The Metropolitan Opera today announced its 2019 20 season, which opens on September 23 with a new production of the Gershwins' classic American opera Porgy and Bess, last performed at the Met in 1990, starring Eric Owens and Angel Blue, directed by James Robinson and conducted by David Robertson.
Sir John Eliot Gardiner (photo: Chris Christodolou for the BBC Proms) When the Berlioz Series 2018 - their transatlantic tour in anticipation of the composer's 150th anniversary - took Sir John Eliot Gardiner and the Orchestre Revolutionnaire et Romantique to London's BBC Proms last month, the critical response was euphoric. Their performance scored five-star reviews in The Times of London, the Arts Desk, and the Financial Times, which concluded: 'Berlioz has no idea what he missed.' Now the series sees the orchestra and Gardiner - the winner of more Gramophone Awards than any other living artist - return to the States for concerts in Chapel Hill, NC (Oct 10), Ann Arbor, MI (Oct 12), and at New York's Carnegie Hall (Oct 14 & 15).
Whether from disease, 19th century #MeToo-style abuse, or unrequited love, Opera Philadelphia's (OP) Festival O18 opening weekend showed us three ways that central female characters lost their grip on reality. While I considered only one of them a total success, audience openness to sometimes-demanding material made it clear that the company has found a formula that strikes at the hearts of opera-goers, new and old.
This October, Artistic Director and Conductor Sir John Eliot Gardiner and his Orchestre Revolutionnaire et Romantique (ORR) return to Carnegie Hall with two all-Berlioz concerts in Stern Auditorium / Perelman Stage. On Sunday, October 14 at 3:00 p.m., the program features the overture to Le Corsaire; La mort de Cleopatre and selections from Les Troyens, Part II, Op. 5, with mezzo-soprano Lucile Richardot as soloist; and Harold in Italy, Op. 16, with violist Antoine Tamestit as soloist.
This October, Artistic Director and Conductor Sir John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique (ORR) return to Carnegie Hall with two all-Berlioz concerts in Stern Auditorium / Perelman Stage. On Sunday, October 14 at 3:00 p.m., the program features the overture to Le Corsaire; La mort de Cléopâtre and selections from Les Troyens, Part II, Op. 5, with mezzo-soprano Lucile Richardotas soloist; and Harold in Italy, Op. 16, with violist Antoine Tamestit as soloist.
Opera Philadelphia – “one of the most creative and ambitious companies in this country” (New York Times) – is set to take the opera world by storm once again, as it looks forward to O18, the second installment of its pioneering Festival O, with the “spirit ... not to follow taste but to lead it” (Philadelphia Inquirer). Festival 018comprises five operatic happenings – two world premieres, two new productions, and a three-part cabaret event – at multiple venues across the city from September 20-30, and features two superstar opera divas: coloratura soprano Brenda Rae and mezzo-soprano Stephanie Blythe, co-stars of Opera Philadelphia's acclaimed spring 2017 production of Rossini's Tancredi. Rae headlines a new production of Donizetti's Lucia di Lammermoor from celebrated director and designer Laurent Pelly that anchors both the O18 festival and the company's year-round Opera at the Academy series. Blythe (aka Blythely Oratonio) takes the stage at Philadelphia's Theatre of Living Arts (TLA) for a three-night, three-part cabaret takeover titled Queens of the Night, along with self-described “drag queen king” Dito van Reigersberg (aka Martha Graham Cracker). It all leads up to a reprise performance of Dito & Aeneas: Two Queens, One Night, Opera Philadelphia's 2017 cabaret-play spectacular, which was hailed as “smart and bubbly in all the right places” (Philadelphia Inquirer). The two divas even perform together on the TLA stage, when Rae makes a special guest appearance opposite Blythe, comedically echoing the tragic lovers of Tancredi.
Opera Philadelphia is set to take the opera world by storm once again, as it looks forward to O18, the second installment of its pioneering Festival O.
