barricelli and Academy Award-winner Olympia Dukakis, through December 18. Check out photos from opening night below!

Academy Award winning actress Olympia Dukakis led eleven actors through a 3-day scene study and monologue class inside Judith Malina's Living Theater in a basement on Clinton Street over the Columbus holiday weekend.

Closing the Center Theatre Group/Mark Taper Forum 2011 season will be the wickedly funny 'Vigil,' a dark comedy written and directed by Morris Panych and featuring Marco Barricelli and Academy Award-winner Olympia Dukakis, November 2 through December 18. The opening is set for November 6.

Amphibian Stage Productions will continue its twelfth season with the regional premiere of Vigil by Morris Panych. Andrew Volkoff directs Elly Lindsay and Jonathan Fielding in this dark comedy that closes October 2 at the Hardy & BetTy Sanders Theatre in the Fort Worth Community Arts Center.

Amphibian Stage Productions will continue its twelfth season with the regional premiere of Vigil by Morris Panych.

Amphibian Stage Productions will continue its twelfth season with the regional premiere of Vigil by Morris Panych.

The Stratford Shakespeare Festival's Board of Governors announceed that Des McAnuff will continue as Artistic Director through the 2013 season. 'Mr. McAnuff is a very gifted director and leader who is much in demand, and we are delighted that he has agreed to continue as our Artistic Director for an additional two years,' says Dr. Lee Myers, Chair of the Board of Governors.

Lantern Theater Company is partnering with Center for Advocacy for the Rights and Interests of the Elderly (CARIE) to present a special panel discussion in conjunction with the Lantern's production of Vigil by acclaimed Canadian playwright Morris Panych, on stage through Sunday, June 12.

Lantern Theater Company concludes its 2010/11 season with Vigil, the witty, cheeky, and gratifyingly macabre comedy from acclaimed Canadian playwright Morris Panych.

