With the strains of 'Auld Lang Syne' mere moments away, minds are apt to be caught up in reflection, remembering the year now ending as a new one awaits just over the horizon. Certainly that's what I've been doing lately, looking back over the past year in Nashville theatre as I pencil in dates in my new 2010 (Here's a question to ponder: Is it 'two thousand ten' or 'twenty ten'...think about it and get back to me) calendar for the shows set to open in the months ahead.
Nashville Ballet ushers in the holiday season in glorious style with its revival of artistic director Paul Vasterling's visionary re-interpretation of The Nutcracker, onstage at TPAC's Andrew Jackson Hall through December 20. More accurately referred to as Nashville's Nutcracker, Vasterling's epic work is a joyous, colorful Christmas card to the people of Music City who have embraced it with their customary warmth and rewarded it with their own glowing accolades.
Since its preeminence among the city's artistic entities became de facto, Nashville Ballet has consistently launched the real artistic season in Music City each year -- and with the return of Giselle to the company's program after a seven-year hiatus, the 2009-2010 season is off to a rousing start. One of the most beloved works from the classical repertoire, Giselle is a challenging undertaking for any company, but thanks to the vision of artistic director Paul Vasterling, Nashville Ballet's production is a visual feast, featuring stunning costumes, evocative lighting and gorgeous scenery.
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