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Photo Flash: Repertory Theatre of St Louis' RACE

The Repertory Theatre of St. Louis presents David Mamet's Race, directed by Timothy Near, February 8 - March 4. The production stars Zoey Martinson (Susan), Morocco Omari (Henry), Jeff Talbott (Jack), Mark Elliot Wilson (Charles). Check out production shots below!

BWW Interviews: To Explorer Richard Wiese, “All The World’s A Stage”

Arguably, William Shakespeare is the greatest playwright the English language has known. In his play AS YOU LIKE IT, the character Jacques has the famous monologue which begins with the famous words, "All the world's a stage and the men and women merely players…" To explorer Richard Wiese, the words ring true and his new television series BORN TO EXPLORE vividly prove that Shakespeare knew what he was talking about. Each episode of the show provides the viewers with stunning scenery, high drama and a true exploration of the human condition. It's television at its best.

Sundance Institute Announces 1st 2012 Stop For Film Forward 2/27-3/1

FILM FORWARD: Advancing Cultural Dialogue, an initiative of Sundance Institute and the President's Committee on the Arts and the Humanities in collaboration with the National Endowment for the Arts, the National Endowment for the Humanities, and the Institute of Museum and Library Services, takes place in Arizona from February 27 through March 1, 2012.

BWW Reviews: Rep's Incendiary Production of RACE

In a season already packed with hits, the Rep smacks a home run with David Mamet's profanely brilliant play, RACE. Managing to expound not only about race, but also on how the justice system works in some cases, Mamet produces a wonderfully provocative work that seems designed to have tongues wagging after the performance. A splendid cast and smart, incisive direction come together to produce a masterwork. This fast-paced and driving play never lets up for a minute, and leaves the audience with plenty to chew on afterward.

RACE Continues The Rep's 45th Season

The Repertory Theatre of St. Louis (The Rep) presents the powerful play Race by David Mamet. This suspenseful drama will be performed on the Browning Mainstage of the Loretto-Hilton Center for the Performing Arts, 130 Edgar Road (on the campus of Webster University), Webster Groves, February 8 - March 4, 2012.

Bard SummerScape Announces Their 2012 Season

Culture at the crossroads in Belle Époque France will be explored at the ninth annual Bard SummerScape festival, which once again features a sumptuous tapestry of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 23rd annual Bard Music Festival.

RACE Continues The Rep's 45th Season

The Repertory Theatre of St. Louis (The Rep) presents the powerful play Race by David Mamet. This suspenseful drama will be performed on the Browning Mainstage of the Loretto-Hilton Center for the Performing Arts, 130 Edgar Road (on the campus of Webster University), Webster Groves, February 8 - March 4, 2012.

Between the Seas Festival Seeks Submissions

Between the Seas Festival of Mediterranean Performing arts is excited to announce an open call for submissions in the fields of dance, theater and music from performing artists of the Mediterranean.

The Jewish Museum To Remain Open Today

Continuing its popular tradition, The Jewish Museum will be open on Christmas Day, Sunday, December 25 from 11 am to 4:30 pm.

Met Live's THE MAGIC FLUTE and HANSEL & GRETEL Get Holiday Encores

This holiday season, NCM Fathom and the Metropolitan Opera will present special encores of Humperdinck's Hansel and Gretel and Mozart's The Magic Flute from the award-winning series The Met: Live in HD. The operas, presented in abridged versions and sung in English, are designed to bring appeal of the opera to families with children and will screen in the United States through NCM's exclusive Digital Broadcast Network on December 21 and December 22.

The Atlanta Shakespeare Company at The New American Shakespeare Tavern Presents THE MERCHANT OF VENICE Beginning 1/8

Bassanio, needing money to woo Portia, heiress of Belmont, asks his friend Antonio, a Venetian merchant, for 3,000 ducats. Having no money by him and with all his ships at sea, Antonio goes to a Jewish moneylender, Shylock, who hates him for his loathing of usury. Shylock proposes what he calls a "merry bond" by which, if the money is not repaid within three months, he may take a pound of Antonio's flesh; foolishly Antonio agrees.

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