American Conservatory Theater (A.C.T.) brings another acclaimed international hit to the Bay Area with the U.S. premiere of The Virtual Stage and Electric Company Theatre's production of Jean-Paul Sartre's No Exit. Adapted from the French by Paul Bowles and conceived and directed by Kim Collier, this production arrives fresh from sold-out performances across Canada. When a mysterious valet ushers three people into a shabby hotel room, they soon discover that hell isn't fire and brimstone at all-it's other people. Sartre's existential masterpiece, skillfully reimagined through the perspective of a series of hidden cameras, turns the stage into a cinema, and the audience into voyeurs, as a thrillingly staged 'live film' takes place before your eyes. Described as 'epic, voyeuristic, theater-as-film staging . . . spectacularly brilliant' by the Calgary Herald and 'diabolically inventive . . . a riveting theatrical event' by the Georgia Straight (Vancouver), No Exit plays April 7-May 1, 2011, at the American Conservatory Theater (415 Geary Street, San Francisco). Press night is Wednesday, April 13, 2011, at 8 p.m. Tickets (starting at $10) are available by calling the A.C.T. Box Office at 415.749.2228 or at www.act-sf.org. Collier, who recently received the prestigious Siminovitch Prize, Canada's largest theater award, explains the impulses behind her vision for Sartre's oft-visited play: 'In this new vision for No Exit, the sense of entrapment and alienation is more complete and palpable. By creating a theatrical space around the hotel room that traditionally defined the perimeter, we are 'widening the frame' on Sartre's play. This gives us a platform to continue our investigations of the intersection of live theater and film, and to investigate how a silent, physical narrative can reframe an existing, well-known piece.' Electric Company Theatre, a leading force in Canada's flourishing experimental theater scene, has made a name for itself since 1996 for pieces that are rich in spectacle and adventurous in form. As in No Exit, the audience is at the center of the company's creative process, and the act of watching usually becomes a theme of their work. In this production of No Exit, the Valet ushers each of the three visitors into a bunker onstage, where they are locked in with multiple cameras that feed their actions to three oversized screens. The audience experiences their interactions closeup and in real time, while the Valet's outside world creates an illuminating juxtaposition and framework for the action captured on film. With such shows as Brief Encounter and The Black Rider, A.C.T. has received recognition for presenting the American premieres of many groundbreaking theatrical works. Beginning with 2005's The Overcoat, Artistic Director Carey Perloff has formed strong connections with such acclaimed Canadian artists as Peter Anderson (who starred in The Overcoat as well as A.C.T's The Tosca Project) and Morris Panych (who wrote and directed last season's Vigil). Collier says: 'This U.S. premiere is a product of a few years of great conversations and visits with Carey Perloff and the tremendous staff at A.C.T. Over time we discovered not only a shared vision for theater, but also a fantastic, supportive, and inspiring partner.' The original cast of this new interpretation of No Exit will be performing at A.C.T. for the U.S. premiere: Lucia Frangione as Estelle; Laara Sadiq as Inez; Andy Thompson, who is the founding artistic and managing director of The Virtual Stage and designed the video projections, as Cradeau; and Jonathon Young as the Valet. The creative team, also from the premiere production and the Canadian tour, include sound designer Brian Linds, costume designer Kirsten McGhie, scenic designer Jay Gower Taylor, and lighting designer John Webber. A.C.T. will offer numerous InterACT events-many of which are offered free of charge-in association with No Exit that will give patrons opportunities to get closer to the action while making a whole night out of their evening at the theater: * 10UP: World-Class Theater at Happy-Hour Prices: Apr. 7-17 Live it up with 10UP! Enjoy the Bay Area's best theater for only $10 a ticket for Balcony seats during select performances. The third-floor Sky Bar opens one hour before curtain-show up early and mingle with other theatergoers while you enjoy happy-hour drinks and soak up the historic charm of one of the most beautiful theaters in the country. * Audience Prologue, featuring director Kim Collier: Tue., Apr. 12, at 5:30 p.m. Get inside the artistic process with a free half-hour preshow discussion with Kim Collier. FREE and open to the public (no tickets required). * Bring What You Can/Pay What You Wish: Thu., Apr. 14, at 8 p.m. Pay any amount for your tickets when you bring nonperishable food donations for the San Francisco Food Bank (sffoodbank.org). Patrons are limited to two tickets per donated item, two tickets per person. Tickets go on sale at 6 p.m. the day of the performance. Sponsored by Bank of the West. * Theater on the Couch: Fri., Apr. 15, at 8 p.m. Join members of the San Francisco Center for Psychoanalysis for an exciting postperformance discussion that explores the psychological aspects of the show and addresses audience questions. * Audience Exchanges: Tue., Apr. 19, at 7 p.m. / Sun. Apr. 24, at 2 p.m. / Wed., Apr. 27, at 2 p.m. After the show, stick around for a lively Q&A session with the actors and artists who create the work onstage. * OUT with A.C.T.: Wed., Apr. 20, at 8 p.m. Ten-year anniversary! Meet the cast and enjoy free cocktails and treats at these popular LGBT parties. Visit www.act-sf.org/out for more information about OUT night. A.C.T.'s presentation of No Exit is made possible by executive producers Mrs. Albert Moorman and Mary and Steven Swig; producers Jeffrey W. and Jeri Lynn Johnson; and associate producers Nancy and Joachim Bechtle, Ronald Casassa, Myrkle and Madeline Deaton, Joan Eckart, Roberta and David Elliott, Vicki and David Fleishhacker, Dorothy A. Hyde, Charlie and Ann Johnson, Mr. Joel Krauska and Ms. Patricia Fox, Tim Mott, and Gary E. Roof and Douglas L. Light. A.C.T. would also like to acknowledge its 2010-11 season company sponsors: Priscilla and Keith Geeslin; Ambassador James C. Hormel and Mr. Michael P. Nguyen; Nancy Livingston and Fred Levin, The Shenson Foundation; Burt and Deedee McMurtry; Patti and Rusty Rueff; Kathleen Scutchfield; Mary and Steven Swig; Jeff and Laurie Ubben; and Susan A. Van Wagner.