Carnegie Hall's 2018-2019 season is fast approaching, and we are looking forward to exciting new projects and outstanding concerts! Highlights below include Carnegie Hall's Opening Night Gala with the San Francisco Symphony led by Michael Tilson Thomas as he embarks on his season-long Perspectives series; the launch of pianist Yuja Wang's Perspectives series; concerts curated and performed by Chris Thile, holder of the Richard and Barbara Debs Composer's Chair; the debut of Decoda, featuring alumni of Ensemble Connect; concerts celebrating the 50th anniversary of the New York String Orchestra and the 90th birthday of pianist Leon Fleisher; and, coming in spring 2019: a citywide festival-Migrations: The Making of America.
The University Musical Society (UMS), under the leadership of President Matthew VanBesien, today announces its 140th season in 2018-19 with an initial slate of 40 performances and events. One of the country's most acclaimed performing arts presenters, UMS honors its past by showcasing respected ensembles and performers with whom it has enjoyed rich relationships, and fully embraces the future as initiator, incubator, and accelerator for innovative new works and projects. This potent combination infuses the anniversary season with dynamic and diverse voices and perspectives featuring artists at the top of their game - celebrating the canon, taking risks, moving genres in new directions, disrupting stereotypes, and surprising audiences.
When Opera Philadelphia's inaugural Festival O launched the present season, the opera world responded with a standing ovation, welcoming it as 'one of the most enjoyable additions to the fall calendar in years'
When Opera Philadelphia's inaugural Festival O launched the present season, the opera world responded with a standing ovation, welcoming it as "one of the most enjoyable additions to the fall calendar in years"
The International Opera Awards are pleased to announce the finalists for this year's Awards. These were selected by an international jury chaired by John Allison, editor of Opera magazine and classical music critic with The Daily Telegraph: 'It's gratifying to see how the International Opera Awards just keep growing. With a record number of nominations to consider, and our biggest and most international jury yet, I'm delighted to say that our exciting shortlists-covering six continents and around 30 countries-reflect the truly cosmopolitan nature of the art form. Despite the challenges faced by opera companies almost everywhere, opera is vibrantly alive.'
It's just about time to wish you all a happy 2018--but I'm not quite ready to put 2017 to rest. Though it won't go into the annals as one of the best years ever, there were quite enough performances and performers that made this year a winner for me, operatically speaking at least, in my corner of the world.
Nothing beats sitting in the opera house for the thrill of hearing singers giving their all. But the new recording of Berlioz's LES TROYENS (THE TROJANS), conducted by John Nelson, comes pretty close. Taken from a couple of live concert performances in Strasbourg, France, at the Salle Erasme, with a cast headed by mezzo Joyce DiDonato as Dido (Didon, en francais), tenor Michael Spyres as Aeneas (Enee) and Marie-Nicole Lemieux as Cassandra (Cassandre) plus that famed Trojan horse--brings us all the chills and thrills we could want, short of being there.
The recording of the complete, uncut score of Les Troyens is drawn from two concert performances that took place over the Easter weekend in April 2017 in the city of Strasbourg in eastern France.
This September, Italian conductor Carlo Rizzi steps onto the Metropolitan Opera's podium once again to open the 2017-18 season with Bellini's Norma, in a new production directed by Sir David McVicar.
Will Crutchfield, longtime director of the Bel Canto at Caramoor series, announced today the formation of a new organization, Teatro Nuovo, that will continue and expand that program's work as it departs from Caramoor next year.
Ranking among today's leading conductors, Carlo Rizzi's vast repertoire ranges from the foundation works of the operatic and symphonic canon to rarities by Bellini, Cimarosa and Donizetti. He is in high demand as a guest artist at the world's most prestigious venues and festivals, not least for the insight and integrity of his musicianship and the visceral energy and psychological depths of his interpretations.
The legendary Placido Domingo returns to Lyric for a single evening in March for a glorious musical celebration - his only Chicago-area appearance this year.
The legendary Placido Domingo returns to Lyric for a single evening in March for a glorious musical celebration - his only Chicago-area appearance this year.
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