Helen Stenborg, a Tony-nominated, Obie Award-winning actress and long-time spouse of the late Tony Award-winning actor Barnard Hughes, died Tuesday evening, March 22 at her Manhattan apartment. Her son Doug Hughes and daughter Laura Hughes were at her bedside. She was 86.

Rocketship Productions, presents the Southwest premiere of its newest play Dark at the End of the Tunnel this March at The Stone Cottage at Watertower Theatre: Created by Paden Fallis and directed by Chuck Hudson, Dark at the End of the Tunnel will begin performances on Wednesday, March 9th @ 7:30pm.

American Conservatory Theater (A.C.T.) brings another acclaimed international hit to the Bay Area with the U.S. premiere of The Virtual Stage and Electric Company Theatre's production of Jean-Paul Sartre's No Exit. Adapted from the French by Paul Bowles and conceived and directed by Kim Collier, this production arrives fresh from sold-out performances across Canada. When a mysterious valet ushers three people into a shabby hotel room, they soon discover that hell isn't fire and brimstone at all-it's other people. Sartre's existential masterpiece, skillfully reimagined through the perspective of a series of hidden cameras, turns the stage into a cinema, and the audience into voyeurs, as a thrillingly staged 'live film' takes place before your eyes. Described as 'epic, voyeuristic, theater-as-film staging . . . spectacularly brilliant' by the Calgary Herald and 'diabolically inventive . . . a riveting theatrical event' by the Georgia Straight (Vancouver), No Exit plays April 7-May 1, 2011, at the American Conservatory Theater (415 Geary Street, San Francisco). Press night is Wednesday, April 13, 2011, at 8 p.m. Tickets (starting at $10) are available by calling the A.C.T. Box Office at 415.749.2228 or at www.act-sf.org. Collier, who recently received the prestigious Siminovitch Prize, Canada's largest theater award, explains the impulses behind her vision for Sartre's oft-visited play: 'In this new vision for No Exit, the sense of entrapment and alienation is more complete and palpable. By creating a theatrical space around the hotel room that traditionally defined the perimeter, we are 'widening the frame' on Sartre's play. This gives us a platform to continue our investigations of the intersection of live theater and film, and to investigate how a silent, physical narrative can reframe an existing, well-known piece.' Electric Company Theatre, a leading force in Canada's flourishing experimental theater scene, has made a name for itself since 1996 for pieces that are rich in spectacle and adventurous in form. As in No Exit, the audience is at the center of the company's creative process, and the act of watching usually becomes a theme of their work. In this production of No Exit, the Valet ushers each of the three visitors into a bunker onstage, where they are locked in with multiple cameras that feed their actions to three oversized screens. The audience experiences their interactions closeup and in real time, while the Valet's outside world creates an illuminating juxtaposition and framework for the action captured on film. With such shows as Brief Encounter and The Black Rider, A.C.T. has received recognition for presenting the American premieres of many groundbreaking theatrical works. Beginning with 2005's The Overcoat, Artistic Director Carey Perloff has formed strong connections with such acclaimed Canadian artists as Peter Anderson (who starred in The Overcoat as well as A.C.T's The Tosca Project) and Morris Panych (who wrote and directed last season's Vigil). Collier says: 'This U.S. premiere is a product of a few years of great conversations and visits with Carey Perloff and the tremendous staff at A.C.T. Over time we discovered not only a shared vision for theater, but also a fantastic, supportive, and inspiring partner.' The original cast of this new interpretation of No Exit will be performing at A.C.T. for the U.S. premiere: Lucia Frangione as Estelle; Laara Sadiq as Inez; Andy Thompson, who is the founding artistic and managing director of The Virtual Stage and designed the video projections, as Cradeau; and Jonathon Young as the Valet. The creative team, also from the premiere production and the Canadian tour, include sound designer Brian Linds, costume designer Kirsten McGhie, scenic designer Jay Gower Taylor, and lighting designer John Webber. A.C.T. will offer numerous InterACT events-many of which are offered free of charge-in association with No Exit that will give patrons opportunities to get closer to the action while making a whole night out of their evening at the theater: * 10UP: World-Class Theater at Happy-Hour Prices: Apr. 7-17 Live it up with 10UP! Enjoy the Bay Area's best theater for only $10 a ticket for Balcony seats during select performances. The third-floor Sky Bar opens one hour before curtain-show up early and mingle with other theatergoers while you enjoy happy-hour drinks and soak up the historic charm of one of the most beautiful theaters in the country. * Audience Prologue, featuring director Kim Collier: Tue., Apr. 12, at 5:30 p.m. Get inside the artistic process with a free half-hour preshow discussion with Kim Collier. FREE and open to the public (no tickets required). * Bring What You Can/Pay What You Wish: Thu., Apr. 14, at 8 p.m. Pay any amount for your tickets when you bring nonperishable food donations for the San Francisco Food Bank (sffoodbank.org). Patrons are limited to two tickets per donated item, two tickets per person. Tickets go on sale at 6 p.m. the day of the performance. Sponsored by Bank of the West. * Theater on the Couch: Fri., Apr. 15, at 8 p.m. Join members of the San Francisco Center for Psychoanalysis for an exciting postperformance discussion that explores the psychological aspects of the show and addresses audience questions. * Audience Exchanges: Tue., Apr. 19, at 7 p.m. / Sun. Apr. 24, at 2 p.m. / Wed., Apr. 27, at 2 p.m. After the show, stick around for a lively Q&A session with the actors and artists who create the work onstage. * OUT with A.C.T.: Wed., Apr. 20, at 8 p.m. Ten-year anniversary! Meet the cast and enjoy free cocktails and treats at these popular LGBT parties. Visit www.act-sf.org/out for more information about OUT night. A.C.T.'s presentation of No Exit is made possible by executive producers Mrs. Albert Moorman and Mary and Steven Swig; producers Jeffrey W. and Jeri Lynn Johnson; and associate producers Nancy and Joachim Bechtle, Ronald Casassa, Myrkle and Madeline Deaton, Joan Eckart, Roberta and David Elliott, Vicki and David Fleishhacker, Dorothy A. Hyde, Charlie and Ann Johnson, Mr. Joel Krauska and Ms. Patricia Fox, Tim Mott, and Gary E. Roof and Douglas L. Light. A.C.T. would also like to acknowledge its 2010-11 season company sponsors: Priscilla and Keith Geeslin; Ambassador James C. Hormel and Mr. Michael P. Nguyen; Nancy Livingston and Fred Levin, The Shenson Foundation; Burt and Deedee McMurtry; Patti and Rusty Rueff; Kathleen Scutchfield; Mary and Steven Swig; Jeff and Laurie Ubben; and Susan A. Van Wagner.

Lantern Theater Company continues its 2010/11 season with A Midsummer Night's Dream (Mar. 10 - Apr. 17, 2011) by William Shakespeare.

Lantern Theater Company is thrilled to announce that it will honor Lucille Larkin and Ellen Mulroney with the 2011 Luminary Award at its Annual Benefit on Friday, February 18, 2011, from 6:00 p.m. to 10:00 p.m. A Midwinter Night's Dream will be held at the elegant Down Town Club at 6th & Chestnut Streets in Center City, and will include cocktails and hors d'oeuvres, dinner and dessert, plus live music from the Alex Hiele Trio and a Silent Auction featuring exclusive vacations, fine dining, entertainment, adventures, sports, and other unique items.

Rocketship Productions, presents the Southwest premiere of its newest play Dark at the End of the Tunnel this March at The Stone Cottage at Watertower Theatre: Created by Paden Fallis and directed by Chuck Hudson, Dark at the End of the Tunnel will begin performances on Wednesday, March 9th @ 7:30pm.

Due to extraordinarily high demand, Lantern Theater Company announces a one-week extension of A Skull in Connemara by acclaimed Irish playwright Martin McDonagh.

Lantern Theater Company continues its 2010/11 season with the Philadelphia premiere of A Skull in Connemara (Jan. 13 - Feb. 6, 2011) by acclaimed Irish playwright Martin McDonagh.